For the past couple of weeks, I’ve had A Perfect Circle’s “3 Libras” stuck in my head. I’m not complaing about it, I love this song. It’s crazy too, to realize that it’s been 25 years since their debut album, Mer De Noms was released. As far as debut albums go, it’s definitely one of the best. Interestingly, though “Judith” was the first single, the band actually wanted “3 Libras” to be the first one released. I always find things like that interesting. The video for “3 Libras” is really a beautiful one. Directed by Paul Hunter, who made his name in the HipHop/R&B world with artists like Eminem (“The Way I Am, “Superman”), D’Angelo (“How Does It Feel”), also directed videos for Marilyn Manson (“The Dope Show,” “I Don’t Like The Drugs…”), Hole (“Malibu”), Lenny Kravitz (“Fly Away”). The video for “3 Libras” is dark, haunting, and such a compliment to a great song. The way the cinematography and cameras pull the viewer in at certain moments, to the choice of color used throughout, and the sensuality, all these things make for a great video. I miss when bands would make videos like this. Take a few minutes out of your day and really explore the music video for A Perfect Circle’s “3 Libras,” you’ll really enjoy it!
I’ve been on a bit of an A Perfect Circle kick as of late. I’m pretty excited about the thought of new music from them. Especially since their last album, Eat The Elephant, was pretty disappointing. While going through my usual rabbit hole, I came across this fun video. If you are not aware, after A Perfect Circle went on “hiatus” in 2004, Billy Howerdel would go on to start a solo career. His first release was under the name Ashes Divide and the album, Keep Telling Myself It’s Alright. That year Ashes Divide was asked to be a part of Linkin Park’s Projekt Revolution tour. During one of the stops on the tour, the late Chester Bennington joined Ashes Divide on stage for a version of A Perfect Circle’s “The Outsider.” It’s a pretty solid offering and just shows that Chester could sing pretty much anything, and it sounded good. If you haven’t seen or heard this before you are in for a treat. And seriously check out the Ashes Divide album, it’s really quite good.
Ashes Divide w/Chester Bennington- The Outsider (Live):
One of Audioeclectica’s longtime favorite’s VOWWS have released a fiery new single from their upcoming new album. The song “Blood’s On Fire” is one of those songs that is infectious and a vibe all on its own. The riff of the song drives it, the rhythm sways you in multiple directions and the vocals lift you into a trance. The new album was co-produced by A Perfect Circle’s Billy Howerdel and features live drums from the tour de force that is Josh Fresse. One of the things I love most about VOWWS is that they aren’t complacent in their ideas. Each song and album shows great growth and evolution. I’m quite excited to hear this album and see them live again! Enjoy!!
I quite enjoy waking up with a song in my head. How it gets there is a story for another time. This morning I woke up with an instrumental part in my head and it didn’t take long to figure out what song it was. “The Noose” by A Perfect Circle is the song that started things off this morning and what a great track it is. It’s one of those songs that not only captivates you as your listen but, the lyrical content makes you think too. The Thirteenth Step is a concept album that pulls from the different aspects and perspectives of recovery and the 12 steps. “The Noose” definitely pulls from the step of making amends. It’s quite a song both lyrically and musically. This is one of those album/deep cuts that make an album strong and prove that a band is more than just the singles they release. One can hope that if A Perfect Circle regroups, and get back into writing/recording, that they find their way back to where they left off on The Thirteenth Step.
The other day I was having a conversation with a friend and we got to talking about how fast time has gone by. While in this discussion, it somehow evolved into how old certain albums are now. One of the ones that got brought up was A Perfect Circle’s debut album, Mer De Noms, which is now 23 years old. Crazy! I still remember the day it came out and spending hours upon hours listening to it. So much so that it became my go to album in the summer of 2000. Naturally, this made me go put the album on later and it’s still as good as it was the first listen through. One of the songs I’ve always loved on that album is the opening track, “The Hollow.” It’s a damn good song and one of my all time favorite track one’s. It’s got such a great impact to start the album off and all the little nuances about the song make it all the more intriguing each time you listen. Also something that many don’t know is that this is the only song on the album that Josh Fresse doesn’t play drums on. Instead Tim Alexander from Primus is the drummer on this song. Also, “The Hollow” was the third and final single released from their debut album.
Last November I had the pleasure of seeing the debut solo show for Greg Puciato. After that show was over, I knew that the next time he came through I had to go, it was one of “those shows.” Both his solo albums, Child Soldier: Creator Of God and Mirrorcell have yet to leave my musical rotation since they came out. Live these songs take on a whole new life and the end result is precisely why I had to go see Greg live again.
Before Greg though, there were three openers to get the night going. I arrived as the last 2 songs of Trace Amount’s set was ending. The mix of industrial and noise made for a very tension filled and intense performance. It’s really interesting to listen to Trace Amount and pick out certain little nuances in the programming.
Next up was Deaf Club who I was really stoked to see having been into their albums. Their set was on fire from the get go. One of the things that I really like most about Deaf Club is that while they are a punk band through and through, they add a more technical element to it with odd time signatures and interesting arrangements. Then when you add in a frontman like Justin Pearson, it’s the right recipe for chaos in the best way possible. During their set they did a cover of Nirvana’s “Tourette’s” with their drummer, the drummer from Escuela Grind and Ben Koller of Converge. It was pretty damn cool to see and hear and the topper was all three drummers were in total sync so that sound bellowing through the El Rey was thunderous!
Following Deaf Club was up and comers Escuela Grind. I wasn’t too familiar with them but, a friend of mine who I was there with was and he got super into it. The band combines grindcore, death metal and a bit of hardcore. Their energetic set was heavy and brutal and at the same time quite fun. Their “singer” had so much energy on stage at one point I was half expecting her to breakout into a full gymnastics routine with how much she was running and jumping. Solid set from this band and just the right amount of fire to get the crowd ready for what was to come next.
When Greg Puciato and band took the stage it was ON! From the moment they ripped into “Reality Spiral” you knew this was not going to be just any show. The way the set was constructed was absolutely pummeling in both the way that it was intense and pulled at your heart strings. When you have songs like “Do You Need Me To Remind You,” “Absence As A Presence,” and “Fire For Water,” all within minutes of each other, it still has me without the right words. As the set continued, the crowd got even more into it and the next thing I knew I was right up front for my favorite song “Never Wanted That.” I stayed up front for the rest of the night feeding off the energy that was permeating off stage and next to me. One of my other favorite moments was during the end of “Evacuation” Greg broke out part of INXS’s “Need You Tonight” which was totally rad. Ending the “set” for the evening was the always great “September City.” I believe the crowd was singing as loud if not louder than Greg by this point. This night was special in more ways that one. For the encore it was in the words on Larry David “pretty, pretty, pretty good.” Starting it off was Haex joining Greg for a remix version of The Black Queen’s “Secret Scream,” followed by A Perfect Circle’s Billy Howerdel joining Greg for The Black Queen’s “The End Where We Start” which was absolutely great. Then you had Tyler Bates and Gil Sharone join the fun for “Now You’ve Really Done It” from a compilation for DC Comics. Then it was Ben Koller jumping on the stage for “Roach Hiss” which definitely got the crowd screaming along. And to end it all was an absolutely cool and different version of The Dillinger Escape Plan’s “One Of Us Is The Killer.” It was part acapella in the verses and straight up fire during the chorus parts. I also have to mention the band Greg had on this run. What a killer and tight band. Joining Greg was James Hammontree on guitar of Black Magnet (another band you should really check out), Nick Sadler of Daughters on guitar. It was really great to see Nick up there and hearing that monsterous tone he’s had for years. Jeff Geisser on bass manhandled the low end with such tenacity and finally Noah Taylor on drums right in the pocket!
This show was definitely one of those that I’ll remember for a long long time. Greg Puciato’s solo albums are some of the best releases in the past few years. If you haven’t listened to them, I highly suggest you get on top of that! It’s artists like Greg that give me hope for the musical future. The whole package was interesting and gave bands from different genres a different audience making for an eclectic show. I’m glad I went and had a great time and to go with a couple friends that I knew would enjoy it too made it all that much better. Plus getting to see some other friends out in the crowd was quite awesome. I’m kind of at a loss for words at the moment when it comes to how to properly describe this show. I will leave it at this (unless I have a total epiphany of what else to say), shows like this don’t happen all the time. When the chance comes to go see one of your favorite bands, go do it! Thank you to Greg, Deaf Club, Escuela Grind and Trace Amount for one hell of a great evening!
Greg Puciato Set List:
01) In This Hell You Find Yourself 02) Reality Spiral 03) Do You Need Me To Remind You 04) Absence As A Presence 05) Fire For Water 06) Don’t Wanna Deal 07) No More Lives To Go 08) Deep Set 09) Never Wanted That 10) Lowered 11) A Pair Of Questions 12) Creator Of God 13) Evacuation (w/ INXS’s “Need You Tonight”) 14) September City
Encore: 15) Silent Scream (Haex Remix) 16) The End Where We Start (with Billy Howerdel) 17) Now You’ve Really Done It (with Tyler Bates & Gil Sharone) 18) Roach Hiss (with Ben Koller) 19) One Of Us Is The Killer
This morning I woke up with a part of a song in my head and it took me a minute to realize what it was and then once it hit, I knew what I was going to write about today. The song I had in my head was “3 Libras” by A Perfect Circle. To this day, this song is still one of my favorites and when it gets to that part of the album it gives me chills. One of my favorite performances of “3 Libras” actually comes from their appearance on the Tonight Show with Jay Leno (that long ago). This one is a stand out not just for how well they rocked the song but, having Paz Lenchantin play violin throughout the song and having one of my all time favorite musicians, Danny Lohner join them on bass to round it out made it that much more memorable. Revisit this gem of a performance with me!
A Perfect Circle- 3 Libras (Live on The Tonight Show with Jay Leno):
There is something to be said about putting certain bands together on tour. When you put the right bands together, the end result tends to be something that leaves those in attendance in a state of WOW and inspired. Well that happened with this tour having VOWWS as the opener for Billy Howerdel’s solo album tour behind his new album What Normal Was. The combination of VOWWS and Billy Howerdel is a perfect match. The way their sounds play off each other and sets the tone for the other is pretty special.
VOWWS is one of my favorite synth driven bands. Ever since I heard them a couple years back I’ve been hooked. They have this distinctive sound to them that is part post-punk, part synth driven, and I’d even put in a little dreamgaze in there as well. Put that all together and you’ve got a recipe for a band that delivers great songs but a vibe that really sets the night on fire. The fact that they are a two piece band makes it all the more interesting. Being able to deliver the sheer force and magnitude they do is something a lot of bands in their genre could learn from. Having VOWWS open for what Billy’s solo album is was the perfect choice. I’m very intrigued to see where VOWWS goes next and what’s in store for them.
The main event for the night was Billy Howerdel. Being a fan of his work in A Perfect Circle and Ashes Divide made this a very exciting night. His new solo album, What Normal Was, is an album I’m hooked on. It’s got this very cool Depeche Mode/New Wave vibe to it but not in a way that it seems contrived but instead inspired. Listening to the album and reading about the mindset of where Billy was at the time makes this album even more special as it’s the album he truly wanted to make. The band he assembled for these shows is superb. Plus having the one and only Danny Lohner out there on stage playing guitar just warms my heart even more. Danny if you don’t know worked with Billy on his new solo album but also in Ashes Divide and in A Perfect Circle. As Billy’s set ripped through his new album, I couldn’t help but notice how these songs translate from album to live and the way that you get a different feeling from those songs. For example a songs like “Ani” “Follower” and “Selfish Heart” had a bit of a heavier delivery than the album and it made it more impactful. Other tracks like “Beautiful Mistake,” “Bring Honor Back Home” “Poison Flowers” and “Free and Weightless” were others that really stood out during the set. Also the addition of the Ashes Divide song “Forever Can Be” was a nice surprise and sounded great with this arrangement. You could tell from watching each member on stage that this was fun and exciting for them. Billy and the band sounded just as good as the album if not better live.
Seeing a show like this that leaves your inspired is a wonderful feeling. And then when you add bands and that really deliver the goods but also believe in what they are doing is contagious. The pairing of VOWWS and Billy Howerdel is/was a match made in musical bliss. I walked out of that show feeling glad I went and now I want more. It was a truly great evening, the bands played great, the people in attendance were all into it, and the other little surprises along the way just made it a perfect Sunday night for a show.
When the news first broke that Billy Howerdel of A Perfect Circle/Ashes Divide was going to put out a solo album under his name, I became very intrigued. While reading about the making of the album, there was a quote of Billy’s that really stood out to me, “”This is me stepping back into my early teen self and making the record I would’ve made if I had the means and the knowledge when I first picked up a guitar — just in 2022.” I couldn’t love that statement more. I love that he went back to the well of what first really got his passion of music going and created an album that pays homage to those musical influences and inspirations but this record is one that can stand on it’s own during a resurgence of that sound.
What Normal Was is ten songs of goth tinged, dark pop, with melancholic tendencies and a sense of ambience that is both haunting and beautiful. Digging into his love for bands like The Cure, Depeche Mode and Siouxie and the Banshee’s, you can hear those bands in certain moments wheteher it’s a synth, vocal melody, bass line, guitar part or even a drum beat. But this isn’t a “copy” of those bands. Instead this is Billy making the album that he grew up wanting to make. I have a strange thing about wanting to go track by track as I feel like it gives the listener a preconceived notion but I do want to highlight a couple tracks. Opener “Selfish Heart” is one hell of a track to kick off the record. The vocal delivery on this song is superb. As the album continues tracks like “Free and Weightless,” “Ani,” “Beautiful Mistake,” “Poison Flowers,” and “Bring Honor Back Home” have all been standouts each time I listen. Closing song “Stars” is quite the contemplative track and one that gives the album an open ending to continue on this path at a later date.
What Normal Was is the type of album in 2022 that is not only needed but it’s a teaching tool for all these younger bands and “kids” who don’t quite understand how to make this type of music. The homage portion of the album and the desire to create something that you’ve always dreamed of makes this album work. It’s not just Billy stepping out of the shadow of Maynard and A Perfect Circle, this is Billy discovering who he is as a musician and songwriter. What Normal Was is a record that will grow on you after a few listens. There’s even a part of it that will make you want to seek out the bands and albums that helped to inspire this record. Personally, I can’t wait to hear what Billy Howerdel does next in his musical evolution.
Billy Howerdel of A Perfect Circle/Ashes Divide is preparing to release his debut “solo” album, What Normal Was on June 10. Ahead of the release, Billy will be releasing a new song each week until the album is released. Already “Poison Flowers” and “Free and Weightless” have been released (and they are pretty damn good songs). Now, we have the third song to be released “Beautiful Mistake.” Speaking on the song “We’re often too hard on ourselves,” says Howerdel in reference to the theme behind the song. “The Japanese philosophy Kintsugi, the Appreciation of Imperfection, inspired a new way for me to reflect on mistakes. Forgiving others can often be easier than forgiving ourselves.” This song is one of my favorites on the record. It’s got a very moody vibe that inhabits the best of the 80’s new wave era. Wait till you hear the whole record and in sequence!!!
AUDIOECLECTICA 