Slipknot have released a third song from their upcoming seventh album (yes that’s right 7th album). This one entitled “Yen” definitely has a Volume 3 vibe to it with a bit more heaviness. The new album, The End So Far will be out on September 30 via Roadrunner Records. Two other songs “The Dying Song (Time To Sing)” and “The Chapeltown Rag” have already been released.
Slipknot- Yen:
When this tour was first announced, I was pretty stoked on it. You get the 40th anniversary of Anthrax, Black Label and to top it all off Hatebreed is opening the night. Sounds like a pretty damn good recipe for a metal tour. Plus all this happening at the Hollywood Palladium was the cherry on top as this venue for metal shows have a long history. As I arrived, the marquee said it was sold out, and when I walked in the venue, it was packed to the gills with fans waiting to open up the pits.
Hatebreed was first and I have to say, they stole the show. They way they came out and just absolutely destroyed was classic. It had been at least a decade since I last saw Hatebreed live and they haven’t lost a step at all. In fact, I’d dare say they have gotten even better live. Jamey Jasta is still one hell of a frontman and his voice still sounds crisp. I’ve long thought that the rhythm section of bassist Chris Beattie and drummer Matt Byrne are one of the more underrated duos and this show proved just how damn good they are together. On guitar Wayne Lozniak and Frank Novinec played with a blistering aggression that when all 5 elements came together made for one hell of an eruption. Their set list too was damn near perfect. Playing a chunk of songs from my two favorite albums of theirs (Satisfaction Is The Death Of Desire and Perserverance) along with some other gems from The Rise Of Brutality, Supremacy, The Concrete Confessional and their newest, Weight Of The False Self really drove home that Hatebreed wasn’t here to just warm up the crowd. They came to destroy and conquer and that they did!
Black Label Society was next and to be honest, it seemed a little bland and phoned in at times. The last time I saw them live was quite a few years ago when they were on tour with Children of Bodom and Clutch. I remember being bored and annoyed by all the pinch harmonics. Thankfully this evening there was a limit on those but, there just seemed like there was something a little off about it. Perhaps they weren’t the best choice as a direct support band, perhaps too, following Hatebreed was a bit difficult. Either way, they still put on a good show and Zakk Wylde is still a monster on the guitar. My friend I was with at the show mentioned to me mid set too that he had seen them play better. So it wasn’t just me that thought it was off a bit.
Anthrax was the reason why most of us were in attendance (I was there for Hatebreed too) and when it came time for them to take the stage, the Palladium was in a frenzy. 40 years as a band is quite an accomplishment. Even if they have had different eras of the band, the legacy of the albums and songs are still intact. Kicking off their set was a little video package of their peers talking about Anthrax and the impact they had on them. That was a fun way to kick things off but I did notice something interesting in the video package, John Bush was left out but Paul Crook was shown. After that, “Among The Living” really got the party started followed by “Caught In A Mosh.” That’s one hell of a 1, 2 punch to start a show. from there the set included songs like “Madhouse,” “Metal Thrashing Mad,” “I Am The Law” newer songs like “The Devil You Know,” and “In The End.” Personally the highlight of their set was them playing “Only.” Though the way Joey Belladonna sang it, he didn’t do it justice and at times it seemed like he was mocking the song by adding extra vibrato to his voice. Plus, I’m just gonna say it, you had John Bush in the damn crowd, why not bring him up to sing the song and sing it right?! Anthrax wrapped up their set with “Bring The Noise” and brought out Chuck D from Public Enemy for performance. That was pretty rad to see and hear. (I have my own issues with Chuck D and Public Enemy but I’ll save that for another time and place). Closing everything out was the song “Indians.” Anthrax put on a really good show and were super tight especially Scott, Charlie and Frank. The three of them are one hell of a trio. It was kind of disappointing though that this was their 40th anniversary tour/show and they didn’t cover every album. They completely bypassed Volume 8, Stomp 442 and We’ve Come For You All. Which is a shame because there are some really great songs on those records, especially on We’ve Come For You All. Thankfully, the last time I saw Anthrax before this show was back during the We’ve Come For You All era and the show I saw was at The Whisky and that show was amazing.
All in all this was a very good show. It was what you’d expect at this point from Anthrax and Black Label. Like I said early on in this review, Hatebreed stole the show and after the bar they set, good luck beating that. One thing I can say is that a show like this proves that rock and metal is alive and well. It just went more underground a bit. I for one am looking forward to what Anthrax comes out with next on their upcoming album as well as what Hatebreed does next! It’s not that I didn’t enjoy the show, I really did, it just didn’t feel like a proper anniversary show. Plus I’ve always liked the John Bush era of Anthrax better than with Joey and John has this way about his voice, presence and writing ability to take the songs to a whole other level! Perhaps a “Bring John Bush Back Petition should be started?!
Hatebreed Set List:
01) Proven
02) Destory Everything
03) A Stroke Of Red
04) Before Dishonor
05) Seven Enemies
06) Driven By Suffering
07) Betrayed By Life
08) To The Threshold
09) Smash Your Enemies
10) Empty Promises
11) Tear It Down
12) Perserverance
13) Live For This
14) I Will Be Heard
15) Looking Down The Barrel Of Today
Black Label Society Set List:
01) Funeral Bell
02) Destroy & Conquer
03) Overlord
04) Heart Of Darkness
05) A Love Unreal
06) You Made Me Want To Live
07) In This River
08) Trampled Down Below
09) Set You Free
10) Fire It Up (With Extended “Boring” Guitar Solo)
11) Suicide Messiah
12) Stillborn
Anthrax Set List:
01) Among The Living
02) Caught In A Mosh
03) Madhouse
04) Metal Thrashing Mad
05) The Devil You Know
06) Keep It In The Family
07) Antisocial
08) I Am The Law
09) In The End
10) Only
11) Bring The Noise (with Chuck D)
12) Indians
The Vin Diesel movie XXX is one of the most far fetched movies of the 2000’s. That movie is ridculous and over the top but, it’s also a fun movie to watch. One of the things I remember most about the movie was the music used in it. You’ve got bands like Rammstein, N.E.R.D., Drowning Pool, Gavin Rossdale of Bush going solo for a song and the one I remember most, Hatebreed. The use of Hatebreed’s “I Will Be Heard” during the movie is one of the best parts of the movie and it’s kind of fitting. Every time I hear “I Will Be Heard” I’m always thinking about that scene.
Hatebreed- I Will Be Heard (XXX Extreme Boarding Scene):
There are certain albums that I’ve been stuck on since they came out this year. They have yet to leave my stereo at home, the car or even my mind. So I thought, I’d share a few of these with you and give a little explanation as to why they are stuck in my head. I hope you take some time to check out these albums and bands/artists. Enjoy these!
01) Greg Puciato- Mirrorcell: This is my Album Of The Year. From the moment this album starts till it ends, it completely takes you over. You feel every emotion and feeling conveyed. The music on this album is pure and honest just as the lyrics are. I can’t put into words at the moment to tell you how important this album is and how amazing it really is. I have most of songs off this album playing in my head at all times. This is the type of album that will be with you forever. That’s how great it is!
02) Centershift- A Different Shade: I love this band. I’m a little biased as I work with them but, putting that aside, it’s a really great introduction to Centershift. The melodic heaviness along with the vulnerability in the songs makes this EP stand out. Plus it’s great to have these guys back playing music and doing what they love. And go see them live, it’s one hell of a show!
03) Billy Howerdel- What Normal Was: This record is quite a good album. The thing I love most about this album is what Billy said about the making of it. (I’m paraphrasing) This is the album he truly wanted to make since he was a kid but done in a more modern way and the end result is the best thing he’s done since Ashes Divide. This album pays homage to his love of 80’s new wave (especially Depeche Mode) and it’s done in a respectful way that doesn’t seem like it’s a derivative copy. Plus the live versions of these songs are on a different level.
04) Baroness- Gold & Grey: This album came out in 2019 but I’m still digging it. I love the fact that this is an actual album and the more that you listen it the more you hear just how damn good Baroness is and how far they’ve come. The addition of guitarist Gina Gleason really took this band to a different level and you can hear that on this album. Her ability to play off of each other member and add her own flair to the songs is astounding. This album is one of the bands best and it shows every time I listen to it.
05) If It Kills You- Invisible Self: This band is one of my all time favorite bands I’ve written about on Audioeclectica. The first time I heard If It Kills You, I immediately started the album over. This year they released one of the best albums of the year. It’s one of those records that feels very inspired and focused. There is a lot to take in with each listen which makes it a contagious record to listen to.
06) Cave In- Heavy Pendulum: Another great album that came out in 2022 was this one by Cave In. It’s got all the elements that you’ve come to love about the band and then some. The loss of Caleb Scofield left a huge hole but, the addition of longtime friend Nate Newton (of Converge/Doomriders) has more than filled that spot with his contributions but also his spirit in carrying on what Caleb brought to the band. Heavy Pendulum is an album that deserves to be played loud and proudly.
07) In Parallel- Fashioner: I’m still stuck on this album. I love it. It’s the perfect album to put on and let it just take you away. The soundscapes mixed with the instrumentation and the lyrics and melodies really put you in a sort of trance. It’s one of those albums that you wish didn’t end. I can’t wait for what they are cooking up for their next release
08) The Pretty Reckless- Death By Rock N Roll: This is one of my daughter’s favorite bands and albums. She is always requesting I put it on and the next thing I know she’s singing along to pretty much all the songs. While listening to the album you can definitely hear the true growth in Taylor Momson as a singer and songwriter. This is quite possibly the best album this band has put out yet. The song “Only Love Can Save Me Now” is one of the best rock songs I’ve heard in a long time plus it doesn’t hurt to have Kim Thayil and Matt Cameron of Soundgarden on the track. Check out this album if you are in the market for a really good rock album.
09) Every Time I Die- Radical: I’ve been stuck on this one since I came out. I’m still sad that the band is no more but, as a final parting gift, they sure did give us one last album that is absolutely phenomenal. Every time I put this record on, I can’t skip a song. It’s a really great album that never got the proper treatment with tours and all the great things Every Time I Die brought to the table. Still, as a swan song album, what a way to go out!
10) Quicksand- Distant Populations: This is another album that I can’t get to leave my rotation. I love this album. It’s everything Iove about Quicksand and then some. Seeing them live on this cycle was out of this world, especially with the addition of Cave In’s Stephen Brodsky on second guitar. This album is more than just a great album, it sounds absolutely killer. If you are looking for a heavy rock record, this is one where you should start!
Way back in the past, there was this network called MTV where all they did was play music videos 24 hours a day, 7 days a week. That was when it first started. Then over time they introduced other programming while still being music centric. Nowadays MTV resembles nothing that it once was. The past of MTV though did leave us some lasting memories and great music videos and memorable performances. Some of those performances were quite out of left field at times but, during the moment they were quite intriguing. One such performance that has always stuck in my head was during the promotion of the Adam Sandler movie, Little Nicky. This happened back in the year 2000, Adam Sandler was hosting a special that highlighted his movie and the soundtrack and during this members of Deftones and Incubus (both bands appear on the soundtrack. Incubus has “Pardon Me” on it and Deftones have “Change (In The House Of Flies)” and an acoustic version of “Be Quiet and Drive (Far Away)” on it) joined Adam on the couch for an acoustic version of Deftones’ song “Be Quiet and Drive (Far Away)” from my personal favorite Deftones album, Around The Fur. Side Note, “Be Quiet and Drive” is my all time favorite Deftones song as well. This performance is one of those interesting ones but also memorable. Take a moment and check this out and let me know what you thought of it!
Adam Sandler, Deftones & Incubus- Be Quiet and Drive (Far Away):
Bush is back with a pretty rockin new track from their upcoming album, The Art Of Survival. The first song released “More Than Machines” is a solid rocker from start to finish. It continues off of the band’s previous album The Kingdom, which saw the band step up the heaviness a bit and I’d throw in a little bit of Gavin’s post Bush band in the mid 00’s Insitutue to the fold too. This track Gavin said “This is an action-packed song with three really big topics. Off the bat, I don’t understand how anyone has the audacity to get involved or assume responsibility for women’s bodies. I wanted to reference that because it’s important to discuss. As much as the song is about the destruction of women’s rights, it’s about the destruction of the planet and the move for A.I. and a world of robots to replace us. It’s a topic we’ve heard since the fifties. I’m not here to teach anything though; my job is medieval like a town crier. I come into town with my elixirs and sing about it, so it hopefully goes out into the universe.” “More Than Machines” is a track that will leave Bush fans excited and happy till the new album comes out October 7.
Bush- More Than Machines:
Bush- More Than Machines (Live):
One of my the releases I’ve anticipated most in 2022 is FINALLY almost here. I’ve long been a fan of this band. I’ve said numerous times they are the best live band in Los Angeles and I stand by that! Throughout their career so far, Spirit In The Room have been conquering venues, slaying audiences and making rock music feel dangerous again. Now, the wait is over as Spirit In The Room is about to unleash their new EP, Flamingo on August 26 via Housecore Records. For those of you that don’t know, Spirit In The Room comes from the vision of Louisiana-born and Los Angeles-based singer, songwriter, and multi-instrumentalist Dennis R. Sanders. Joining him on this journey through this crazy world is Kevin Sepriano (Guitar) and Phillip Bailey (Drums/Percussion). Spirit In The Room is the type of band that is unpredictable in a great way. The intensity that radiates from Dennis is infectious and a bit unsettling but, that’s part of the charm that makes this band great. The first song released from Flamingo is “The Bird Of Paradise Alights Only Upon The Hand That Does Not Grasp” is one hell of a way to introduce this release. It’s a song that has a groove that gets under you and the next thing you know, your head is in a particular mind space and the music is in you. Personally, I can’t wait for this release. Its been a long time coming but, it will be worth the wait!
Spirit In The Room- The Bird Of Paradise Alights Only Upon The Hand That Does Not Grasp:
| PRE ORDER FLAMINGO HERE- https://spiritintheroom.bandcamp.com/album/flamingo |
There is something to be said about putting certain bands together on tour. When you put the right bands together, the end result tends to be something that leaves those in attendance in a state of WOW and inspired. Well that happened with this tour having VOWWS as the opener for Billy Howerdel’s solo album tour behind his new album What Normal Was. The combination of VOWWS and Billy Howerdel is a perfect match. The way their sounds play off each other and sets the tone for the other is pretty special.
VOWWS is one of my favorite synth driven bands. Ever since I heard them a couple years back I’ve been hooked. They have this distinctive sound to them that is part post-punk, part synth driven, and I’d even put in a little dreamgaze in there as well. Put that all together and you’ve got a recipe for a band that delivers great songs but a vibe that really sets the night on fire. The fact that they are a two piece band makes it all the more interesting. Being able to deliver the sheer force and magnitude they do is something a lot of bands in their genre could learn from. Having VOWWS open for what Billy’s solo album is was the perfect choice. I’m very intrigued to see where VOWWS goes next and what’s in store for them.
The main event for the night was Billy Howerdel. Being a fan of his work in A Perfect Circle and Ashes Divide made this a very exciting night. His new solo album, What Normal Was, is an album I’m hooked on. It’s got this very cool Depeche Mode/New Wave vibe to it but not in a way that it seems contrived but instead inspired. Listening to the album and reading about the mindset of where Billy was at the time makes this album even more special as it’s the album he truly wanted to make. The band he assembled for these shows is superb. Plus having the one and only Danny Lohner out there on stage playing guitar just warms my heart even more. Danny if you don’t know worked with Billy on his new solo album but also in Ashes Divide and in A Perfect Circle. As Billy’s set ripped through his new album, I couldn’t help but notice how these songs translate from album to live and the way that you get a different feeling from those songs. For example a songs like “Ani” “Follower” and “Selfish Heart” had a bit of a heavier delivery than the album and it made it more impactful. Other tracks like “Beautiful Mistake,” “Bring Honor Back Home” “Poison Flowers” and “Free and Weightless” were others that really stood out during the set. Also the addition of the Ashes Divide song “Forever Can Be” was a nice surprise and sounded great with this arrangement. You could tell from watching each member on stage that this was fun and exciting for them. Billy and the band sounded just as good as the album if not better live.
Seeing a show like this that leaves your inspired is a wonderful feeling. And then when you add bands and that really deliver the goods but also believe in what they are doing is contagious. The pairing of VOWWS and Billy Howerdel is/was a match made in musical bliss. I walked out of that show feeling glad I went and now I want more. It was a truly great evening, the bands played great, the people in attendance were all into it, and the other little surprises along the way just made it a perfect Sunday night for a show.
MORE PHOTOS:
VOWWS:
BILLY HOWERDEL:
REVIEW & PHOTOS BY: BRIAN LACY
There comes a time in every bands career where they find their stride and sound. Thankfully with Centershift, we didn’t have to wait too long for that moment to come. Their first EP, A Different Shade was an introduction to the band and their first offering to the musical world to get things started. This new single “From Where We Are” from their upcoming second EP, is the sound of a band that has grown by leaps and bounds in a short time but, has also dialed in on something that resonates not only on a listener level but on a different musical level all together. The soaring melodies, driving rhythms and deep/profound lyrics on “From Where We Are” make this beyond a stand out track. The way the imagery of the words hits as the guitars, bass and drums create this swell, makes you feel as though you are in the middle of the wave as it goes over you. Centershift is on to something with their melodic heavy rock and it stands out among all the generic and tackiness that is on the airwaves most of the time. This song and upcoming EP is next level for Centershift. I hope you are along for the ride.
Centershift- From Where We Are:
And On All Other Streaming Platforms:
It’s been a long time since I heard a Muse song that I liked. Probably have to go back to the album Black Holes and Revelations for that. Anyways, recently I heard another new Muse song that brought back their actual guitar playing and today they dropped this new single “Kill Or Be Killed” that is pretty damn good. It’s nice to hear Muse going back to the days of playing rock music and moving away from the dreadful electronic almost Imagine Dragons-esque crap they were putting out!
Muse- Kill Or Be Killed:
AUDIOECLECTICA 