Live Review

LIVE REVIEW: LINKIN PARK AT INTUIT DOME

Wow! Seriously, Wow! I have to say this show was beyond awesome. There are some bands out there that just have the right recipe for putting on a show that leaves you feeling great, inspired and ready to take on anything and Linkin Park is definitely one of those bands. This show in Los Angeles as part of their From Zero World Tour, was outstanding. Last year around this time, I went to their return show at The Forum and that one too was something special. And just like that show, it was full of so many people smiling, singing along, sharing in the joy of getting to see Linkin Park do what they do best.

At 9:05pm, the screens around the venue turned dark and a 10 minute countdown appeared, when the clock hit zero, it was on! Colin, Joe, Dave, Alex, Emily and Mike all took the stage and blasted off with the heaviest version of “Somewhere I Belong,” I’ve ever heard. I didn’t realize how good of an opener that song really is. From there it was just an onslaught of banger after banger with “Crawling,” “Up From The Bottom,” Lying From You (which is one of my all time favorite LP songs),” and “The Emptiness Machine.” Talk about a way to open a set. Those 5 songs not only set the night on fire but, the crowd participation on each of those songs was astounding, especially on “Crawling” and “Lying From You.” After that, it went into so many other great gems LP has including 2 songs from the very underrated and very awesome A Thousand Suns, “Waiting For The End (another of my all time favorite LP songs)” and “The Catalyst.” The From Zero songs really were on fire like “Two Faced,” “Overflow,” “Stained,” “Over Each Other” but, even more so on the live debut of “Unshatter,” “Heavy Is The Crown” and “I Gave You Everything I Have.” The latter of which was a real highlight for me. The explosive nature of that song ferocious. Other fun songs like “Lost” from the Meteora 20 release sounded great. It started with just Mike and Emily then it hit the gas pedal for the second chorus and was simply divine. When they played “Numb” they started the song off in a very fantastic fashion by speeding it up to make it more of a “punk” sounding song. I so want to hear it in full like that! During “In The End” the crowd participation was almost deafening. I love a good concert sing along and this one might have taken the cake this year. Of course when they played “Faint” and “Papercut” I was through the roof. Those 2 songs are in my top 5 LP songs of all time. I absolutely love those songs. The video for “Faint” is one of my all time favorites too. During the set too there were a couple of solo moments where Joe Hahn showed off his scratching skills. I forgot how damn good he is at that. Reminded me a bit of seeing them back in the Hybrid Theory era and how they would do that. Also, Mike had his solo moment with “When They Come For Me/Remember The Name” during part of that Mike likes to throw in a different rap verse from other songs and this evening he pulled out part of “High Voltage” which was pretty awesome. Closing out the night was the always fun “Bleed It Out” which also during the bridge they threw in part of “A Place For My Head” and then it was over.

If you have ever been a doubter of Linkin Park, seeing them live will change that. I had a long history of writing the band off but, I’m really glad I went back to listen and rediscover them. Having Emily and Colin in the band now has not only breathed new life into the band but, given all of us fans a reason to look forward to the future. Emily is a force of nature all on her own and these songs go even harder than before. That’s not a knock on Chester at all. Chester was great too but, with Emily it feels like the older songs are taken to new heights and the new songs are so damn good. Honestly this show and night was genuinely everything you’d want it to be. The production of the stage show was superb. It felt very immersive and intimate even though there wasn’t an empty seat or place to stand in the whole arena.

I took my daughter with me to the show as well and she had such an amazing time. She’s a huge LP fan and to see her smile, be happy and singing along was the cherry on top. Getting to share music with my daughter, friends and all of you is what makes this all fun. Seriously, if you haven’t heard From Zero, give it a listen. And the next time Linkin Park comes through town, GO!!! I know I will!

Overall Rating: A

Review and Photos By: Brian Lacy

Linkin Park Set List:

01) Somewhere I Belong
02) Crawling
03) Up From The Bottom
04) Lying From You
05) The Emptiness Machine
06) The Catalyst
07) Burn It Down
08) Stained
09) Where’d You Go (Fort Minor Cover)
10) Waiting For The End
11) Castle Of Glass
12) Two Faced
13) Joe Hahn Solo
14) When They Come For Me/Remember The Name (High Voltage Verse)
15) I Gave You Everything I Have
16) One Step Closer
17) Lost
18) Unshatter (Live Debut)
19) What I’ve Done
20) Overflow
21) Numb
22) Over Each Other
23) In The End
24) Faint
ENCORE:
25) Papercut
26) Heavy Is The Crown
27) Bleed It Out (with A Place For My Head verse)

PHOTOS:


LIVE REVIEW: OASIS AT ROSE BOWL

Oasis is one of those bands that I’ve been hoping would get back together for years. The last time I saw them was in 2008 on what would be their very last tour. For almost 20 years this silly feud between Liam and Noel lasted. Thankfully, that’s behind them now (fingers crossed) and we can all get to experience one of the best pure rock bands from the last 30 years. There is no denying the great songs, albums and performances throughout the years. This time around though, it’s different. It feels like a renewed sense of purpose and the songs have taken on a whole new meaning. Seriously, the world needs Oasis right now and this show was definitely proof of that!

At 8:45pm, the lights went down and the video countdown on the screen appeared, then a short little montage of clips from their career started and then to a roaring applause, Liam and Noel walked out on stage hand in hand to even more of a roar, and then immediately kicked off with “Hello,” which I have to say, was the perfect way to start the set. “Acquiesce” would follow right after along with “Morning Glory.” “Morning Glory” was a highlight for me. I’ve always loved that song so much, and this version they played had a bit of an extra edge to it. Other highlights included “Some Might Say,” “Cigarettes and Alcohol,” “Fade Away,” “Little By Little,” “Stand By Me” this song had sooo many people singing along and swaying in unison. Quite the sight to see. When one of my all time favorite Oasis songs ever in “Slide Away” was played, it sent me into the stratosphere. Even my daughter who was with me was singing her heart out throughtout the night but, especially on this song. Proud dad moment right there. Also before they played the song, Liam dedicated the song to “all the lovebirds in the house but, not in the Coldplay way. Love who you want, we don’t care.” I love the dig at Coldplay because well, Coldplay sucks! Yeah I said it! Then not too long after, I heard my all time favorite in “Live Forever.” I don’t care how many times I’ve heard that song, I will never get sick of it. It’s such a beautiful song. And it was another one that my daughter was singing her heart out at. Closing the main set was “Rock n Roll Star” another fan favorite and this was quite the rock version of the song. For the encore we got four songs and they were all sung so loudly by the audience. 100,000 plus people singing along to “The Masterplan” but especially “Don’t Look Back In Anger,” “Wonderwall” and “Champagne Supernova.” It was like a whole city singing along. The glow of cell phone lights and cameras was a sight to see as well. Though I do miss the sea of lighters more! A stellar set list and performance all together.

Now comes the part of the review where it flips. I’m not sure who’s idea it was to have Cage The Elephant be direct support for Oasis but, that was a really bad choice. First of all in the UK and Europe, they got Richard Ashcroft of The Verve. That right there with Oasis is how this should have been as well. Instead we got one of the most boring, overhyped, third rate Nirvana wannabes I’ve ever seen live. Seriously, they had zero energy. Almost to the point of soul sucking. Their stand still nature on stage was drab and just full of “when is this going to end.” I’ve seen so many bands in my life that, I can tell when a band is trying to hard to be something they are not, and Cage The Elephant is a prime example. You are not a rock band. You are an indie band that needs to stay in your lane and leave the rock to those that actually do rock! Seriously, Pete Townshend and Roger Daltrey of The Who, both of which are in their later 70’s, have more energy on stage than this band combined. Needless to say, I was not impressed. Also, there was another opener, Cast. They are an old school Brit-Pop band from the 90’s. Again nothing special and frankly a waste of time. Who the hell is picking these bands to open these shows? Come on! Do better!

The whole night was all about Oasis anyways. The set was nothing but hits, fan favorites and choice deep cuts. For two glorious hours the world stopped and everyone in attendance felt infinite. Oasis means a lot to so many people. People were traveling from all over the world to be there this evening. It was one of those truly special shows. Having Liam and Noel back together again just feels right. I did enjoy both of their respective solo careers and albums but, this is where they need to be. Both of them sounded better than ever along with the whole band. Plus it was great to have Bonehead and Andy Bell back on stage with the Gallaghers. Welcome back Oasis! Please stay around this time!!!

Show Rating: A- (lost points for the openers)

Review/Photos By: Brian Lacy

Oasis Set List:

01) Hello
02) Acquiesce
03) Morning Glory
04) Some Might Say
05) Bring It On Down
06) Cigarettes & Alcohol
07) Fade Away
08) Supersonic
09) Roll With It
10) Talk Tonight
11) Half The World Away
12) Little By Little
13) D’You Know What I Mean?
14) Stand By Me
15) Cast No Shadow
16) Slide Away
17) Whatever
18) Live Forever
19) Rock N Roll Star

Encore:

20) The Masterplan
21) Don’t Look Back In Anger
22) Wonderwall
23) Champagne Supernova (with a fireworks show at the end)

Oasis Photos:


LIVE REVIEW: JERRY CANTRELL AT VENTURA THEATER

Going solo is never an easy thing but, when you are such a prolific songwriter and player, sometimes you need to go at it on your own to explore ideas that might not have fallen into the realm of the main band. For Jerry Cantrell the transition between being in Alice In Chains and his solo work carries over in such a way that you can still get a bit of the Alice touch but, the work on his own delves a bit deeper into the inspirations that have guided Jerry. When you listen to his latest album, I Want Blood, you can definitely hear the way Jerry lets those inspirations guide where the songs go and it’s quite the album and listening pleasure. So when the time came for this tour, it was an absolute necessity to go.

As the time hit 9:15 and the lights went down, the energy inside the musty and sweaty Ventura Theater got really going as Jerry Cantrell hit the stage and started things off with “Psychotic Break” from his wonderful second solo album, Degredation Trip. Then just as things were getting going… BAM, we get hit with “Them Bones.” Talk about a 1, 2 punch! From that point the audience was in the palm of Jerry and his band’s hands. The songs from I Want Blood seem to have taken quite the sip of blood as each song played had a ferociousness that kept growing as each song was played. Songs like “Villified,” “Afterglow,” “Off The Rails” really hit hard and vent straight for the veins. The songs from Brighten even hit in a different way than I remember giving them a bit more of an edgy turn. Even the older solo material played from Boggy Depot and Degredation Trip sounded fresh and full of gusto. Then there’s the handful of Alice In Chains songs that were played that still give me chills no matter how many times I’ve heard those songs or seen them played live. Getting to hear “Hate To Feel” live was beyond a treat. I’ve personally been waiting years to hear that song live and wow, what a performance it was.

I really must say that the live band that is accompanying Jerry on this tour is beyond fantastic. On drums you have one of my all time favorite drummers in Roy Mayorga. The way Roy plays is amazing. He hits so hard that you feel each drum beat pulsating through your body. And his style mixed with Jerry is a real treat. On bass Eliot Lorango held that low end down with precision and you could tell this guy was truly having fun up there. On second guitar with Jerry is Zach Throne. Zach is one hell of a player too and the way he approached these songs and plays off of Jerry is quite fun to watch and hear. Then you have Greg Puciato on vocals and I could seriously write a whole article on Greg (and one day I probably will). The way Greg sings and takes these songs on is exceptional. Being a giant Layne fan and a William DuVall fan, Greg really knows how to inhabit these songs and bring his style to them. Not to mention the sheer emotion he pours into them. Jerry and Greg’s voices together is something quite special just like how Jerry and Layne were magical and same with William. The sum of all these pieces make for one hell of a performance and band. It’s not Alice and it’s not supposed to be. This is Jerry solo and it’s got it’s own special charm.

Also playing this evening was Filter. It’s been a minute since I’ve seen Filter live and they delivered a really solid opening set. Their most recent album, The Algorithim is quite a good record and the couple songs from it that were performed this evening sounded great. Now when they got to playing “Jurrasitol” that’s when I could see the crowd start to get into the show. That song is one hell of a track and I’m glad it’s been a Filter staple for a long time. Though their set was short it was a very fun set that definitely set up the tone for the rest of the night. One other song that Filter played that I’ve always loved is “Welcome To The Fold.” That song and the riff is so damn good. And of course no Filter show is ever complete without “Hey Man Nice Shot.” No matter how many times I hear that song, I still love it.

What a night for rock music and on a rainy Wednesday night, this showed that rock is for sure not dead. The place was packed and full of people having a great night. I couldn’t help myself from singing along through most of the night. As a die hard Alice In Chains fan, getting to see Jerry do his thing solo is an absolute treat. He’s a legend for a reason and there’s no shortage of great songs that he has. I look forward to more Jerry and more from Alice In Chains. This show was one of those that I will look back on quite fondly and it’s also one of those shows that has left me inspired. So I thank Jerry, Greg, Roy, Zach and Eliot for that along with Filter. Do yourself a favor and go listen to Jerry’s solo albums if you haven’t. and go listen to Filter too!


Review and Photos By: Brian Lacy

Jerry Cantrell Photos:

FILTER PICTURES:


JERRY CANTRELL SET LIST:

01) Psychotic Break
02) Them Bones
03) Vilified
04) Afterglow
05) Atone
06) Off The Rails
07) Held Your Tongue
08) Down In A Hole
09) Cut You In
10) My Song
11) I Want Blood
12) Man In The Box
13) Had To Know
14) Angel Eyes
15) Hate To Feel
16) Would

Encore
17) Let It Lie
18) Brighten
19) Rooster

FILTER SET LIST:
01) You Walk Away
02) The Drowning
03) For The Beaten
04) (Can’t You) Trip Like I Do
05) Jurrasitol
06) Take A Picture
07) Drug Boy
08) Welcome To The Fold
09) Hey Man Nice Shot

LIVE REVIEW: HELMET AT THE REGENT THEATER


There are quite a few bands from the 90’s that are a huge influence and inspiration for bands today. The resurgence of that sound is coming back around and while it’s been fun to hear some of these bands, there is nothing like the ones that pioneered that sound and style. Helmet is one of those band from the 90’s that can be heard in so many bands of the last 20 plus years be it Linkin Park, Chevelle, Deftones and more. Which is why when the chance to go see Helmet play their classic album, Betty in full came up, it was an absolute no brainer to go.

From the moment Helmet took the stage and the feedback started and then launching straight into “Wilma’s Rainbow” you knew this night was going to be special. Playing Betty in order meant that I got to hear one of, if not my favorite Helmet song quite early which is “I Know.” That song is so damn good. It’s one of those too that you can tell many bands have ripped off. Throughout the play through of Betty the band kept the train rolling without breaks making the show quite an immersive experience. Betty has a plethora of great songs including “Biscuits For Smut,” “Milktoast/Milquetoast,” “Tic,” “Street Crab,” “Speechless” and the always fun “Overrated.” The whole play through of Betty was superb and the crowd was super into it. Watching people singing along, moshing, headbanging, swaying, it was all just great. Then came a whole other set featuring songs from Meantime, Aftertaste, Strap It On and their most recent albums, Dead To The World and Left. As a giant fan of Meantime and Aftertaste it was quite awesome to hear those songs especially “Driving Nowhere” from Aftertaste (which I truly believe to be one of the more underrated albums of the 90’s). They also threw in their song “Just Another Victim” from the Judgement Night soundtrack and the crowd went nuts for that one. Didn’t hurt that it was played right after “Unsung” either!

The Regent Theater was packed from the front to the back and upstairs as well. Helmet absolutely decimated the venue with the volume and aggressive performance that left me wanting to go home and riff out. I haven’t been to a show in a while where I have left feeling like that. Page Hamilton is still a force of nature on guitar and one of the most innovative guitarists. Plus those little jazz licks that he throws in just adds to the fun. This lineup of Helmet has been with Page since 2010 and you can most definitely tell how tight the band is not to mention the amount of fun they have up there. Guitarist Dan Beeman is one hell of a player and he brings it each and every night to the songs new and old. He’s got this tone that matches Page’s so well that when you hear it in unison it’s this gigantic wall of sound that will blow your hair back. Then you add in bassist Dave Case and his rumbling low end and drummer Kyle Stevenson and his thunderous groove. Add those all up and you’ve got one hell of a band. Helmet live in 2025 is one hell of a show and I will most definitely be going back again next time they are in LA.

Also playing this evening was a band I was not familiar with called Slomosa. I’ve been trying not to check out the opening bands like I used to so I could go in with fresh ears and I’m glad I did. These Norwegians kicked ass. They have this really cool style that sounds like Songs For The Deaf era Queens Of The Stone Age mixed with Master Of Reality era Black Sabbath along with a bit of Helmet in there. Slomosa is anything but slow. They are one hell of a rock band and I really hope more people get to hear them as they are now on my radar for sure!

I’ve been to a few shows already this year and I have to say this one is going to probably stay in my top ten of the year. Thank you Page, Dan, Dave and Kyle for one hell of a show and the chat! Can’t wait to see Helmet again. And if Helmet is in your neck of the woods, get out to the show! You won’t regret it!


Review and Photos By: Brian Lacy

HELMET:

SLOMOSA:

HELMET SET LIST:

Betty (Set I):
01) Wilma’s Rainbow
02) I Know
03) Biscuits For Smut
04) Milquetoast
05) Tic
06) Rollo
07) Street Crab
08) Clean
09) Vaccination
10) Beautiful Love
11) Speechless
12) The Silver Hawaiian
13) Overrated
14) Sam Hell

Set II:

15) Ironhead
16) Drunk In The Afternoon
17) Birth Defect
18) Broadcast Emotion
19) Bad Mood
20) Dislocated
21) Driving Nowhere

Set III (Encore):

22) Gun Fluff
23) Unsung
24) Just Another Victim
25) In The Meantime

LIVE REVIEW: Snot at SoHo Santa Barbara

There are certain bands that come around every so often and leave a lasting impact in a short amount of time. That short amount of time and the legacy that carried on is what makes those bands special. One of the bands that I’ve always thought of in that category is the band Snot. Their debut album Get Some, was an absolute force of nature and came at you with an attitude that got right in your face and pulled you in. The story of Snot is tragic yet the surviving members have carried on but kept the torch lit for their old band and singer. Over the years there have been a couple time when Snot has come back. I was lucky enough to open for them years ago when they had a certain singer in the band who will remain nameless. I could tell then that these guys really loved this band and music. And the crowds too were still into it. Of course as time goes on there comes a new breed of kids that discover the band and that is a great source of reinvigoration to get it going again. And let me tell you, SNOT IS BACK!!!

The wait for the right time came just as the right person came along at the right time. All the stars had to be aligned in order for this to come back in this way. And on this particular Saturday night in none other than Santa Barbara, Snot’s hometown, in a rather intimate venue, the fans made sure to make this night special. As they took the stage to a roaring applause the moment those first notes hit, it was go time! Blazing through their debut album with delight on their faces, Snot ripped through the greats including my favorites “Joy Ride,” “Snooze Button,” “Get Some,” “I Jus’ Lie,” and of course the one that kicks it all off “Snot.” For their encore they brought out the Strait Up version of “Choose What” which tonight was “Starlit Eyes” (originally sang by Serj Tankian of System Of A Down) and closed it out with my absolute favorite “Absent.” Watching the band play for the 80ish minutes they were up there was so awesome. It’s not every day you get to see a band you love reunite and it sound as good as it does. <br><br>The dual guitars of Mikey Doling and Sonny Mayo are signature to them and them alone. That sound they have together and how they play off one another is quite special to watch, plus it was a blast to see them see if they could beat each other who could jump higher while playing. Sonny won! Then you have that thunderous low end of John “Tumor” Fahnstock. That tone alone I bet registers on the richter scale. Behind the drums is the one and only Jaime Miller. Jaime is an absolute beast on the drums (as well as pretty much every instrument). His playing and style in Snot should be studied as he makes it look a lot easier than it is. Now those 4 elements make up one hell of a sounding band. The only thing missing was the right guy and they found him in local Ventura County based singer Andy Knapp. I’ve known Andy for a long time and when it was announced it was him, I couldn’t have been happier. Plus Andy is a long time Snot fan and considers Lynn Strait to be one of his major influences. And when he took the mic and the show started, it was on!!!

What a comeback for Snot. This one was a long time coming and it finally aligned the right way. With the resurgence of music from their time, it’s only fitting that one of the originators of that style come back and show these youngsters how it’s done and should sound. The possibilities of new Snot music is on the horizon and I welcome it. Cheers to Mikey, Jaime, John, Sonny and Andy! And as always R.I.P. Lynn Strait and Dobbs!

Review and Photos (sorry for the quality- I was too into watching the show) by: Brian Lacy

Live Review: Better Lovers at The Roxy

When the news first came out about Better Lovers, the level of excitement in my mind about it was pretty high. Then came the first release “30 Under 13” , then their surprise EP and from there I was in. It’s never easy to start again but, thankfully, the passion and drive found in each member of Better Lovers exists on a level that is on another stratosphere and the end result is one hell of a punch to the face in a total awesome way. This night at The Roxy was just that and then some.

Opening the night was Entry. They were the perfect band to start this night off. Having just seen them about a week or so ago when they opened for Converge, I knew that right as they started that this was going to be “a night.” Their set was blistering and ravenous as they blazed through song after song. In fact, I tend to think they were even better this night than when I saw them a couple weeks back. Entry are fast becoming one of my favorite Los Angeles based bands to see live. Definitely check them out!

Next up was Roman Candle from Las Vegas and they went off. While still keeping with the hardcore element, Roman Candle has more of a metallic/melodic edge to them which offers up different dynamics within their songs. Their set, was an onslaught of heaviness that not only was a great pre-cursor of what was to come but, made me a fan as well. I look forward to the next time Roman Candle is in Los Angeles.

Finally as the clock hit 10pm, the lights dimmed down and over the PA a ton of different snippets of songs played all with the word “love” accented. Then the curtain rose and from there for the next 40 minutes, the Roxy absolutely exploded. Opening with “Become So Small” was one hell of a way to kick things off. Then after that my favorite song released so far, “God Made Me An Animal” took things to a whole other level. With bodies flying off the stage both band and audience members, you knew right away that this was the real deal. “Sacrificial Participant” had a ton of crowd participation singing along. Two new songs were played and those ones went off with one hell of a bang. Just wait till you hear these new ones, this band is only getting started. Being that Better Lovers only have so many songs, they pulled out a cover of Soundgarden’s “Rusty Cage” and absolutely nailed it. So much so that they made it their own by adding their own signature touches to it. Closing out their short yet oh so sweet set was “30 Under 13” and at this point it was no holds barred. By the time it was all over, you could tell the audience was all into it and didn’t want it to end. In fact, I wouldn’t have even minded if they had taken a mini break and played all those songs again.

Better Lovers have arrived and they are just getting started. Their time on the road this summer definitely made them a very tight band. The intensity that each member brings to this band permeates from the stage to the audience. It’s infectious and it doesn’t want to stop nor should it! I look forward to the next Better Lovers release and tour. If more bands took cues from the bands that played this evening, live music would be thriving again. This show was just what I needed after one hell of a week. I left this show not only inspired to want to get back into playing music but, with the feeling that good heavy music is alive and well. You just have to be looking at the right places to find it!

Review and Photos By: Brian Lacy
(note on the pics- I was having too much fun enjoying the show to really want to take pictures)!

ENTRY:

ROMAN CANDLE:

BETTER LOVERS:

Live Review: Iress at The Resident

It’s taken me a few days to truly process what I witnessed last Thursday night at The Resident in Los Angeles and I’m still a bit at a loss of words to properly describe it. The other night, I ventured out to finally go see Iress live and it was everything I’d hoped for and more. As the lights dimmed, the sold out crowd roared as Iress took the stage. From the first note till the last of their set, I was completely hypnotized. Musically, the band moves from shoegaze, doom, slowcore and rock in such a seamless way that it all feels cinematic in how it plays out. Bassist Michael Maldonado has a menacing tone that as the songs play, you become connected to them even more as each note hits your heartbeat. Drummer Glenn Chu propels the beat even more with his precision drumming and guitarist Graham Walker adds a delicate/brightness to the songs. Then you add in the vocals of Michelle Malley, which are quite powerful and absolutely beautiful. When you put all of these elements together you truly get one hell of a tour de force. Iress’s set covered songs from their debut Prey, to their latest EP, Solace. Songs like “Blush,” “Ricochet,” “Shamed” and “Wolves” were beyond stunning live. I’m not kidding when I say that I was hypnotized watching and listening. The raw and gut wrenching power being delivered song after song was seductive and astounding. The chills I got from listening and watching, I haven’t felt that at a show in quite some time. When you listen to and or see Iress, not only do you get a band that is truly passionate about what they do but, you can truly believe it all through the journey of love, loss, pain, anguish and more. Being able to weave intricate webs of heaviness with ambience is no easy feat but, when you see Iress live it all comes to life in a hypnotic way that will leave you breathless. I can’t wait for the next time I can see Iress live. They are without a doubt one of the top 5 bands in all of the greater Los Angeles area. Do yourself a favor, go listen to Iress and see them live!

Review and Photos* By: Brian Lacy

*Photo’s aren’t the best, I was too into the show to really focus on taking pictures.

IRESS LIVE AT THE RESIDENT- 08.11.23:

IRESS ONLINE:

https://www.weareiress.com

https://weareiress.bandcamp.com

https://www.instagram.com/weareiress

https://www.facebook.com/weareiress

Live Review: Nine Inch Nails at Santa Barbara Bowl

It doesn’t matter how many times I’ve seen Nine Inch Nails (this was number 19), I’m always left speechless at the end of their shows. It’s more than just a band playing a show to me. There is so much more to it and the level at which Trent and Company perform at is astounding. Plus seeing them at the Santa Barbara Bowl makes it a little more special as that venue has it’s own cool, mystic vibe with it being tucked away in the hill and the sound there is just incredible.

The night was perfect for this show. The cool night air coming off the pacific was coming in creating this very distinct atmosphere that was shaping up for something to explode, and that it did. As the clock struck 8:15 pm the rumble began and out came Mr. Self Destruct right out of the gate like they just released the bulls in the streets of Spain. Then the assault kept coming as “Wish,” “Last,” and “March Of The Pigs” utterly destroyed and decimated the audience. Then came “Piggy” which has always been a live favorite of mine. There was something about this version of “Piggy” that hit a bit harder than usual. Perhaps it’s all the things going on with me but, I keep having “Nothing Can Stop Me Now” repeating in my head as a mantra and I hope that doesn’t go away.” Then Trent moved along to “The Lovers” a track off their EP, Add Violence that hits so well live. It’s a song with tinges of the Pretty Hate Machine era mixed with a bit of a Fragile vibe. Next up is where I’m pretty sure I lost my voice as The Frail/The Wretched were played. I apologize to the guy next to me but, something came over me and I was in another place while screaming my lungs out during that song. And it didn’t help my voice much after that song as NIN charged into one of my favorites from The Downward Spiral, “Reptile.” After that there was a bit of break with the inclusion of a really great live version of “God Break Down The Door” and “Copy Of A.” The one song I could have done without and gave me a break was “Closer.” Then a quick talk with the audience with Trent saying “now how bout we play a sad song” and then they broke out “This Isn’t The Place” which is one of my favorite newer songs. It’s such a beautiful song that really hits you in the feels. Listen to it and you’ll hear it. Then another eruption happened with “Heresy” and right into one of my top 5 NIN songs of all time “The Perfect Drug.” As the night was winding down we got a very rocking (almost extended) version of David Bowie’s “I’m Afraid Of Americans,” a heavy hard charging “Gave Up” into the closing staples of “The Hand That Feeds” and “Head Like A Hole.” For the encore, I couldn’t have been more elated to have “Even Deeper” be part of it. I love that song. Finally, the end came and “Hurt” closed it out.

I’ve seen now seen Nine Inch Nails 19 times and each of them have been their own experience. It’s truly something remarkable to have seen a band this many times in the 22 years since the first time, and still walk out of the show like it’s something fresh and new. Trent Reznor never disappoints. The songs are classic and timeless. On a performance level, to be able to go out there and still give it everything they have each night, on top of the intricate lights, and other behind the scenes work, makes each Nine Inch Nails tour and show special. I will go every chance I get to see this band. Thank you Nine Inch Nails for all the years of amazingness! I will see you again very soon!

Review and Photos: Brian Lacy

PHOTOS: NINE INCH NAILS- Live at the Santa Barbara Bowl

SET LIST:

01) Mr. Self Destruct
02) Wish
03) Last
04) March Of The Pigs
05) Piggy
06) The Lovers
07) The Frail
08) The Wretched
09) Reptile
10) God Break Down The Door
11) Copy Of A
12) Closer (with The Only Time breakdown)
13) This Isn’t The Place
14) Heresy
15) The Perfect Drug
16) I’m Afraid Of Americans (David Bowie Cover)
17) Gave Up
18) The Hand That Feeds
19) Head Like A Hole

Encore:
20) Even Deeper
21) Hurt

Live Review: Spirit In The Room and Elephant Rifle at Gold Diggers

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There are certain bands that I’ve written about that have left a truly lasting impression on me. Spirit In The Room is definitely one of those bands. Ever since I heard them a couple years ago, I knew that there was something special about this band. There is a real element of passion, excitement, artistry and danger that comes with each song and then when you mix in the live show, it all comes together to make for something spectacular.

It had been a minute since I had seen Spirit In The Room live but, that didn’t matter. The moment they took the stage, it was like I was seeing them for the first time again. The way the show started drew the audience into a trance and truly captivated those in attendance. It was all a calm before the storm like scenario because, the moment you were truly lost in it, BANG, all hell broke loose with a ferocious scream and a pummeling thunder of bass, drums and guitars. Dennis R. Sanders along with his live band Darren Howard (Bass, Synth, and Vocals), Kevin Bombay (Guitar), Brian Skipworth (Guitar), and Philip Bailey (Drums) are not messing around when it comes to performing and playing these songs live. I would even say, they are the best band in Los Angeles. Each and every song performed this evening was executed with precision but also with a take no prisoners approach. Songs like “But It Do,” “Sunset Nightmare,” “The Future Is Immediate,” “Monetary Prayer,” and Now That You’re Dead” were some of my favorites played this evening. As the show ended, I immediately wanted more but, that just means I’ll have to go see them again and again just to get my fix. What a great performance and band Spirit In The Room is. GO SEE THIS BAND LIVE!!!!

Also playing this evening was Elephant Rifle. I wasn’t familiar with them but, I was immediately intrigued when they started playing. These guys have a really cool, psychedelic approach to their Black Sabbath riffs along with some really engaging shoegaze elements and a good helping of noisy punk to make something that is enticing and provocative. Like Spirit In The Room live, Elephant Rifle too has a take no prisoners approach to their live show, making their set full of unexpected moments and sweaty shirtless hugs. I will definitely be checking out more from Elephant Rifle.

 

This show was just what was needed for starting 2020. The venue was intimate enough to make this even more special and both bands really delivered the goods. There were a few moments while watching and soaking it all in that my friend and I were about to start a circle pit from all the energy emitting off the stage. As I mentioned above, Spirit In The Room is THE BEST LIVE BAND IN LOS ANGELES. I truly believe that. Go see them for yourself and you’ll know why I say that.

 
Spirit In The Room:

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Elephant Rifle:

 

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Review and Photos By: Brian Lacy

Live Review: Onesidezero, Minus Knives, Antenna The End, Satellite Citi & Heavy Machinery at The Viper Room

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Saturday night was one of “those” nights, where it was just meant to be. The perfect venue, a solid bill from beginning to end and an audience that was full of energy and packed the house. Since their return, Onesidezero has been back with a vengeance. The few shows they’ve played have all been something to remember but, this one, this is the one that had it all and really cemented their return.

Opening the night and setting the tone was the great Minus Knives. I’ve been really impressed with this band. They’ve got the right amount of heavy and melody to compliment their sound. Playing songs like “Cope,” “Shallow & Grave,” “Seconds Past,” and “Splntr,” it was evident that the guys in Minus Knives came out with purpose to rock the house and destroy. Singer Brandon Espinoza, was in control of the audience and delivered a vocal performance that was seething with passion and determination. Bassist Kevin Lewis held down the low end with extreme precision and a sense of reckless abandon that was invigorating. Guitarist Bill Schultz got to show off his guitar chops and nailed it each and every song. Drummer Greg Wroblewski was in the pocket the whole show and his thunderous drums along with Kevin’s low end, created one hell of a pulse inside The Viper Room. I highly recommend you checking them out live and via however you listen to music these days. Minus Knives were the perfect band to get things going this evening.

Next up was Heavy Machinery. These guys continued to bring the energy that Minus Knives did. They brought a different flair to the night injecting a bit of funk into their music along with some cool prog influence to compliment their sound. You could tell by watching them, that they are super into their music and believe in it too.

After them was Satellite Citi. This band brought a really cool vibe to the night. Their spacey prog rock sound was perfect for the evening and time slot. Led by drummer/vocalist Anna Gevorkian  and guitarist/vocalist Shaunt Sulahian, they delivered a rocking set that kept the crowd engaged and dancing.

Antenna The End was on right before Onesidezero and they too delivered a set that was full of energy and rock. As Satellite Citi did, they had the crowd dancing a bit. During their set my friend and I were trying to figure out who they reminded us of and we came to the conclusion that if you mixed System Of A Down and Coheed and Cambria, you’d get Antenna The End.

The main event of the evening though was Onesidezero. As soon as the stage curtains opened, the roaring crowds attention was drawn straight to the stage and then it hit. Opening their set with a brand new song called “Preacher” everyone in attendance was immediately enthralled by the song. It’s one of those songs that when it hits, you know it’s Onesidezero. Throughout their set when the classic songs like “Tapwater,” “Shed The Skin,” “Instead Laugh,” “Holding Cell,” and “Eight” were played,  the audience was singing louder than the band. A couple other new songs were played as well. I have to say, when their new album comes out in the new year, these new songs are going to become instant fan favorites as well as be a very welcome sound to those that are missing great rock music with substance. Another highlight of the night was the inclusion of some really cool older songs that were never released but the audience knew like “U4IA,” Brocwurst” and “Chasing The Sun.” The latter of which will be included on the re-release of the bands self titled album (that never got the due it deserved). Closing out the night with the song “New World Order” was perfect. The lyrics to that song resonate ever so much to today’s climate and the crowd’s energy was so overwhelming that the microphone was passed into the audience to sing it. The band itself was absolutely on fire too. Singer/guitarist Jasan Radford was a monster this evening. His vocal delivery was top notch and the spirited audience only fueled his performance more and more as the set went on. So much so that during “Eight” the crowd was basically calling for him to jump off the stage and really get in the nitty gritty with the crowd. Guitarist Levon Sultanian is an absolute beast on guitar. He was playing with so much gusto that I swear I saw smoke coming off his fingers. Bassist Cello Dias really brought a roaring sound to the low end and kept that rhythm rocking throughout the night. I’d also like to mention that the backing vocals of both Levon and Cello were superb and are often overlooked. Drummer Michael Tarabotto really hammered his drums with rigor and brought it all together.

What a great evening all around. Every band on the bill brought something different and it all worked. I do have to say though that besides Onesidezero, Minus Knives were my other favorite band of the night. Nights and shows like this need to happen more in the area. This show was very reminiscent of what the Sunset strip used to be like. It felt alive through the entire night and that is something that the area is in need of. I’ve mentioned this before but, it’s true, having a band like Onesidezero back is very welcoming and actually refreshing. Knowing that they still believe in what they do, just shows that the power of music and especially rock music is alive and well.
Review By: Brian Lacy