Far

ALBUM OF THE WEEK: BLACK MAP- HEX

Ever since I heard “I’m Just The Driver” by Black Map a few years back, I’ve been hooked on them. When I think of the band Black Map, I know I’m consistently going to be hearing a really solidly good rock record with great riffs, soaring melodic and velvety vocals, pulsating low end and thunderous drums. So it’s no surprise to me that their new album Hex, delivers the goods on this record.

From the get go the rock begins. Chock full of hooks and those driving riffs and rhythms, “Disintegrate” sets the tone for what the next eight songs bring. There are moments that remind me a bit of Thrice, Cave In and Failure throughout. The melodic sensibilities that compliment the heaviness on the album is what makes Black Map stand out. And if what the company in which I just mentioned is what this is reminiscent of, that’s some good association. The way this album flows shows that Black Map have really honed in on creating a lush album. At times too even when the music goes into a slower tempo, the weight of the lyrics and delivery of the vocals of Ben Flanagan are just as heavy as his bass, or Mark Engles guitar tone, or the earth shattering drums of Chris Robyn.

There’s a very introspectiveness to this album. In a time when there is a lot to think about and deal with, having a voice like Ben’s that melody rich and soaring with passion, gives the listener ease and connection without having to shout or scream. Though there are moments that are very direct. The guitar work on Hex is also a bit more in a progressive nature. Not in the way of Dredg, even though there are shades of it, it’s more in tune with how Failure expands upon it’s sound in a spacey way. And to top it off with Chris Robyn’s drums it’s like the icing and cherry on top as the bass lines and drums connect in a way that as I mentioned above is quite thunderous. Trust me, when you hear it live, you will definitely know! Hex is a tremendous album that packs quite a lot of goodies in it’s 32 minute running time. And it’s one of those that you’ll want to start again so you can pick out more things to enjoy about this record. And a round of applause to producer Beau Burchell who really brought out some of the best work the band has done.

Overall Rating: 9/10

Standout Tracks: ALL OF THEM!

Review By: Brian Lacy

Black Map- Hex:







Live Review: Crosses at Hollywood Forever Night 1

There is something really quite beautiful to the excitement of making music that comes to one naturally and then performing said music to a crowd that devours each and every melody, rhythm and lyric. That’s what I saw and heard last night as I attended Crosses first live show in many years and their first of a three night stay at the Masonic Lodge at the Hollywood Forever Cemetary. The room was packed from the front to the back of eager fans waiting for this night, and at 9:15, Chino and Shaun made their way to the stage and so began the “revival” of Crosses.

For the next hour and thirty plus minutes, I as everyone in the crowd was completely swept away with the goodness that permeated from the stage to the crowd. Playing a majority of songs off their new album, Goodnight, God Bless, I Love U, Delete, the moment, the first song “Initiation” started there was no turning back and rightfully so. Chino Moreno sounded on top of his game as he sang his ass off on new songs like “Invisible Hand,” “Ghost Ride (which happens to be a personal favorite off of the new album),” “Found,” “Grace,” “Last Rites,” “Pulseplagg,” “Vivien,” “Sensation,” and “Girls Float + Boys Cry (which features The Cure’s Robert Smith on the album. No, he wasn’ there).” Even when they performed “Big Youth” (which on the album features EL-P. Again, no he was not there), hearing Chino’s flow on that song brought all of us in the crowd back to quite the nostalgic time. And the few older picks they played like “This Is A Trick,” “Telepathy,” “Option,” and “Bitches Brew” which featured Chino’s signature scream that ignited the crowd as they/we all screamed along! This show was something special. Watching Chino just be in his element and letting his more playful side come out is always a good time. Then you have Shaun Lopez, musically guiding everything along with meticulous fashion. The combination of these two is quite the pair. And you can’t forget the history of Deftones and Far so, if you know then you know! The way the set played out was one of those magical ones too. Even with it being just Chino and Shaun up there, it was alive and bombastic (and if/when they add live drums again, oh damn)!

On other thing I loved about this show is the setting. It’s been quite a cool and dark modern gothic vibe for the whole aesthetic and roll out of their new album. Having the first shows back in quite some be held at the Masonic Lodge at the Hollywood Forever Cemetary was quite the way to introduce this new era. The songs, performance, the energy in the room, and the sense that for the hour and 30 plus minutes the craziness of everything in the world just seemed to be on pause while this show swept us away.

Crosses Set List:

01) Inititation
02) This Is A Trick
03) Vivien
04) Found
05) Ghost Ride
06) Pleasure
07) ThHolyGhost
08) Sensation
09) Grace
10) Bitches Brew
11) Pulseplagg
12) Holier
13) Invisible Hand
14) Girls Float + Boys Cry
15) Last Rites
16) Big Youth

Encore:
17) Telepathy
18) Option
19) Goodbye Horses (Q Lazzarus Cover)

Review & Photos By: Brian Lacy (sorry bout quality of the shots, I was too into the show!)

Gallery:

Title Tracks: Black Map- And We Explode
And We Explode | Black Map

Since I first heard about Black Map, I’ve been super stoked about them. I’ve had the pleasure to see them a few times as well as sit down with Ben and Mark for an interview. They are one of the best rock bands out there today and continue to impress and get better with each release. Their debut album has one of my favorite title tracks I’ve ever heard in “And We Explode Parts 1 & 2.” This song (let’s just call it one song), packs so much passion and awesomeness in it. The melody that accompanies the riffs and rhythms are pristine and are smooth as butter. It’s really a great showcase for how good of songwriters Black Map are along with players. If you haven’t heard Black Map before, you should definitely change that! Also, if you are in the Los Angeles area at the end of September (Sept 28 to be exact), Black Map is playing at The Whisky with my homies in Centershift.


Black Map- And We Explode Part I:


Black Map- And We Explode Part II:



Alternate Versions: Deftones- Be Quiet and Drive (acoustic)

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The other day while I was reading my daily music news, I came across an article that went into detail about the making of the “acoustic” version of the Deftones song “Be Quiet and Drive (Far Away). In the article, it was mentioned by DJ Crook, who made the “remix” version, that he was originally sent a cassette with vocals and guitar of Chino and Far singer Jonah Matranga. Crook then said “All I had at the time was this drum machine (8 yrs old at the time) and a tascam 4-track cassette recorder (10 yrs old at the time). I tapped out the tempo of the song and laid out the beat and recorded it on the other free tracks directly on the cassette they sent me. It magically stayed in sync. I dumped that down to another cassette and sent it back to them.”  Needless to say the end result was something quite different than the original and it gave the song a totally different vibe. I’ve always dug on this version. It also happens to be the first Deftones song I ever learned to play. I still go ape shit when they play it live too. It’s such a great song. Anyways, enjoy this alternate version!

 

Deftones- Be Quiet And Drive (Far Away) “Acoustic”:

 

 

 

 

 

 

Memorable TV Performances: Jawbox on Late Night with Jimmy Fallon 2009

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Way back in 2009, on Late Night with Jimmy Fallon, there was a very awesome one off reunion on his show. The band Jawbox had reunited for a quick performance to promote a reissue of their major label debut, For Your Own Special Sweetheart. During this spot, the band played the standout track “Savory.” It’s worth noting too that (if you don’t know), Deftones and Far’s Jonah Matranga did a great cover of this song.  Following this one off, there were no other shows announced or anything. I bring all this up now because, after 20 years, Jawbox has announced their first full tour in so many years.

 
Jawbox- Savory (on Late Night with Jimmy Fallon):

 

 
Deftones w/ Jonah Matranga of Far- Savory Cover:

 

 

 

Jawbox 2019 Tour Dates:
June 14 – Cambridge, MA @ Sinclair
June 21 – Philadelphia, PA @ Union Transfer
June 22 – Brooklyn, NY @ Brooklyn Steel
June 28 – Washington, D.C. @ 9:30 Club
July 9 – Seattle, WA @ Showbox at the Market
July 10 – Portland, OR @ Wonder Ballroom
July 12 – San Francisco, CA @ The Fillmore
July 13 – Los Angeles, CA @ The Regent Theater
July 19 – Dallas, TX @ Trees
July 20 – Austin, TX @ Mohawk
July 26 – Minneapolis, MN @ First Avenue
July 27 – Chicago, IL @ Metro

Album Review: Black Map- In Droves

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Rock music is alive and well. Armed with inspiration, influences and artistry, Black Map has officially cemented their place in rock with their new album In Droves. Consisting of 15 songs, well technically 12 if you don’t count the three interludes, In Droves breathes a much needed breath of fresh air to the rock world. Ben Flanagan (Bass/Vocals), Mark Engles (Guitar) and Chris Robyn (Drums) play off each other tremendously. They have the ability to be heavy without compromising melody.

Starting off the album is “Run Rabbit Run” this is a great start to the record. It’s rifftastic, heavy hitting and thumping with soaring vocals. From there the album takes a turn towards the melancholy with “Foxglove” then back to the rock with the melodically heavy “Ruin.” As the album continues with songs like “Heavy Waves,” Dead Ringer, “Octavia,” and “No Color” you can tell that Black Map has really dialed in their sound. By the time “Indoor Kid” kicks in, you can tell you that you’ve been experiencing an “ALBUM.” “White Fence” is drenched in atmosphere. While “Just My Luck” is a solid rocker. ” Cash For The Fears” is a solemn track that is full of depth and emotion. Closing out the album is the epic “Coma Phase,” which is a great summation of the album.

Black Map is a band for the times. Their sound is full of 90’s rock without being a copy. If I were asked to describe what Black Map sounds like I’d say Failure mixed with Helmet. The vocals and lyrics of Ben Flanagan are full of melody and deep. Mark Engles guitar work is showcased brilliantly. Bringing some of the ambience and atmosphere from Dredg, really helps to make the heavy riffs, their own. Chris Robyn is one of the most underrated drummers. His work in FAR alone deserves that nod, and his playing on this album is just as good. Black Map are the “X marks the spot” type of band if you are looking for the next great rock band.

Overall Rating: 9/10

Run Rabbit Run:

Ruin:

Just My Luck:

Heavy Waves:

No Color:

Unsung Masterpieces: Far- Water and Solutions
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In 1998 Far released what is considered by many to be one of the top 10 influential albums of the “emo” movement in music, Water and Solutions. This record and band attracted a strong cult following in the late 1990s, due to the single “Mother Mary” and the band touring with long time friends in Deftones and Incubus. The album itself had a more melodic sound and richer fuller production by macshop” href=”#”> thanks to Dave Sardy, who was the producer on this album. The lyrical subject matter of Jonah Matranga and his vocals stretched from the raw screams to a more soulful singing voice, thus providing a real sense of intimacy for the listener to relate the words to. Musically the band has always been on point. Shaun Lopez distorted guitar and his remarkable tone is highly influential. His knack for creating a driving riff with the right amount of melody is often replicated but never quite the same as he does it. The rhythm section of John Gutenberger and the hard hitting drums of Chris Robyn were as tight as tight can be. John’s bass bellowed with the right amount of thump to push Chris’s heavy playing into the heights of the right amount of heaviness needed to fit with Shaun’s playing and Jonah’s vocals.

Sadly, not long after they released Water and Solutions, the band broke up. Though in 2008, the band reformed for a handful of US dates, and also a small UK tour. And in 2010, released a new album At Night We Live via Vagrant Records. At Night We Live is a solid album, and not just a throwback. Again though in 2011 it was announced that Far would not be be getting back together as there was just “too much drama.”

Far is one of those bands who will always be recognized for the great work they did, the material they put out, and the bands they influenced. And those of us who were fortunate to see them will always know that for sure.

Far- Water and Solutions:

By: Brian Lacy

Band Of The Week: Black Map

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I’ve talked about this band a lot, reviewed their shows and interviewed them. They are one of the best new bands I’ve heard in a long time. I can’t stop listening to their Driver EP. They deserve all the good that is coming to them. Their balance of being a heavy rock band with melody is beyond intriguing. For a power trio they really put out a lot of volume. The drums are thumping and pounding courtesy of the heavy hitting Chris Robyn. The guitars are delicate and crisp when they need to be and then change in to distorted crunchy heaviness thanks to Mark Engles. The bass is driving and plays off the riffs so well. Vocally the range of Ben Flanagan is astounding. His ability to hit high notes then go to a gruff scream is tremendous. Black Map is one hell of a gem to see live. There is so much energy that it permeates through the crowd. Be on the look out for their debut fill length soon!

http://www.blackmapmusic.com/

https://www.facebook.com/blackmapmusic

http://blackmapmusic.bandcamp.com/album/driver

By: Brian Lacy

Interview with Black Map

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Recently I had the pleasure of sitting down with Mark Engles and Ben Flanagan of Black Map before their show at The Wiltern as part of Chevelle’s La Gargola tour. Here’s what went down.

Thank you guys for sitting down talking and hanging out. My fiancé and I were at the Viper Room Show and even with technical difficulties, which made it punk rock, it was still a great show.

Ben:
Yeah glad it was towards the end, we had a good time, we had a good show. Last 2 songs were totally fucked, but I still left the stage thinking that was good show, even though we couldn’t play the last 2 songs.

Being that this is your first tour as Black Map, what has the crowd reaction been like and what are the ups and downs so far?

Mark:
It’s been amazing. Spoiling even. Having a headliner who’s so kind. I already had a relationship with them, from when Dredg did some touring with Chevelle. So that part is spoiling. We walk into the venue on the first show and there is no awkwardness and just start talking right away. Some tours it takes weeks to even talk to each other. On this tour we are playing great venues in front of great crowds. The crowd is very open-minded. The Chevelle crowd wants to listen to some rock n roll. And if you’re good at what you do they’re gonna accept it.

Ben:
This crowd wants to like us and the other band Highly Suspect who is great. It’s been nice getting out there. It’s warm from the get go. And it’s been our job to elevate that. Their fans are a bunch of sweethearts. It’s been great

Mark:
Nothing’s been thrown at us so that’s a great start.

The Driver EP came out earlier in the year, I bought it when it came out. My fiancé has it in her car, we both can’t stop listening to it. With everything that’s on your plate, I know you’ve been working on your full length. What is the time table on that?

Ben:
We are close to done with it and that some Tuesday in mid October we hope to release it. We have one more full song to record and some tweaks, mixing and mastering. We’re about 85% done with the whole thing.

What made you want to be in a heavier band considering that you’ve been in more of experimental/alternative melodic bands?

Mark:
We’ve been talking about it loosely for quite a while, when we’ve been out to dinner at a bar or watching a baseball game. We both know that we have the type of chops the way we play music. We know we are capable of it. I grew up listening to heavy stuff, we both did. Also, having Chris Robyn being down to do it, he’s a heavy hitter, it’s what he specializes in. So with all that, why not go back to a power trio or simple rock band. It’s just fun. When we walked in the room the first day, we said let’s just have fun. We had a 12 pack of beer and just rocked like we were 18 again.

Ben:
There is kind of a void to fill. I loved and still love the type of music the Trophy Fire is, the lighter alternative rock. I miss when I was younger, just playing the drop d brutal just kind of heavy riffs. Getting in a room and be able to do that as very cathartic, and then to still apply that sense of melody that we have in our other bands, brings out a really good feeling.

What bands really brought you together, especially in the writing?

Mark:
The obvious are our former bands. There are elements of Dredg, Far and The Trophy Fire. And other things from that era. Failure came up a couple times. Sepultura and Entomed on the guitar side of life, Helmet’s in there. I think all the stuff that influenced us in the mid nineties. Even the stuff that we looked as that was kind of underrated, like Faith No More, bands that did well, but weren’t the big pop radio hit bands.

What’s the driving factor of being a power trio? What really encapsulates your sound?

Mark:
I really like the fact that Ben is playing bass. He’s a guitar player and we really lock up on riffs and it allows us to get more intricate. I think when a trio is tight, it sounds so much tighter than that of a quartet being tight. You can really back up what you are playing. That was a fun part for us at first. Let’s write things that are very tight and intricate. It’s just simpler that way. And when you load into shows you have a lot less gear and all that other shit that goes with it too. It’s great.

While in Black Map, do you have any ideal tour mates or what’s your ideal bill?

Mark:
I think any band we enjoy that’s a loud, guitar-driven band would be great for us. Chevelle is actually one of them. Ben brought up months ago, before we were offered the tour.We’d be happy to play with any band that sounds similar or we’ve been influenced by. With my previous band, we’d over analyze things more. Like if someone offered us a tour, we’d think is this good for us. It this a good look? With this band, if the band is loud and we respect them, we’d probably say yes.

Personal Influence wise, who is the one that made you pick up the guitar and sing?

Ben:
It’s pretty simple for me and actually cliché. When I was 11, I got Nevermind. I basically wanted to be Kurt Cobain. That’s why I started playing guitar. So definitely that started it and went in a million different directions after that. I almost got a little sentimental the other day when we pulled into Seattle. We’re on this tour and it’s going great and I was kind of back to where it all started for me wanting to play guitar and be a singer.

Mark:
I gotta go with a lot of the metal from the 70’s and 80’s. I was listening to music at a young age. I had an older brother, but it wasn’t until Black Sabbath, Iron Maiden, Metallica, Randy Rhodes, that sort of thing. That whole group of bands really made me want to start playing.

That’s really cool actually. Ok If you could pick your top 5 favorite albums and I know its one of those crazy put you on the spot questions…

Mark:
How much time do you have?

Until you need to go to sound check

Mark:
It’s tough for me, because whenever this question is asked I automatically go to certain albums like Dark Side Of The Moon and OK Computer. Then I start thinking of genres and different stages of life too. For me Pink Floyd and Radiohead, bands like that came a bit later, even Portishead. But early on it was the metal stuff. Sepultura Chaos AD is in there. Though it all becomes very convoluted in my mind. Like when I was 10 this album changed my likes, then you go through a renaissance of other styles in your 20’s and makes you listen to other things.

Ben:
We’ve talked a lot about different bands with their records that influenced us like Fantastic Planet by Failure, King For A Day Fool For A Life Time by Faith No More, The Shape Of Punk To Come by Refused. Albums like that. From start to finish they are beautifully executed and tell a story.

Mark:
I know one for you and me too. California by Mr. Bungle.

Did you get a chance to go to any of the Failure reunion shows?

Mark:
Saw them twice got to see them open for Tool and their headliner.

Ben:
Them opening for Tool was cool but their headliner with the 2 sets was fucking cool.

Oh I’d throw Tool Aenima in the mix too.

You guys mentioned that you are going release the album in October. Are you going to do a fall winter tour or wait till the next year to get out there?

Mark:
It’s all up in the air. We are trying to get anything we feel would be productive. We are definitely thinking about what we could be doing and what not. There are things in the works but nothing confirmed so I really can’t say much about it…

Ok for my one cliché type question, what’s the status of Dredg and The Trophy Fire? I know you Mark went with Dredg over to Europe recently.

Mark:
Europe was great and successful. We all agreed we have another record in us but there isn’t a rush to do it at this point.

Ben:
Same with Trophy Fire. Love the guys and we all get along, I’ve just been focusing on this and there are only so many hours in the day. Cool thing about being in a band is that there is no boss looking over your shoulder telling you to clock in.

Ben and Mark:
We’ll do it when we feel the time is right to go back to those projects.

Thank you guys for sitting with me and letting me ask you some questions and taking the time.

Ben and Mark:
Oh you are welcome, it’s our pleasure.

 

 

Interview by: Brian Lacy