Unsung Masterpieces: Brand New- The Devil and God Are Raging Inside Me
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Often times when a band makes the jump from indie label to a major label, there is something in the music that is lost. Perhaps it’s the pressure or the fact that the label itself is trying to make the band something else. That was not the case in 2006 when Brand New released their spectacular album The Devil and God Are Raging Inside Me. This album offered more in the way of contributions from the other members of the band. The title of the album was inspired by a friend of singer/guitarist Jesse Lacey who suffers from schizophrenia and bipolar disorder. This album also contains no filler. Starting off the album is “Sowing Season” which captures a raw emotional feel from the band. There is a definitely a 90’s feel to this song. “Millstone” is a song that continues the same raw emotion and also has very catchy sing a long type of chorus. The second single released was “Jesus Christ” is a mellow and quaint song. “Degausser” is another song that cradles the quiet/loud structure. The vocals on this song are powerful and pure. “Limousine” is nice mid tempo jam that features a very cool guitar solo. “You Won’t Know” is a true highlight of the album. The riff is punching and heavy. The vocal melody is aggressive without losing the melodic nature. “Welcome To Bangkok” is a great middle of the album segue. “Not The Sun” has a bit of a pop vibe to it but doesn’t lose their integrity that Brand New is known for. “Luca” has a similar vibe to The Mars Volta. This song is one of my personal favorites that the band has ever come up with. “The Archers Bows Have Broken” carries a melody that is akin to The Cure, and continues on with a pop vibe but adds an element of shoe gaze and feedback to dirty it up. Closing out the album is “Handcuffs” a very solemn and moody song that sums up the album in a great way.

Brand New are a very underrated band and great songwriters. They have the ability to connect with their personal attributes and storytelling. Musically they took many parts of the 90’s and mixed them with a sort of post hardcore structure. The Devil and God Are Raging Inside me is one of the best albums to come out in the last 10 years.

 The Devil AndGod Are Raging Inside Me:

 

By: Brian Lacy

Live Review: Royal Blood and The Last Internationale at the Roxy

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Rock N Roll was in full effect last night as two very talked about bands took the stage at the Roxy, England’s Royal Blood, and former Rage Against The Machine/Audioslave drummer Brad Wilk’s new band The Last Internationale.

Kicking the evening off was The Last Internationale. This female fronted three piece takes their love of 70’s rock and adds thought provoking lyrics that deal with more social issues. Singer/bassist Delilia Paz has a voice that is reminiscent of a cross between Janis Joplin and Jefferson Airplane singer Grace Slick. The dirty distorted bass lines that come from her side of the stage are commanding. Guitarist Edgey Pires plays with a more bluesy soulful approach that is lost amongst most guitarists today. Brad Wilk still has one of the tightest drum sounds around. His energy behind the kit is very noticeable. Their upcoming debut which was produced by Brendan O’Brien will be out in the next couple months.

Royal Blood is on the cusp of breaking out. This two piece band has more guts and gusto than other two pieces like The Black Keys and The White Stripes. Their music is loud, melodic and heavy. Vocally and lyrically they are steps ahead of those other bands mentioned. Starting their set with the song “Hole,” got the crowd into a frenzy of head bopping and dancing. “Come On Over” has a very Muse inspired riff all the while, a sort of sexy vibe to it. Newer songs from their upcoming full length sounded great, if not better than the songs already released. Closing out their set was their hit “Out Of The Black.” The crowd erupted when the drums for the song started. The more harder tinged songs really got the crowd worked up. My friend and I were left stunned by how good they were live. Having only released an EP so far, the people in the crowd knew all the words to those four songs.

The Last Internationale are a terrific band and put on a great live show as well. I’ve said it before and I stand by it Royal Blood is what The Black Keys would sound like if they had balls!

 

The Last Internationale: https://www.facebook.com/thelastinternationale

Album Sampler:

Live From Austin:

 

Royal Blood: https://www.facebook.com/RoyalBloodUK

Come On Over:

Figure It Out:

 

By: Brian Lacy

New FAILURE song!!!! Come Crashing

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In conjunction with their first full headlining tour in 17 years, Failure has released a brand new song as well as an exclusive tour EP (only available at shows). The new song entitled “Come Crashing” is exactly what you think new Failure would sound like, AMAZING! Ken Andrews, Greg Edwards and Kelli Scott make beautiful music together and this shows. The production is exquisite and each instrument is mixed so well. Lyrically, it shows a more adult version of the band without taking away what they are known for. Enjoy the first new Failure song in almost 20 years!

 

By: Brian Lacy

Album Anniversary: Alice In Chains- Jar Of Flies

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As it has been said before 1994 was beyond a great year for music. Riding high (no pun intended) off their masterpiece Dirt, Alice In Chains gathered in London Bridge Studio in Seattle, in September of 1993, just to see what they could come up with. A week later they had another gem on their hands. One of the most interesting things about Jar Of Flies was that they band never intended to release it, but their record company heard it and truly enjoyed it. When it was released Jar Of Flies became the first E.P. to debut at number 1 on the billboard charts. Since it’s release the album has gone on to sell over four million copies. Jar Of Flies was also the first Alice record to have Mike Inez on it. Kicking off things is “Rotten Apple” a very dark and deep song that delves further into the mind of Layne Staley. Musically this song has such a great structure. Jerry Cantrell’s ending guitar solo is strange yet fits perfectly. “Nutshell” is one of the most soulful deep songs that the band has ever released. The vulnerability and sheer pain of Layne is very present in this song. “I Stay Away” again taps into the darkness that surrounds the band. One of the best things about this song is that it shows off Layne’s range as a singer. The string arrangement really adds something special to the song. “No Excuses” is one of the bands biggest hits and a more upbeat song. As an instrumental “Whale and Wasp” acts as a little segue in the flow of the album. “Don’t Follow” continues on the path of dark and deep while reaching further into the soul. “Swing On This” offers up a more blues driven feel that has a bit of a country twang to it.

This album has always been a go to for me after ending a night on my way home or if ever I was feeling low. There is something beyond genuine and unrelenting about this piece of work. Every aspect of this record is done with the utmost precision. The subtle drums of Sean Kinney, the sultry bass lines of Mike Inez, the slick guitar work by Jerry Cantrell, and Layne Staley pouring his heart out really make this a masterpiece all on its own. It’s hard to believe that this is now 20 years old, and how good it still will be for years to come,

 

 

By: Brian Lacy

Album Review: Down IV- Part 2

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When Down announced they were going to go release a series of EP’s instead of a full length, I was excited. What that meant was more swamp-y, punishing riffs to go around. Not to mention More Philip Anselmo, Pepper Keenan and Jimmy Bower! Down IV Part II is 35 minutes, of sludgy riff madness. This EP is a more focused approach than Down IV Part I. Even though Rex Brown and Kirk Windstein are gone, Pat Bruders and Bobby Landgraf hold their own and bring in some fresh perspective to what Down is known for. Opening track “Steeple” is their best album opener since “Temptations Wings” from their classic debut NOLA. The riff is filled with such groove. Phil’s vocals are in top shape. “We Knew Him Well” is a solid jam with the heavy chunky riffs that down has become known for. “Hogshead Dogshead” opens with a swirling solo then jumps right into a crooning Phil. This could also be the weakest track on the album. “Conjure” has a very distinct Black Sabbath vibe. This is also one of the best songs they’ve ever written. Hopefully this becomes a live staple for all shows to come. “Sufferers’s Years” has a great intro and the guitar work throughout the song. Pepper and Bobby really play well off each other. This song really showcases that. Closing out the album is “Bacchanalia.” This song definitely has that 70’s vibe to it. Almost bordering on Thin Lizzy. Jimmy and Pat really shine as a rhythm section on this song. The outro explores the more acoustic nature of the band. This song could be foreshadowing into the realm of the next EP. 

All in all Down has made an EP that they can be proud of. If at first you aren’t into it, give it a couple more listens and immerse yourself in the EP. Your mind will be changed. Down makes music in an honest fashion. There are no gimmicks when it comes to this band. What you see and hear is what you get. And with a lineup like this, you wouldn’t expect anything less.

Click below for the album stream:

http://noisey.vice.com/blog/stream-the-new-down-iv-part-ii-ep

Video for “We Knew Him Well”

 

By: Brian Lacy

How can Ted Nugent be such an asshole yet write a song like “Stranglehold”

As the years go by, songs, like a fine wine or whiskey get better with age. One song I’ve noticed over the years that has gotten better and better is “Stranglehold” by Ted Nugent. Though every time I listen to it, I just can’t help but think of how big of an asshole he is. How can this guy write such a great song, yet be such a douche? This song gets me every time it’s on the radio or in a movie. That riff is just so damn good. It’s got such an awesome groove, and is the perfect driving song. Someone please tell me how these two can make sense.

 

By: Brian Lacy

Band Of The Week: Digicide

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The resurgence of the “space rock” genre is ever growing and full of very talented bands. Florida’s Digicide is part of that pack. Having been included on a recent Hum tribute album, their debut album Far From Home stretches past their influences of Hum, Failure but also Deftones, Quicksand and Autolux. Jonathan Whittaker’s voice has the same charm as Ken Andrews, while at the same time a voice all his own. Larry Suglio does a tremendous job on the music. The riffs, are heavy yet full of melody and fits the space rock mold perfectly. Songs like “Anchors & Astronauts,” “Confines,” “Gated,” and “Hypothesis” are epic in nature. Currently they are putting the pieces together for a live band.

 

 

By: Brian Lacy

Album Anniversary: Stone Temple Pilots- Purple

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Every band has their entire life to write their first album. The one after that can be the hardest. You don’t want to repeat what you just did, and you want to grow as a band. The 90’s were a great time for this and one album in particular managed to do just that. Stone Temple Pilots album Purple. This album pushed the band away from the “grungier” sound of their debut Core and brought in more of a southern rock and psychedelic rock feel to the way they wrote. The use of slide guitar throughout the album really adds another dimension to the tone of the guitars. Scott Weiland’s vocals and lyrics stepped up leaps and bounds. First track “Meatplow” is bluesy complimented with a laid back feel. “Vasoline” is a grooving hard rocking song with great melody. It’s also the only song on the album that drummer Eric Kretz got writing credit on. “Lounge Fly” really evokes the psychedelic feel. This is one of my favorite STP songs. “Interstate Love Song” is the one of the bands most popular songs. It also has a great video to accompany it. The southern rock vibe is very present on this song. The vocal melody is one of the best they’ve ever created. “Still Remains” is a great song to follow “Interstate.” It also shows a more vulnerable side of Scott Weiland. “Pretty Penny” takes it down further, stripping it down. “Silvergun Superman” brings the album back up to the rocking side of things. The chorus melody of this song stays with you for a lifetime. The guitar riff is chunky and heavy but mixed in perfectly not to cause a rumble. “Big Empty” which was actually first heard on STP’s MTV Unplugged, utilizes the slide guitar perfectly and the guitar solo, oh my. I still remember this song best from The Crow (RIP Brandon Lee). “Unglued” is another strong rock song that gets your head bopping and it also has a slight tinge to it that can make you dance. ” Army Ants” goes back to that psychedelic sound in the intro then kicks into high rock gear. Closing out the album is “Kitchenware and Candybars” which again strips the band down and puts Weiland back in the vulnerable state which he embraces. The subtle nature of this song has lots of introspective components foreshadowing a bit in to the future of the band.

Brendan O’Brien’s production and mixing on the album is absolutely flawless. the arrangements of the songs and flow of the album have yet to be duplicated by the band. Scott Weiland cemented himself as a great lyricist and singer on this album. Dean De Leo’s guitar work and tone is unrivaled. Take a listen to Slash try to play STP songs, it just doesn’t sound right at all. Robert De Leo is a fantastic bass player and his ability to harmonize with Scott is tremendous. Eric Kretz is a seriously underrated drummer. This also marks the 20th anniversary of the release of Purple. And in the 20 years it sure does hold up.

 

Against The Grain: Emperor

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Emperor is a Norwegian black metal band formed in 1991. They are regarded as highly influential by critics and emerging black metal bands. They dissolved in 2001, but reunited from 2005 to 2007 for a few festival dates and brief US tours, and will once reuniting in 2014. Ihsahn and Samoth met as youngsters and the two young men began playing together under various names; first Dark Device, then Xerasia, then Embryonic. The group soon evolved into the now well-known band Thou Shalt Suffer. Soon, however, Samoth began to write music outside of Thou Shalt Suffer, and together with Ihsahn and a new bass player called Mortiis (later of his own eponymous band Mortiis), Emperor was formed. After a short while together, the band released a demo entitled Wrath Of The Tyrant.  After a record contract was signed, Samoth moved to rhythm guitar, Ihsahn continued the vocal duties and lead guitars, and Faust was recruited as a drummer. In the summer of 1993, the band began working on their first full-length album. Emperor ceased wearing corpse paint, they stated that it was becoming a trend and losing its original significance and symbolism. In 1994, Samoth was sentenced to 16 months in prison for burning the Skjold Church in Vindafjord, together with Varg Vikernes. . In 1994, In The Nightside Eclipse was released, earning Emperor more notoriety. After Samoth’s parole, the band was joined by Trym and Alver on drums and bass respectively, and at the end of 1996, Emperor entered the studio to record Anthems To The Welkin At Dusk. Featuring a much more progressive sound than their earlier works, Anthems to the Welkin at Dusk won the ‘album of the year’ by a lots of European magazines and critics. Continuing their career as a trio, with Ihsahn handling keyboards , vocals, guitars and bass, the band recorded their third album IX Equilibrium and toured Europe and the United States. It was around 2000 when Samoth and Trym started to gravitate more towards more of the death metal style, while Ihsahn directed his musical exploration towards the more artistic and progressive side of extreme metal. In 2001, Emperor decided to disband after releasing one final album, Prometheus: The Discipline of Fire and Demise which was composed entirely by Ihsahn. Emperor would go on to reunite in 2005 for a slew of shows up till their break up again in 2007. Now in 2014 Emperor is headlining all sorts of European festivals. 

The amount of influence Emperor has spread over the years and across the many sub genres of metal is exponential. The mere greatness they exhibit in their playing and songwriting is fantastic. While not for everyone Emperor are pioneers and took it to the next level for extreme music.

 

Emperor Live:

 

By: Brian Lacy