2016 saw the return of Korn and their “signature” sound. The Serenity of Suffering is quite a damn good album. Recently, Korn has been on the road and I’ve had an inkling to want to go see them. So I dreamed up my “Ultimate Set List” for what I’d want to hear, if I could pick the songs.
As usual here are the rules:
Rule 1: What line up of the band would it be
Rule 2: Where would you want to see the show
Rule 3: maximum 25 songs
Lineup: Jonathan, Munky, Head, Fieldy, Ray
Venue: Roxy (Hollywood)
Set List:
01) Falling Away From Me
02) Got The Life
03) Divine
04) Chi
05) Thoughtless
06) Make Me Bad
07) Hollow Life
08) Insane
09) Seed
10) Love & Meth
11) B.B.K.
12) Clown
13) Black Is The Soul
14) Good God
15) Trash
16) Beg For Me
17) Rotting In Vain
18) No Place To Hide
19) Did My Time
20) Freak On A Leash
Encore:
21) Starting Over
22) Blind
23) Ball Tongue
24) Need To
25) Here To Stay
20 plus years as a band and now on your 12th album, where do you go from here? Well, Korn knew exactly what they wanted to do, and they succeeded. The Serenity of Suffering, Korn’s new album is a throwback of sorts to their heavy groove days, but on this album they added a more hooks, to really keep your attention. This album has the feel of Issues and Untouchables, but with a bit more hope. That’s right “hope,” a theme that was always a bit buried in their albums. The 11 songs on this album all fit and flow together, making this one of their most cohesive albums since Issues.
Starting off the album is “Insane,” a very classic sounding song with a great riff and a catchy chorus. This song is a great opener and introduction to the rest of the album. “Rotting In Vain,” is classic Korn at it’s finest, complete with Jonathan Davis bringing back his scat vocals. “Black Is The Soul,” is my favorite song on the album. This is a very Issues era sounding song, with lots of melody, and a bit of a different vocal approach from Jonathan. “The Hating” is a very moody song with a crunchy riff and a heavy breakdown. “A Different World” features Corey Taylor on guest vocals. This song is not bad, but it’s a little underwhelming. I personally expected more from this song. “Take Me” could have been on Untouchables. In fact the main riff seems to be directly ripped off from that album. “Everything Falls Apart” is another classic sounding song. “Die Yet Another Night” is a bit of a mediocre song. The riff is solid, but the song a whole isn’t quite up to par with the rest of the album. “Next In Line” is a great song on this album. It’s full of hooks and catchy, with solid verses and choruses. This is a big throwback song. Closing out the album is “Please Come For Me” a very Untouchables sounding song. The ending riff of this song is a great summation of this album.
The Serenity of Suffering is the album many Korn fans have been waiting for. The production by Nick Raskulinecz is top notch. It’s the best Korn has sounded since Issues. Nick was really able to capture the “Korn” sound. Drummer Ray Luzier finally sounds like he fits in the band. He’s a great drummer, but no other producer has been able to really get him to sound right, other than Nick. Fieldy’s bass actually comes through in a way that thumps like the first couple albums. Munky and Head haven’t sounded this good in a long time. And finally Jonathan Davis sounds great. He tries out new vocal techniques and it really pays off, especially on “Black Is The Soul.” All in all this is a really good album. I personally would like to see them incorporate more of these new songs into their set list, so the fans can really get the full effect.
Lets travel back to 1999. The peak of the nu-metal genre was riding high and Korn was on top of the mountain. Fresh off their success of their mainstream breakthrough of Follow The Leader, Korn followed that up with a more melodic simplified album, Issues. Issues saw Korn maintaining their signature heaviness while incorporating a slew of guitar hooks, vocal melodies that enhanced the lyrics, a dash of electronics, and production that really made their sound bombastic. Korn was also able to go back to its bare essentials, dropping their hip hop flair and rapping. Working with Brendan O’Brien allowed them to stay on track, and make an album that sonically sounds great and cohesive. Granted all of Korn’s albums have the same themes throughout, Issues was the absolute pinnacle of what became their signature. “Falling Away From Me,” “Trash,” “Beg For Me,” “Make Me Bad,” “Somebody Someone,” “No Way,” and “Dirty,” are absolute standouts on the album. The short interludes in between songs like “Dead,” “4U,”and “It’s Gonna Go Away,” add to the already dark lyric tones, but actually provide a nice bridge to carry on the flow of the album. I can remember buying this album and being absolutely enthralled by it. There was something about this record that really hit home with me. During this time in music, it wasn’t hard to write angry lyrics and such, but to do it with conviction and actually mean it was something Korn did perfectly. Yes, they have repeated the same thing for years, but they really know how to do it.
I’m bringing all this up because Korn are releasing a new album later this year that they promise will be more in the vain of their older efforts like Issues and Untouchables. They released a new song called “Rotting In Vain,” that really does have an old school Korn feel to it. Needless to say I’m actually intrigued to hear it. When I heard the new song, I felt compelled to go back and listen to a few of their albums. Issues was always the one besides their debut that stood out to me as a solid album. It’s quite strange to think that 22 years later, Korn is still releasing music and selling out venues, but they keep doing it and people keep listening. So take a trip down memory lane and listen to Issues.
AUDIOECLECTICA 