A while back I made the band Moving Structures the band of the week. During that time they were in the midst of working on their debut full length. Well it’s now out and it is tremendous. When you are an instrumental band, the ability to connect with listeners and invoke feeling without vocals and lyrics is not easy, but Moving Structures are one of the few bands I’ve heard to be able to do just that and then some. There is something truly remarkable about the melodies and tones that they use to get you to feel something more than usual. The power of not having vocals makes you think and delve deeper into your senses. The twelve songs on Moving Structures’s debut Awake, take you on a journey that allows the listener to grasp their intentions all the while making it something that transcends the genre. With bits of prog, ambience, and rock, Moving Structures have released an album that can become a new blueprint for instrumental bands to learn and expand upon.
When you think of the band Filter these days, I would guess two songs come to mind, “Hey Man Nice Shot” and “Take A Picture.” One would think they have moved on from their early more industrial side of things, considering the last album didn’t really have any of those elements. Well Filter have just released a new album that harkens back to the Short Bus era and adds a bit of a modern approach. The new album Crazy Eyes is very influenced by the early days of Filter and a bit of Nine Inch Nails Broken era. Richard Patrick is back and angrier than he’s been in a long time. Armed with a band that helps realize his vision and tests the limits of electronic and industrial tones, the new album is one that stands out amongst the bands catalog. Songs like “Nothing In My Hands,” “Pride Flag,” “Take Me To Heaven,” and “Welcome To The Suck (Destiny Not Luck)” are complete standouts on this record. On a fun note Danny Lohner helped write and produce the song “City Of Blinding Riots,” which is a song that will be a great in a live setting. There is also an instrumental called “Under The Tongue” that is very Nine Inch Nailsesque in a good way.
I had the pleasure of speaking to Richard and he says “this album is a bit more reckless dangerous and quirky.” He also mentions that this incarnation is one of the most passionate version of the group since the early years. He also goes on to say that “this album should be triumphant in its anger.” While the album is full of anger, social commentary, honesty and a DGAF attitude are very prevalent themes throughout. Filter have come back to their roots and it’s very fitting in a time when music is getting stale.
After 20 plus years as a band and now 8 albums in, where do you go? Deftones have never been a band to play it safe. They shake things up every now and then, showing the band is constantly evolving. Their new album Gore is a prime example of a band maturing and expanding upon its influences. It’s nice to hear a band like this take chances and try new things, but the end result isn’t all that pretty. Gore has a flow to it that is makes it seem more like a collection of songs rather than an album. There are a few songs that are absolute standouts on this record. Songs like “Hearts/Wires,” “Phantom Bride,” and “Rubicon” are the best the album has to offer. “Hearts/Wires” should have been the first single released. Chino sounds vulnerable and focused on this song. There are great harmonies as well that take it up a notch or a few. As of this writing my favorite track is “Phantom Bride.” Jerry Cantrell guests on the song, providing a guitar solo that fits ever so perfectly with the vibe of the song. The song is also one of the the most heartfelt songs on the album. Chino shines on this, as well as the rest of the band. Other songs that caught my attention are “Prayers/Triangles,” “Acid Hologram,” and “(L)MIRL.” There is something very etherial to these songs. They expand upon the Deftones more “ambient” side.
Part of the problem with the album is the production and mixing. It’s very disjointed. The drums are buried in the back and don’t have the sense or urgency that fans of the band have loved for many years. There is a “raw” element to this album and I get it, but it’s just not done well at all. I understand why they didn’t want to continue on the path that they laid with Diamond Eyes and Koi No Yokon, but they seemed to have strayed a little too far on this one. The end result is that this album will definitely be one that grows on you with time. This is not to say that you won’t enjoy Gore, but it will for sure be one of the albums in the bands catalog that songs get skipped on a lot.
This is the first album that I’ve been anticipating all year. A few years back when Killswitch announced that Jesse was back in the band, it got me very excited. Disarm The Descent was a great way to welcome Jesse back into the fold. Now on this new album Incarnate, the band have stepped it up in a huge way. Taking a cue from their masterpiece Alive Or Just Breathing, the songs on the album get deep lyrically and musically they are taking chances, expanding on the melodic metal sound they helped to bring to the masses. One of the biggest things I’ve noticed on this album is Jesse’s voice. His screams are more direct and menacing in his delivery of the lyrics, while his clean singing voice has gotten better and better over the years. His range and emotion while singing is a true stand out amongst the talented musicians. One of my favorite songs “Embrace The Journey…Upraised,” really has the feel of the Alive era, but this song brings it in a different way, adding more ambience to the song, making it more epic by nature. Not to mention the positive outlook in the words. “Quiet Distress” is similar to the Times Of Grace project that Jesse and Adam have on the side. Its acoustic setting and dual vocals really drive home the message of the song. “Just Let Go” is another emotionally charged song that sees Jesse bare his soul a little more. “Strength Of The Mind,” is a classic Killswitch song, that will get the crowds going when they play it live. The song “It Falls On Me” is one of the most epic songs the band had ever put out. This is my favorite song on the album as of this writing. I hope it becomes a fan favorite and they include it in their setlist rotation. For those looking for a real head banging track “The Great Deceit” is the song you want. Closing out the album is “Ascension,” a song that sums up the entire album lyrically.
Incarnate is an album that will leave you feeling a sense of hope and positivity. One of the things I look for in bands is the ability to write strong lyrics that have depth and meaning. Jesse Leach has done just that and then some. He has bled his heart and soul out on this album. Since I first heard his voice and lyrics, I’ve been a fan of his. Not to take anything away from what Howard Jones did with the band, but Jesse has always been the voice of the band for me. If Killswitch carries on with the direction they went with Incarnate, they will have many more years of longevity to come.
Mike Patton has been one of the most consistently busy frontmen/singers in music for the past 15 years. His projects from Faith No More, Tomahawk, Peeping Tom, Fantomas, etc have been fan favorites for many years. Now he has joined up with Tunde Adebimpe of TV On The Radio and Anticon Records founder Adam “Doseone” Drucker in a very adventurous and experimental project called Nevermen. Shockingly the groundwork for this group was started over 7 years ago, when Adebimpe and Drucker would get together and ” crank space heaters in a cold warehouse that was marked for demolition, pour whiskey, run tape and beat on everything from doors, pipes, floors, and chests. They jammed on keyboards and drum machines, fashioned poems from tour memories and newspaper stories. The material would then be chopped up and made into songs then sent to Patton.” Each song has something different to offer listeners. The 3 gents of this group add their own flavor to the songs all the while trying out things that would normally be out of their comfort zones. The sheer amount of talent that each posses is astounding, yet the album doesn’t quite live up to their previous accomplishments. The end result is an album that was created by three very talented individuals that wanted to try something for themselves. While there are some moments that shine for example the song “Tough Towns” has a cool trip-hop vibe and the slow, dramatic swell that emerges from the quiet hum of closer “Fame II the Wreckoning, which contains some introspective as to what holds the group together, “One day might you get to the flame of what you are.”
Nevermen is a group that still has a way to go until they find their “sound.” The die hard fans of Mike Patton will probably enjoy this, while the casual listener might get lost in what this is all about. I can say this though, it’s very refreshing to have people like these 3 guys go out on a limb and try to create something that is drenched in the attitude of we are doing this for our love of music and art. Nevermen isn’t trying to be something that it’s not.
If there is one thing these days that I really enjoy is when a band throws out the traditional rules, taking all their influences and make a record for themselves. On Hidden Amongst Us’s new EP Ugly, these guys have taken their love of 90’s rock specifically the “grunge” era and added a bit more melody to their already raw sound to do just that. The results are six songs of solid melodic heavy rock. Hidden Amongst Us is another of the bands that I featured during the early stages of Audioecelctica, and they have really grown as a band. This release shows their cohesiveness and willingness to do what it takes to make music with substance. In the past year as well, the band added another guitar player, thus allowing them to expand upon their sound and make it fuller. On Ugly, they accomplish that and then some. Songs like “Another Day,” “Can’t Take Anymore,” and “Bled Enough” show their evolution as songwriters, and the added dynamics in the band. This is definitely the right direction for the band. Take Ugly for a spin, and you’ll hear what I mean.
A while back I wrote a band of the week piece about a band from Washington called He Whose Ox Is Gored. They have fast become a band that I’ve thoroughly enjoyed since I found out about them. Their influences of multiple genres have allowed them to experiment to zero in on just what their sound is. I coined them as doom-gaze for their love of doom metal and shoe gaze. Now they have just released their debut full length The Camel, The Lion, The Child. This album is epic by nature and pulls you in with each song. The band has really found their stride especially with songs like “Oathbreaker,” Crusade,” and “Cairo.” There is something aggressive and heavy to the songs, but on a deeper level. Lyrics are scarce yet meaningful, and the band lets the music do the talking, just like how Isis used to do. Another thing that I’ve noticed in the progression of He Whose Ox Is Gored, is that they have really adopted more melody into their songs. Rather than it being a wall of noise, there is a balance between the heaviness and the more delicate nature of some of the parts, especially with the keyboards. The album was mixed by Matt Bayles (Mastodon, Isis) and Randall Dunn (SunnO, Earth) and it really shows. This album is a great leap for this band, and it’s only the beginning of where they can go from here.
When I first started Audioeclectica the main goal was to spread the word about great music and bands. Sidewave was one of the first bands I wrote about and have had the pleasure of watching them bloom into a great band. From their first show till now, Sidewave has grown by leaps and bounds. Now the band has released their debut album Glass Giant and it is a tremendous album that really captures the bands essence. Sidewave incorporates the right amount of influence and individuality to make this debut stand out. Their mix of influences includes Siamese Dream era Smashing Pumpkins, Hum, and Shiner. Mixed by Aaron Harris (Palms, ISIS, Puscifer), the epic, bombastic sound of Sidewave, fits perfectly in with the resurgence of 90’s rock. The songs go from heavier to spacey, to delicate, in a way that allows a gradual flow to the album. Songs like “Lace,” “Supersonic,” “Illusion Of Light, and “This Is Who You Are,” are all standouts on Glass Giant. The foursome of Phil Golyshko (Vocals / Guitar) William Collins (Guitar / Synth), Matthew Russel (Bass / Vocals) Brandon Dickert (Drums / Vocals) have created music that can help bring this music back to the forefront. Do yourself a favor and check out this album. It’ll be well worth your time and money!
People’s attention spans have dwindled over the years, making it no easy feat these days to be able to create an album that holds your attention throughout the entire length of it. Though there are still people out that are such fans of music and understand that albums are a necessary part of life and need to be listened to as a whole. Wild Throne has just released their debut album and it is a tremendous slab of righteous heavy rock. Their unique blend of influences, of The Mars Volta, At the Drive- In, Mastodon and Judas Priest has made their album Harvest Of Darkness one of the best debut albums I’ve heard in a very long time. A few days ago I wrote about bands not having the sense of “Danger” in their music. Wild Throne understands the concept and made something with a great deal of substance that it pushes boundaries of what can be done these days. From the first thump of the drums on the song “Harvest Of Darkness” to the last note of “Trans,” Wild Throne captivates you and inspires throughout their album. There isn’t one song on this album that needs to be skipped. Joshua Holland, Noah Burns, and Jeff Johnson are one hell of a team and it shows in every song. The production and recording was done by Ross Robinson. Ross was able to get such great performances out of these guys. This album is for sure going to be on a lot of top 10 lists at the end of the year. I know it will be in mine. Do yourself a favor and go buy this album. You won’t be sorry.
In today’s music climate it’s hard to stay fresh and ahead of the pack especially within the heavy music circles. There are so many sub-genres now a days it’s hard to keep up. Yet within the melodic metal genre there is a new band that is ready to stand out amongst their peers, Before The Mourning. Their debut album Etherial End is full of hooks, groove, and the perfect use of melody. The album was produced and recorded by the bands drummer Phil Gonyea, and mixed and mastered by Logan Mader. One can tell from listening to the album, that the 11 songs on the album are all meant to be there. There are elements of many different bands including Pantera, Poison The Well and a large Swedish Metal influence. At The Gates Soilwork really come to mind. Singer Adam Ryan’s voice evokes bits and pieces of Speed Strid of Soilwork. Songs like “Another Sleepless Night,” “The Deception,” “The Black Day,” Continuum,” and “The Hidden,” are all stand out tracks. Closing song “Deserter,” shows the bands ability to write a powerful song without all the aggression. CJ Cussell and Jeff Stevenson’s guitar playing compliment each other perfectly. There is a bit of an At The Gates tone between them. Bassist Paul McBride and Phil Gonyea (Drums) are extremely tight as a rhythm section similar to how Vinnie Paul and Rex Brown were locked in their groove while in Pantera.
Etherial End is just the beginning for Before The Mourning. They really have a true passion for what they do and the music they create. This album exemplifies that. Their live show as well is full of so much energy that it wouldn’t be shocking to hear that these guys stole the show from the other bands they play with. Do yourself a favor and pick this album up, August 21st!!!
Scale of 1-10: 9
