A Place To Kill

BEST ALBUMS OF 2026… SO FAR

2026 has been a really great year for new albums. Not just new albums but, bands returning and giving us new music that is just as good as their previous work, as well as a bunch of independent bands that are really coming into their own. This is one of my favorite posts of the year. It’s a great way to catch up on everything that’s come out that yo might have missed and check out something new. Audioeclectica, while mainly focused on rock music, is all about exploring new musical avenues. Why not start with these! Enjoy!

THIS LIST IS IN NO PARTICULAR ORDER!!!

AUDIOECLECTICA’S BEST OF 2026… SO FAR:

01) Held- Grey
02) Puscifer- Normal Isn’t
03) Converge- Hum Of Hurt
04) Converge- Love Is Not Enough
05) Poison The Well- Peace In Place
06) Lamb Of God- Into Oblivion
07) Blackwater Holylight- Not Here Not Gone
08) The Owling- Intravenous Flow
09) Neurosis- An Undying Love For A Burning World
10) Failure- Location Lost
11) Monolord- Neverending
12) Corrosion Of Conformity- Good God/Baad Man
13) Nine Inch Noize- Nine Inch Noize
14) Sevendust- One
15) At The Gates- The Ghost Of A Future Dead
16) XCOMM- Time To Burn
17) Exodus- Goliath
18) Rob Zombie- The Great Satan
19) Genghis Tron- Signal Fire
20) A Place To Kill- A Place To Kill
21) Gaerea- Loss
22) Final Gasp- New Day Symptoms
23) Trauma Ray- Carnival
24) Carpenter Brut- Leather Temple
25) The Smashing Pumpkins- Zodeon At Crystal Hall

DISAPPOINTMENTS:
01) Megadeth- Megadeth

NEW MUSIC SPOTLIGHT: A PLACE TO KILL- A PLACE TO KILL

The idea of finding a band name that encapsulates the music is never easy. Luckily for Richard Patrick of Filter and Photographer and There Is No Us vocalist, Jim Louvau, A Place To Kill was not taken, as that is quite the band name to debut their new band. There’s an eerie feeling that resonates through the post industrial sound. By delving into EDM and its many sub genres, A Place To Kill has found its kill room. 

Each song found on their debut EP, blends crushing electronics that hit at fun nuances, trap beat rhythms, and unadulterated dual vocals that alternate between seething aggression and controlled chaos. These are songs designed to hit hard, provoke, and challenge the status where electronic music can go.  The songs themselves from “The Killing Field” through “Something Inside Of Me” explore intriguing themes of the world of today and the future of tomorrow. Through the screams, melodic undercurrents and other urgent vocals, these themes are conveyed in a manner that calls you to attention.  Songs like “Jet Engine,” “What Feels Right,” and “Drown In A Sea Of Sorrow,” carve their own niche into the lyrical themes that accentuate the heavy distorted synths, deep grooves, and eerie atmosphere that amplifies the direct unease. 

The duo of Richard and Jim is quite seamless. You can hear in this that both have a great contrast of styles and influences that makes A Place To Kill not the run of the mill/generic electronic project. There’s a great deal of potential where this can go and I’m quite intrigued by the possibilities.

The end of the world is closer than ever and having a soundtrack to accompany that feels right. A Place To Kill have made an EP does just that. And live is going to be absolutely crushing and have the crowd screaming and dancing to usher it all in. 

Overall Rating: B

By: Brian Lacy

A Place To Kill- A Place To Kill: