Another one of my favorite bands that I’ve written about many times here on Audioeclectica have a new video/single out and it’s quite good and thought provoking. Fact Pattern’s new single and video for “Retail Therapy” from their latest release, From Where You’re Hiding, is an onslaught of heaviness and industrial with a tinge of melody. One of the things that has drawn me to this band is that they truly “get it” when it comes to what “industrial music” is. Fact Pattern is a band that has been able to take inspiration and influence from bands of the past and make it their own in a pretty great way. By adding lush landscapes of sounds to really set the mood and a melodic nature, the songs are accessible but not in a way that it’s watered down. There is enough heaviness within the songs to give you that “crunch and bite” needed. While listening to this song, I pick up bits of Skinny Puppy inspiration and also a bit of a fun Bill Hick’s comedic sense with how the visuals in the video play out. Fact Pattern is a band that should be on your radar. They are one hell of a band and their live show is only getting better each time!
One of my all time favorite bands I’ve ever written about on Audioeclectica, Arc Angles is releasing a new EP in early 2023 and I’m super stoked on it. Arc Angles if you don’t know are a killer post-hardcore, space/noise rock band that have been a favorite of mine basically since I started this. Through the years they’ve evolved their sound a bit with each release and the inspiration that follows them makes for some really kick ass tunes. As a three-piece band, the amount of volume they emit could activate richter scales. Singer/Bassist Chris Matalone along with Guitarist Nick Bradford and Drummer Brian Hollenbeck pack quite a punch with their style and songwriting. The three of them together have created something that feels urgent and focused with substance and depth, making this a stand out amongst their peers and in within the rock world.
Their latest release, entitled Daisy, features the lead track “Hammerhead,” which has quite a message. Singer/bassist Chris Matalone had this to say about the song “The idea behind the song came while watching news coverage during the early days of the Russian invasion of Ukraine. While describing the indiscriminate violence in the war, a journalist used the adage, ‘If all you have is a hammer, everything starts to look like a nail,’ and that phrase really made an impression on me. “It captured the brutality, recklessness, absurdity, and inhumanity of the war, and it was a natural jumping off point for the rest of the imagery in the song. But I do think it’s about more than just that one conflict. Broadly, it’s about the unhinged use of power by leaders of all types, on all sides of belief spectrums and group affiliations, and how there is a difficult but righteous obligation for us all to resist tyranny in all its forms.”
Daisy will see its release on New Years Day of 2023. The EP was produced and engineered by Christopher Dwyer and mixed by J. Robbins of Jawbox. When you hear “Hammerhead” it’s a sonic assault of rock that is only the tip of what else Arc Angles have in store throughout the rest of the EP. Take a moment and check out this killer song and great band!
Last week (Thursday 11/3/22), I finally got to see a band I’ve been wanting to see for some time. Ever since I heard their album, Death Spells, I knew I had to go see Holy Fawn live. This year, Holy Fawn released their spectacular and absolute gem of an album with Dimensional Bleed. After hearing that album, I told myself, when they come through Los Angeles, I’m going and they did not disappoint at all. There was something about the night and how perfect it all came together.
One thing I’ve been trying to do more of is not check out the bands that are opening the show. This way, I can go into a show with a completely open mind and not have any preconceived notions. I’m glad I did too because every band this evening was perfectly chosen and provided the right vibe to make this one hell of an explosive night. The first band of the night was Grivo. This three piece band delivered a set that mixed bits of doom, shoegaze and 90’s alternative. While listening you could pick up bits of My Bloody Valentine, Slowdive and even a little bit of The Smashing Pumpkins (Gish/Siamese era). They were heavy without being “heavy” and set a tone for the night that only got louder and more exciting. Grivo are the type of band that fit very well at The Echo. Looking around at the crowd, you could tell that this was the start of a very exciting night.
Next up was SOM and I was seriously blown away by them. Their self proclaimed “doom-pop” style is summed up perfectly. They have this perfect harmony of heaviness, atmosphere, melody and melancholy that makes for a sound that creates an ebb and flow of emotions that when the music, lyrics and vocals all hit, you are completely swept up by it all. By the second song I was completely immersed into their music. It was one of those moments that going to a show is all about. Being consumed by the music and letting it take over. Their new album, The Shape Of Everything is a stunning and deeply immersive album that you can listen to over and over again and get lost in it (in a totally great way). The band live was super tight and each member seemed to be drawn into the songs just as the audience making for a performance that left me high tailing it to the merch table after their set for a quick chat and to procure a few things for myself! Definitely go see SOM when they come through your town!
The main event of the night, Holy Fawn, was everything I was hoping for and more. They were hypnotic and mesmerizing as they delivered great song after great song. Their post-metal style has allowed them to explore other sub-genres and create music that not only is sonically bombastic but also thought provoking in a way that you find yourself even more drawn into the atmosphere that is created and the next thing you know the intensity awakens you and it’s like you’ve stepped outside yourself. Being able to shift between genres in songs is not an easy thing to do and still keep the audience engaged is astounding. Every song they played this evening was its own experience. One of the things about Holy Fawn that I love is their ability to shift between light and dark. They have this ability to draw you in with these delicate moments that shine the light then when you think it will explode with even more light, they flip the switch to the “heavy” and the dark shroud takes a hold and the emotional purge you feel from the music and vocals takes you to that other dimension.
What a great show this was. Each band brought the goods and delivered sets that were stellar. SOM and Holy Fawn as a 1, 2 punch was outstanding. This was a show that I not only knew I needed to go to but now will have to go see these bands each and every time they come through Los Angeles. SOM is definitely a band you need to check out and I will be featuring here on Audioeclectica very soon. Holy Fawn is one hell of a band that you really should take time to listen to and their new album, Dimensional Bleed is in my top 5 of the year. Shows like this don’t happen all the time but, when they do, you remember them for a long time. Thank you Grivo, SOM and Holy Fawn for one hell of a night to remember!
This is a fun one for you all. Back in 1996 on Late Night with Conan O’Brien, Omaha’s own 311, made their national television debut with a performance of their hit song “Down.” This was the year that 311 broke and everyone knew the song “Down.” It was and still is infectious. To this day, anytime I hear this song it takes me back and I can’t help but turn it up loud! 311’s self titled album or the “blue album” as some refer to it as, still holds up quite well to this day! If it were ever announced that the band would do a full play through of this album, I’d definitely go! In the meantime, enjoy this classic performance of 311’s “Down.”
311- Down (Live on Late Night with Conan O’Brien/ 1996):
A little over a month ago I introduced you to the band Faetooth. Their first single off their debut album “Echolalia” had just been released and what a treat that was. Now here we are on release day of their album Remnants Of The Vessel and HOLY HELL… What a debut record it is. The band is self-described as “fairy-doom” and it is most definitely a best of both worlds description. One one hand you have this thunderous and hard charging sound and on the other is this more delicate and dreamy style that echoes in the shoegaze realm with lush textures and soothing melodies and the occasional roar. Remnants of the Vessel is one of those debuts you will be talking about for some time.
Throughout the albums ten songs, you quickly realize that there is more to this band than meets the eye. The way the album flows it has a bit of a Neurosis vibe meets Chelsea Wolfe. The dark shrouded elements mixed with the glistening brightness adds to the tension of theses songs. When you listen you get pulled into quite a trance as the music guides and then the vocals and lyrics hit you. Something else about the way this album grabs you is the way Faetooth sinks their teeth into you bit by bit. When “that moment” comes, not only do they go in for the kill but they leave nothing left once they are done. Songs like “Echolalia,” “La Sorciere,” “Remains,” “Discarnate” and closing track “Saturn Devouring His Son” leave you utterly breathless. The sheer brute force that drives this album is on another level all together.
The musicianship among the four members is astounding. This band can not only play, they sure know how to write a song. I’m personally quite impressed that this is their debut album. After listening you’d think they’d been around for at least a few records. Faetooth are definitely not your run of the mill doom band. There is so much more and the deeper you delve into this album, the more you crave it.
Faetooth are without a doubt a band to watch out for. It’s been a minute since I’ve heard a debut album of this quality and precision. Do yourself a favor and sit down with this album and let it take you over. You won’t be sorry at the end. In fact, you are more likely to want to start it over once you reach the end because you are hooked and want more!
The new album by Dead Cross is one twisted and interesting ride. Made during a very turbulent time not just in the world but also personally for a couple of the members. Guitarist Michael Crain was diagnosed with cancer and progressing through chemotherapy while laying down his guitar lines. Singer Mike Patton developed severe agoraphobia and a bit of a drinking problem. That though didn’t interfere with Dead Cross delivering this thought provoking and pummeling record.
Their first output was a band finding their niche within all the genres and subgenres. This new album is a lot more focused and driven to make your head explode. Dead Cross II is more than just a blast of energy. It’s subject matter and lyrical approach does make you a bit more intrigued and you tend to listen a bit closer. It’s definitely an album that grows on you with each listen. The songs are more intricate and complex than the first album and I have to say too that having Justin Pearson’s vocals on more tracks adds a bit more “charm” to the album as a whole.
Through the nine songs and 35 minutes of this album you get an onslaught of brutality but with tinges of some fun things you’ll pick up on as you listen closely. One of my favorite tracks on the record is “Christian Missle Crisis.” This one has Justin on lead vocals and DAMN, this one goes HARD! Having the different vocal takes this song to a whole other level. Yes Patton is Patton but at times it’s too much Patton and you start to crave a bit more variety and that’s what makes Justin Pearson’s vocals stand out. Plus his delivery on this song is impeccable. My other favorite song on the album is “Reign Of Error.” Once you hear this one, you’ll understand why.
One thing that’s not to be dismissed about this album is the musicianship. Michael Crain’s guitar work on this album is superb. The tones and playing are top notch. There has always been an intensity to Michael’s playing (his days in Retox come to mind) but, he definitely seems to be channeling his cancer and treatment into this one and boy, does it pack quite the punch. Dave Lombardo is crushing on this album. His versatility as a drummer is on display here and it’s awesome. Justin Pearson’s bass rips through these songs with precision and razors and his vocals!!! One more thing to add about Dead Cross II and that is the production. While the first one is a bit more “raw” this one is more focused and concise, which actually makes for a better listen through. Dead Cross II is an album for the times that is for sure. It’s got almost everything you’d want and expect from those involved in this band and when it shines it makes you want to punch through glass (in a total good way). Hooray for ). Hooray for a new and anticipated Dead Cross album. I’m sure the live show this go round (when that time comes) will be one hell of a trip!
Yesterday I had a Stone Temple Pilots song stuck in my head (it was “Trippin On A Hole In A Paper Heart” in case you were wondering). While I had that song replaying in my mind, I found myself delving into the very underrated and unsung masterpiece album that is Tiny Music… From The Vatican Gift Shop (which I will get into on another day because that album is truly great). During that time in 1996, while out promoting the album, Stone Temple Pilots stopped by the Howard Stern show for an interview and performance. Howard, who you can tell is a fan of the band and had them on the show throughout their career, as well as just Scott Weiland, mentioned that he loved their recent cover of Led Zeppelin’s “Dancing Days,” and low and behold, STP would go on to perform it that day on the show (they also performed “Seven Caged Tigers” as well). I truly think this cover is spectacular. I don’t know how many times I’ve listened to this version over the years but, it’s definitely up there. I just love the honest and pure approach STP had to their music and time together. It’s performances like this that make me miss Scott Weiland. What a talent and voice! You are missed Scott!
Stone Temple Pilots (Led Zeppelin)- Dancing Days on Howard Stern:
Last night while looking for something to watch before bed, I found a movie I haven’t seen in a little bit. Thankfully too it just started. One thing I forgot about is the first song used in the movie and it inspired this post. While watching it dawned on me that the song that kicks the movie off is “New Noise” by Refused. What a perfect song to start this movie! It’s seriously very fitting for the scene and the things that happen next. Take moment and watch! And if it’s been a minute since you’ve seen Crank, I suggest a good re-watching! I’m now waiting for Crank 3 hahaha!
A few new tunes have come out this week that deserve your attention. No need to worry, I got you covered with all the goods. Let me know what you are digging and not. On tap we’ve got new jams from Faint On Call, Powder Pink & Sweet, L.S. Dunes (members of Coheed, My Chemical Romance, Saosin, & Thursday), Gojira, Black Map, and GWAR featuring Lzzy Hale.
Over the years as an avid concert goer I’ve seen so many bands and shows. My very first concert was in 1989. I was almost 5 years old when I went to that show (my birthday was only a couple weeks after I attended the show) and from that point I was hooked. 30 plus years later and I’ve seen some of the best bands in the world put on some of the best shows I’ve ever seen. One day I will actually sit down and try to put together a list of my absolute top ten shows I’ve ever been to. Through the years as my tastes have changed, I’ve not gone to see certain bands for many different reasons. Most of the time it’s because I don’t really like all the bands on the bill and don’t want to sit through things I won’t enjoy. I’ve already done and sat through enough opening bands in my life. During the whole world shut down, I started to go back and listen to a few bands that I haven’t listened to in a while and things started to shift for me. One of the bands I went back to was Lamb Of God. It was right around the time that they released their self titled album that I went back and delved into their catalog again. By doing so it revitalized me into a fan again. I’ll admit they had lost me a bit for a couple albums. Anyways, their self titled brought me back into the fold but, when I heard the first few songs released off their latest album, I knew what I had to do and that was go see Lamb Of God live again for the first time since 2008.
Lamb Of God are without a doubt one of the best live bands around today. Their most recent tour and stop in Los Angeles proved that. Riding high on the release of their savage and wicked album, Omens, Lamb Of God delivered one hell of a show. When the black curtain rose to cover the stage with just the band name on it and the beginning of “Memento Mori” starting, the excitement from everyone in the venue hit a level of anticipation that was about to explode, and as soon as that curtain dropped and the song kicked in, IT WAS ON! “Walk With Me In Hell” followed by “Now You’ve Got Something To Die For” absolutely kicked the audience into high gear. What a way to start the show. Through the course of the night, new songs like “Nevermore” and “Omens” were stunning to hear and live they are a whole other beast. The older songs played like “11th Hour,” “Vigil,” and “Ruin” were played with such precision and intensity that you’d think they were new songs. Other classics like “Laid To Rest” and “Omerta” were more than welcomed by the audience who seemed to get louder with each song that was played. Through the 80 minutes that Lamb Of God was on stage, they not only put it all out there, there was a definitely a renewed sense of being. The addition of Art Cruz on drums is the spark that they needed. His energy is contagious and it was found in each and every member of the band. As I mentioned before, it had been a while since I had seen Lamb live, and I’m sure glad I came back to it. Randy Blythe is one of the best frontmen. The way he takes over a crowd and has them in the palm of his hand is uncanny. His vocals have gotten better and better! Mark Morton and Willie Adler are one of the best guitar duos in the game. Both have their own style and together it makes for something quite intriguing. John Campbell is an underrated gem. His thunderous tone matches with the hard hitting and super energetic playing of Art Cruz. The five of them together have found their groove and I can’t wait for what they do next.
Joining Lamb Of God on this tour was Killswitch Engage. It’s been about ten years since I’ve seen them live and they were just as good as the last time. One of the best things about Killswitch live is that they always seem to have a good time and that filters out to the audience as well. Their set list was full of sing along songs that had the crowd singing louder than the band at times. Especially with “The End Of Heartache,” “My Curse,” “Rose Of Sharyn,” and “In Due Time.” I did hope for some more songs off of Alive Or Just Breathing but, that’s ok. We did get Howard Jones to come out at the end to join the band for “The Signal Fire” off of the bands most recent album, Atonement. Killswitch was a great band to have before Lamb destroyed.
This tour with both Lamb of God and Killswitch Engage was a really fun throwback to when they both started to come up in the early 2000’s. I remember seeing both bands back in 2003/2004 and was totally into it. Now here we are quite a few years later and both bands are still alive and kicking ass. I’m interested to hear what Killswitch does next. I’d love to hear them branch out a bit and explore some new ideas. Lamb Of God’s new album, Omens, is their best in years. It feels like a new band again. Plus I have to say it again, Art Cruz brought new life into this band that was in need of it. I would gladly go see Lamb Of God again.
01) Memento Mori 02) Walk With Me In Hell 03) Now You’ve Got Something To Die For 04) Resurrection Man 05) Nevermore 06) Ruin 07) 11th Hour 08) Omerta 09) Omens 10) Contractor 11) 512 12) Ghost Walking 13) Vigil 14) Laid To Rest 15) Redneck
Killswitch Engage Set List:
01) Strength Of The Mind 02) This Is Absolution 03) Rose Of Sharyn 04) To The Sons Of Man 05) Unleashed 06) The Crownless King 07) Hate By Design 08) Know Your Enemy 09) My Curse 10) This Fire 11) The End Of Heartache 12) In Due Time 13) Holy Diver (Dio Cover) 14) The Signal Fire (with Howard Jones)
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