Debut Album

Album Anniversary: Garbage- Self Titled

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The mid 90’s were a very special time in music. So many ground breaking and influential albums came out and shaped the lives of my people.  On August 15, 1995, Garbage released their debut album. After spending time doing remixes and working on other peoples records, Butch Vig, Steve Marker and Duke Erickson decided they wanted to take the different instrumentation they had been doing and form a full fledged band. According to the way the story goes, Steve Marker was watching 120 Minutes on MTV, when he saw the music video of Angelfish’s “Suffocate Me.” He then showed the video to Duke and Butch and had their manager track Shirley Manson down. Shirley Manson met up with  Erikson, Marker and Vig for the first time in London. Due to Shirley’s other band on tour, Garbage was put on hold till after they finished their cycle. The three guys then attended Angelfish’s show in Chicago and Shirley was invite to audition for the group. The audition did not go well, but after talking with the guys while there and they found they had a similar taste in music. Shirley then called Garbage’s manager and asked to audition again.

The album itself is a blend of many different genres from punk, rock, techno, hip hop all with an incorporated pop tinge. There are so many great tracks like, “Vow,” “Stupid Girl,” “Only Happy When It Rains” and “Supervixen.”  Radio and MTV really picked up on the bands singles. To support the albums release, Garbage was the main support for The Smashing Pumpkins while on their tour for Mellon Collie and the Infinite Sadness.

20 years into their career and Garbage still have a knack for creating great music. Their singles really still hold up well, as well as some of the deep cuts. The albums as a whole are a little iffy, but there is a real sense of pride within the bands as to what they have created. One thing I noticed while Listening back to all their albums, is that on Version 2.0, they really seemed to find their sound and hone it gracefully.

There is no doubt that all the members of the band are extremely talented, each bringing in something different to the table to create a great body of work. The one thing that always stood out to me about Garbage was Shirley Manson. She has a way about here that is part punk rock, alternative, and hypnotic. Her voice stands out amongst a lot of here peers in the entire genre.

Garbage is going on the road to celebrate their 20 year anniversary by playing their self titled debut in it’s entirety, as well as re releasing it with a slew of extras.

Garbage-Garbage:

Garbage EPK from first album:

By: Brian Lacy

Unsung Masterpieces: One Side Zero- Is This Room Getting Smaller
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The early 2000’s were a very interesting time for music. There was an explosion of different genres and people were still buying music. Amongst the influx of bands to come out around this time, there was one that really stood out. One Side Zero is who I’m talking about and their stellar debut album, Is This Room Getting Smaller is an album that went unnoticed by the masses, but had a great impact on those that did hear it. Is This Room Getting Smaller was released in 2001 and produced by Jim Wirt and mixed by David Bottrill. The band toured relentlessly with bands like Incubus, 311, Sevendust, Soulfly and many others. They even appeared on the classic HBO show Reverb. The album itself is one of those listen in its entirety experiences. It really tells a story and captivates your range of emotions. Songs like “Instead Laugh,” “Holding Cell,” “New World Order,” “Eight,” “Never Ending,” and my personal favorite “Tapwater,” deliver in a harmonious melodic hard rock nature. The music really fits perfectly with the lyrical tone and voice of singer/guitarist Jasan Radford. His voice has the range of smooth and sultry to ravenous. Guitarists Levon Sultanian and Brett Kane really shine on their playing and tone. Bassist Cristian Hernandez plays perfectly in the pocket with drummer Rob Basile. I could really go on and on talking about this band. I’ve seen them so many times live and they never disappointed. Perhaps this will help get them to play shows again!!!

Sadly they were lumped into the “nu metal” genre, even though they are far from that.  Had that not have happened and their label really dug their feet in the ground to push One Side, they could have gone on to a very illustrious career. Their debut album is still stands as a perfect testament to the time it came out. The way it connects with the listener and what it carries on from there. Do yourself a favor and listen to this album start to finish. You won’t be sorry!

 

One Side Zero- Is This Room Getting Smaller:

 

New World Order on Reverb:


Instead Laugh on Reverb:

 

Shed The Skin on Reverb:

 

 

By: Brian Lacy

Album Review: Black Map- …And We Explode

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I’ve talked a lot about Black Map. I’ve had the pleasure of seeing them live a handful of times, and even interviewed them. So it comes with great pride that I review their debut album …And We Explode. This album is full of heavy riffs, pounding drums, pulsating bass, and vocals that soar above the rest of their peers. The use of melody and structures really plays a big hand in making this a great album. It’s really not every day that you can put on an album from start to finish and truly grasp each note, and word. Ben Flanagan’s crystal clear melodic voice really takes the songs to another level while Mark Engles guitar breaks through with sonic heaviness, not to mention the fiery drum performances from Chris Robyn. My favorite songs from the album so far are “Chinasaki,” “I’m Just The Driver,” “And We Explode (part 1).” “Melee,” “Gemini,” “Ropes,” Black Map are the perfect band to help usher back rock music to the masses. I can’t wait to see where they go next. This album is worth a purchase as is a ticket to their shows. So do yourself a favor and check it out!

Scale of 1-10: 9

Black Map- …And We Explode

http://www.blackmapmusic.com/

https://www.facebook.com/blackmapmusic

By: Brian Lacy

Album Review: Royal Blood- Royal Blood

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Earlier this year when I heard Royal Blood, I was taken aback. To me there was something about their music that had been missing in rock music. When people asked me what they sounded like I would say, imagine if The Black Keys didn’t suck and Muse didn’t start to whimp out. After seeing them live my description lived up to my words. Now in August, Royal Blood is unleashing their debut full length. Simply self titled, the 10 songs blaze a path in the 32 minutes of the album. Three of the songs (Out Of The Black, Come On Over and Little Monster) are from their Out OF The Black EP. The other 7 songs are a mix of heavy rock with lots of melody, and the occasional experimentation with blues, and mid tempo beats. The first single “Figure It Out” is a pure groove rock song. Closing song “Better Strangers” features a really cool bluesy feel with a slow laid back beat.  My favorite of the new songs is “Blood Hands.” This song is the perfect blend of heavy and subtle. It really shows their ability to craft a well written song. Mike Kerr (Vocals/Bass) and Ben Thatcher (Drums) have created a sound that is blistering with melody and heaviness all the while providing a great groove and feel for the listener. Royal Blood is primed to invade with great rock n roll. 

http://royalbloodband.com/

https://www.facebook.com/RoyalBloodUK

 

By: Brian Lacy

Unsung Masterpieces: Filter- Short Bus
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The early 90’s were a great time for bands. There seemed to be a huge creative explosion. Albums had substance, grit and provoked raw emotion. I could talk about certain bands all day like Nine Inch Nails and Alice In Chains who embodied such traits. One band that came out in this era and had all that in their debut album and that was Filter. The band was formed when Richard Patrick left Nine Inch Nails just before the recording of The Downward Spiral, and formed a new project with Brian Liesegang. Their debut album Short Bus combined industrial and hard rock. The live band was rounded out by Geno Lenardo, Frank Cavanagh, and Matt Walker. Short Bus has now gone on to sell over 1 million albums thanks to the success of “Hey Man Nice Shot.”

Kicking things off is “Hey Man Nice Shot.” This song is great, it has that quiet bass rumble start then explodes with force and Richard Patrick’s signature scream. “Dose” continues with the powerful riffs and heaviness and adds bits of melody. “Under” has a scratchy guitar intro that blends perfectly into a sort of industrial/dance beat. Lyrically and vocally it’s heavy without compromising the melody. “Spent” is another song that has the quiet to loud structure dialed in. “Take Another” uses the distorted bass line to really get the song going before getting to grit of Richard’s vocal delivery. “Stuck In Here” is a stripped down song that shows the true vulnerability of the group. It’s subtle in the way it pushes the albums direction as well. “It’s Over” follows the outro of “Stuck In Here” to a building verse then when the chorus comes, it opens up in a louder realm. “Gerbil” is solid heavy rock track. “White Like That” has a great intro leading into Richard’s voice then goes into subtle chorus. “Consider This” is another track that could almost foreshadow what would ultimately be their sound on the next album. Ending the album is “So Cool.” This song really slows things down and brings the album to an end with it’s string arrangement.

Short Bus is an album that often gets overlooked just like the band. The sheer creativity and artistic expression is vert prevalent on this album.  Sadly, when their second album “Title Of Record” came out and “Take A Picture” exploded on the radio, it seemed that Filter had lost what they once were. Luckily as time went on, they brought back elements of Short Bus into their albums. Especially on The Inevitable Relapse and their newest album The Sun Comes Out Tonight. Filter is and has been a great live band and solid songwriters. Richard Patrick has one of the most unique voices in the rock genre. This band deserves their due. Take a listen back to Short Bus and you’ll see what I mean.

 Short Bus:

 

By: Brian Lacy

Unsung Masterpieces: Year Of The Rabbit- Self Titled
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Year Of The Rabbit was assembled and fronted by Ken Andrews of Failure fame. Soon after Ken stopped writing and performing music as ON, Andrews and ON’s drummer Tim Dow (formerly of Shiner) reached out to Dow’s friend Jeff Garber, and Solomon Snyder joined shortly thereafter. ON’s material had been created mostly by Andrews as a solo project, the harder-rocking sound of Year of the Rabbit is much closer to that of his previous band, Failure.

Their first release, the 2003 EP Hunted, was made available online only from outlets such as CD Baby, itunes, and the band themselves. The buzz from sales of the EP was enough to attract the attention of Elektra Records, who released their debut album shortly thereafter. Sadly as thing in the music business were in constant flux, Warner Music Company, was sold to a group of private investors, and many of the labels’ acts, including Year of the Rabbit, were dropped from their rosters. Two months later, Andrews declared on his official website that due to the shakeup at their label, the band had been put on indefinite hiatus.

The album itself though is a gem. This was as close as anyone who was a Failure fan was going to get to that vibe. The entire album is full of melody, hooks, and that signature tone, that so many guitarists have tried to duplicate. Lyrically this album is very deep and personal. There is not one ounce of filler either. Tracks like “Lie Down,” “Last Defense,” “Hunted,” and “Say Goodbye” are beyond stand out tracks. The instrumentation on here is simple and raw but with the right amount of polish to make it all shine through.

Though they released only one album, 10 years later this album still holds up, and sound like it fits in today more than ever. Ken Andrews was always ahead of his time it seems.

Year Of The Rabbit:

By: Brian Lacy

 

Unsung Masterpieces Part 1: Tool- Undertow

Tool is one of the most artistic, innovative and creative bands to come out in the past 25 years. Each of their albums have left a mark with rabid fans eating up everything that they do. Tool’s catalog though short is very deep. The subject matter of lyrics and the depths that the music creates is not for the weak. You can tell the amount of time they band spent working on the songs is worth every second. Maynard’s vocal approach is undeniable his own. Many have tried to copy him but don’t come close. Adam Jones has one of the more intriguing guitar tones and styles. Danny Carey’s drumming is said to be created by seances and summoning sprits, to which is very believable especially with the odd time signatures. Originally on bass Paul D’amour created a bass tone that ripped through the songs with such ferocity that it became the driving force of quite a few songs. Now Justin Chancellor has taken that sound and progressed it to an etherial place. A lot can be said for what their masterpiece is. Some will debate that it is Aenima or Lateralus, Undertow is an unsung Masterpiece. Songs like Intolerance, Crawl Away, Bottom, Flood, and of course Sober all have such a well of emotion and insight into the inner workings of Tool. A bit of history about the album, Undertow was recorded between October and December 1992 at Sound City Studios, and at Grandmaster Recorders, Hollywood, California, by Sylvia Massy. Some of the songs featured on the album are songs that the band decided to not release on Opiate. Henry Rollins makes a guest vocal appearance on the song “Bottom.”

Take a listen again and see what you’ve missed out the first few times you listened to Undertow.

Undertow:

By: Brian Lacy