Album Review: Every Time I Die- From Parts Unknown

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After countless years on the road and upping their game on every album, Every Time I Die seemed to have found the perfect balance of all that worked for them in the past. Teaming up with producer Kurt Ballou of Converge, From Parts Unknown is an unrelenting and cohesive album. All the things that make this band enjoyable is found throughout this album. The production is still raw but has a new approach to make certain instruments more prevalent in the songs and the vocals more coherent. Their previous album Ex Lives with producer Joe Barresi started the band on this track. Clocking in at 31 minutes, the 12 songs are full of introspective lyrics and memorable thrash/hardcore, some of the time adding a solid groove or a melodic tinge.

First track “The Great Secret” has all the above mentioned and then some. This song really kicks things off with a bang. “Decayin With The Boys” is classic Every Time I Die with bits of melody. “If There Is Room To Move, Things Move” is ferocious in its thrashy hardcore roots. “Thirst” is an aggressive heavy song with awesome breakdowns and a real attitude. “The Great Secret” has a Converge vibe to it along with a really heavy groove. “El Dorado” shifts gears a bit and is more of a melodic rock song with a 90’s guitar sound. “Overstayer” is the weakest track on the album. There really isn’t anything that is great about this song. “Moor” is a real departure for the band. Starting with a piano intro that melds very well with Keith Buckley’s clean vocals really showcases the band’s songwriting and ability to be diverse. This song is a real stand out. “Exomotorium” is a solid groove/hardcore song. “Pelican Of The Desert” is heavy and full of energy. It also features a guest vocal cameo from Sean Ingram of Coalesce. “All Structures Are Unstable” is a solidly good melodic hardcore song. Closing out the album is “Old Light” featuring Brian Fallon from The Gaslight Anthem. This song has the cleanest vocals on any Every Time I Die song ever. Musically it goes from a rock song to classic ETID.

All in all From Parts Unknown is dynamic and full of greatness. With the exception of one song, it is a stellar album. Every Time I Die has a knack for putting out solid material and this is no different. I would even dare to say that this album is a statement to all those that try to do what they do but always fall short. On the scale of 1-10, I’d give this an 8.5.

 

 

By: Brian Lacy

Album Review: Sidewave/Anakin split

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Containing one original song from each band and a cover, this EP from Sidewave and Anakin is quite awesome. The new track from Sidewave “Out Of Phase” is heavy, catchy and filled with a really steady groove. Vocally the lush melody really shows a range in Phil Golyshko’s voice. Their cover of Air’s “Playground Love” is fantastic. They really were able to take it up a notch and make it their own. Anakin’s new song “Solstice” really plays on the “space rock” tag in a good way. The melody throughout the song is full of hooks and atmosphere. Musically the chunky riff allows the vocals to really show through. Their cover of Fountains Of Wayne’s “Sink To The Bottom” was a great choice for Anakin. They too take the song and make it their own.

Both Sidewave and Anakin are truly great bands that need to be on everyones radar. Do yourselves a favor and take a listen and you’ll see what I mean.

 

 

https://www.facebook.com/anakinmusic

https://www.facebook.com/Sidewave.music

 

By: Brian Lacy

 

 

Band Of The Week: 3 Teeth

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The use of electronics has become a focal point of many bands today. The problem is that most of those bands don’t use it properly. One band that really does is 3 Teeth. They have brought back the harder industrial/electronic sound that has gone missing. Their music has that old Ministry, Nine Inch Nails, My Life With The Thrill Kill Cult influence to it. Based in Los Angeles their music has everything that industrial should present, extreme aggression, heavy guitars and plenty of thumping bass. The guys in 3 Teeth have managed to add little bits of modern electronic music. Their debut album is 14 tracks of unrelenting heaviness. Songs like “Pearls 2 Swine,” “Dust,” “Dissolve,” and “Too Far Gone” are all stand outs. 3 Teeth are gearing up to take their music to the stage, I can only envision the amount of volume and energy these guys will put out.

 

By: Brian Lacy

Live Review: Failure at the Fonda Theater

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There have been certain bands that I’ve seen since I first started going to concerts at age 4 that have left me utterly speechless and mind blown. To name a few, Nine Inch Nails, Alice In Chains, Metallica, Neil Young, Deftones, Foo Fighters, Bon Jovi and now Failure. Back in February when they played their first show in 16 years, I was left with my jaw on the floor and so much inspiration. Seeing them again not only reaffirmed my thoughts about them, but also gave me hope that great music is still around and coming back. Last night at the Fonda, Ken Andrews, Greg Edwards, and Kellii Scott made it an unforgettable night. The final date of their tour and in their hometown made it special. The band ripped through 16 songs before coming back for a 5 song encore which included a brand new song “The Focus” and “Bernie.” Unlike their El Rey reunion show, Failure seemed really comfortable and ready to leave it all on stage.

The show started with a short 20 minute movie of the films that have influenced Failure over the years. “Another Space Song” kicked off their set beautifully. “Wet Gravity” really got the crowds energy going. Kellii was playing his drums with such force he kept knocking off the microphones placed on the drums. You could tell that all the guys on stage were having a great time. Other highlights from the set were “Saturday Savior,” “Sergeant Politeness,” “The Nurse Who Loved Me” (Which Ken got the crowd participating), “Pillowhead,” “Small Crimes,” “Solaris,” and closing out the main set was “Heliotropic” (One of my personal favorite Failure songs). There was a great deal of focus on playing songs from Fantastic Planet, and when the band started playing songs from Magnified the crowd got even crazier, especially when they played the song “Magnified” during their encore. This night was also Ken Andrews’ birthday. His wife came out on stage with a cake and led the entire crowd in singing happy birthday. “Daylight” (another of my favorites) was the final song of the evening.

When the show was over there was a real genuine sense of awe and astonishment in the room. I was left (and still am) utterly speechless, amped up and inspired. Failure being back really does give hope that rock music is coming back with a vengeance. Ken, Greg and Kellii are amazing musicians, songwriters and a great source of inspiration. Failure is back!!!

 

Setlist:

1. Another Space Song
2. Frogs
3. Wet Gravity
4. Saturday Savior
5. Sergeant Politness
Segue 2
6. Dirty Blue Balloons
7. Undone
8. Pillowhead
9. Segue 3
10. The Nurse Who Loved Me
Intermission
11. Blank
12. Solaris
13. Small Crimes
14. Smoking Umbrellas
15. Stuck On You
16. Heliotropic
Encore
17. The Focus (New Song)
18. Bernie
19. Magnified
20. Screen Man
21. Daylight

Great Guest Vocalists: Scott Weiland

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Scott Weiland is one of the best singers in the last 20 years. Even with his antics and other exploits, his voice still resonates well with the masses. What you have below are a few songs Scott has guested on over the years, some known and unknown.

 

Deftones: RX Queen (White Pony)

The Crystal Method: Murder (You Know It’s Hard) (Tweekend)

The Doors: Break On Through and Five To One (Stoned Immaculate)

Limp Bizkit: Nobody Like You and Hold On (Significant Other and Chocolate Starfish)

 

By: Brian Lacy

Album Review: Mastodon- Once More Round The Sun

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Mastodon are one of the few bands to be able to do what they want and exist on a major label. Their music has evolved from straight up sludgy metal, to evoking the progressive rock spirit. Evolution is a major key to survival in music. Playing the same things over and over make things stale and stagnate. Mastodon had a misstep of sorts with their previous album The Hunter, but are on the track to redemption with their new album Once More Round The Sun. This new album at first isn’t as captivating as Crack The Skye or Leviathan, but after a few listens it starts to pull you in. There is still the elements of 70’s rock, bits of prog, and touches of their classic sludge tone throughout the album. The production is crisp and sleek without being over produced. Nick Raskulinecz really was able to capture what the band has become just as their previous work with Matt Bayles (Remission, Leviathan, Blood Mountain) and Brendan O’Brien (Crack The Skye). Only on The Hunter with Mike Elizondo was the magic lost. The 11 tracks on this new album have a more consistent flow making it seem like an album rather than a group of songs, even though that band has said there is not concept to this album.

Starting off the album is “Tread Lightly” a very solid opener with lots of melody but keeps a “heavy” structure. The ending solo is strong and trails off perfectly into the next song. “The Motherload” has a very cool dueling harmonic guitar riff. The chorus is catchy and full of melody even prompting a bit of a sing along. The guitar solo in the song is reminiscent of something that would be on an album from the 70’s. “High Road” starts simple chunky riff that sets in the groove of the song. This song has sort of Leviathan vibe but more melodic. Live “High Road” is a gem. The title track “Once More Round The Sun” has a Thin Lizzy influence written all over it. The vocal melody even sways that way during the verses. If you can imagine Thin Lizzy being a prog rock band, this song would definitely be in their catalog. “Chimes At Midnight” has a Blood Mountain vibe to it. The rhythm of the song is very percussive. This song live, like “High Road” is great, if not better than the latter. “Asleep In The Deep” is a very laid back mellow and melodic rock song. “Feast Your Eyes” is a heavier jam with gang of vocals during the chorus. “Aunt Lisa” is a very strange song for Mastodon. The structure and sound of the song is all over genres and influences and features guest vocals from the band The Coathangers. “Ember City” is just an average song. It really doesn’t do anything with the exception of the melodic chorus.. This song and “Aunt Lisa” they are the two weakest tracks on the album. “Halloween” is another song that has the 1970’s written all over it. The groove of the rhythm is solid and the highlight of the song is the rocking guitar solo. Closing out the album is “Diamond In The Witch House” which features guest vocals from frequent guest Scott Kelly of Neurosis. The song has a Crack The Skye meets Neurosis Times Of Grace vibe to it. Scott Kelly always delivers on his songs with Mastodon and this one is no different.

All in all this is a solid album. Mastodon seem to be heading back in the right direction. After listening a few times, there is definitely a theme present through the record. On the scale of 1-10, I’d give this album an 8.

 

By: Brian Lacy

Another New FAILURE Song!

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It’s official, good music does still exist. Since the news broke of Failure’s reunion, every fan wanted a tour and new music. There was some hesitation on what new material might sound like, and the direction they would go in. To no surprise, Ken Andrews, Greg Edwards and Kelli Scott, did not disappoint. The newest track released “The Focus” sounds like classic Failure set in modern day. The space guitar, the rumbling bass and thumping drums mixed with a catchy vocal melody makes this song very infectious. Take a listen and hear for yourself!

 

By: Brian Lacy

Band Of The Week: Goldsboro

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In today’s musical climate its always nice to see bands take their influences and wear them with pride. A great example of that is Goldsboro. They take their love of 70’s rock, specifically Thin Lizzy and incorporate a good time vibe to it. This power trio are bursting with energy. Singer/guitarist Kevin Roentgen plays chunky powerful riffs while carrying the melodic nature of the song with the vocals. His voice is somewhat reminiscent of Phil Lynott of Thin Lizzy. Johnny Lonely takes the rhythm of his bass and dials it in perfectly with the ferocious drums of Chris Cano. Chris is a beast behind the kit. He also plays in another band featured here called Dekades. Since 2012 the band has been hand picked to open for Guns N Roses and have been highly endorsed by Steve Jones of the Sex Pistols. Goldsboro are part of a new breed to show that rock n roll is alive and well.

 

https://www.facebook.com/goldsboroband

http://www.goldsboroband.com/

 

By: Brian Lacy

Cover Thursday: Replicants (Steely Dan)- Dirty Work

 

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I am not a Steely Dan fan at all. In fact to quote Seth Rogen in Knocked Up “Steely Dan gargles my balls.” Strangely though, their song “Dirty Work” seems to pop in my head from time to time. I remember an episode of The Sopranos when Tony Soprano (RIP James Gandolfini) was singing it while driving. Thankfully there is a version of this song that I can listen to and thoroughly enjoy. It’s by a super group of sorts. In 1995 Ken Andrews and Greg Edwards of Failure joined forces with Paul D’Amour (formerly of Tool) and Chris Pitman (now in the new Guns N Roses) and recorded and album of covers under the name Replicants. Enjoy the only way Steely Dan can truly be tolerated!

 

Classic Soundtracks: The Crow

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1994 was quite a year not just for music, but also for movies. Brandon Lee’s final film The Crow was released and accompanying the film, was a tremendous soundtrack, featuring bands like Nine Inch Nails, The Cure, Stone Temple Pilots, Pantera, Rage Against The Machine and Helmet. One of the intriguing things about the album was the songs from Nine Inch Nails, Pantera, and Rollins Band were all covers. Nine Inch Nails did Joy Division’s “Dead Souls,” Pantera did Poison Idea’s “The Badge,” and Rollins Band did Suicide’s “Ghost Rider.” Also notable was the inclusion of Rage Against The Machine’s Darkness, which was actually a re-recorded b-side from their debut album. Stone Temple Pilots song “Big Empty” first appeared on the soundtrack and then was later added to their masterpiece Purple. The Cure’s song “Burn” is a wonderful song too, that radiates how great The Cure are.

The Crow is my all time favorite movie. I’ve seen it well over 100 times. There is something so perfectly dark about it and the music that is a part of it blends so well.

 

 

By: Brian Lacy