Album Review

Album Review: Korn- The Serenity of Suffering

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20 plus years as a band and now on your 12th album, where do you go from here? Well, Korn knew exactly what they wanted to do, and they succeeded. The Serenity of Suffering, Korn’s new album is a throwback of sorts to their heavy groove days, but on this album they added a more hooks, to really keep your attention. This album has the feel of Issues and Untouchables, but with a bit more hope. That’s right “hope,” a theme that was always  a bit buried in their albums. The 11 songs on this album all fit and flow together, making this one of their most cohesive albums since Issues.

Starting off the album is “Insane,” a very classic sounding song with a great riff and a catchy chorus. This song is a great opener and introduction to the rest of the album. “Rotting In Vain,” is classic Korn at it’s finest, complete with Jonathan Davis bringing back his scat vocals. “Black Is The Soul,” is my favorite song on the album. This is a very Issues era sounding song, with lots of melody, and a bit of a different vocal approach from Jonathan. “The Hating” is a very moody song with a crunchy riff and a heavy breakdown. “A Different World” features Corey Taylor on guest vocals. This song is not bad, but it’s a little underwhelming. I personally expected more from this song. “Take Me” could have been on Untouchables. In fact the main riff seems to be directly ripped off from that album. “Everything Falls Apart” is another classic sounding song. “Die Yet Another Night” is a bit of a mediocre song. The riff is solid, but the song a whole isn’t quite up to par with the rest of the album. “Next In Line” is a great song on this album. It’s full of hooks and catchy, with solid verses and choruses. This is a big throwback song. Closing out the album is “Please Come For Me” a very Untouchables sounding song. The ending riff of this song is a great summation of this album.

The Serenity of Suffering is the album many Korn fans have been waiting for. The production by Nick Raskulinecz is top notch. It’s the best Korn has sounded since Issues. Nick was really able to capture the “Korn” sound. Drummer Ray Luzier finally sounds like he fits in the band. He’s a great drummer, but no other producer has been able to really get him to sound right, other than Nick. Fieldy’s bass actually comes through in a way that thumps like the first couple albums. Munky and Head haven’t sounded this good in a long time. And finally Jonathan Davis sounds great. He tries out new vocal techniques and it really pays off, especially on “Black Is The Soul.” All in all this is a really good album. I personally would like to see them incorporate more of these new songs into their set list, so the fans can really get the full effect.

Overall Rating= B+

Korn- The Serenity of Suffering:

Album Review: The Dillinger Escape Plan- Dissociation

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The Dillinger Escape Plan have really done it this time. Their latest and last album Dissociation, is a summation of everything they have ever done and then some. Never a band to stray from taking chances, the album is quite possibly their most ambitious. From their signature spastic songs, to the more melodic songs, and their experimental side, Dissociation is an album that is ferocious and unrelenting.

Kicking off with the rager “Limerent Death,” then flowing into the melodic “Symptom of Terminal Illness,” the first two songs really set the mood for how the rest of the album will be. “Wanting Not So Much As To,” brings out a different side of singer Greg Puciato. His spoken word segment of the song, allows the song to breathe for a moment while he waxes poetic. Other stand out songs on the album include “Low Feels Blvd,” “Honey Suckle,” “Dissociation,” Surrogate,” and my favorite as of this writing ” Nothing To Forget,” which has a beautiful transition to a string arrangement that further expands upon the albums already dramatic themes of loss, and the end.

As a music fan, I have a really affinity for the process it takes to make an album. Musically this album is in the top three of all their albums. There is a real sense of “leaving it all out on the table.” Guitarist Ben Weinman has really developed his own style over the years, and on this album in particularly. Drummer Billy Rymer and bassist Liam Wilson have never sounded tighter. Vocally and lyrically singer Greg Puciato, has really gone deep and delivered one of his best performances on this album among all the albums he’s ever been on or guested on.

I will say this about the band, they have always done it how they wanted to. Their career is one that most underground bands strive to have. To be able to be influential and inspirational for over 20 years is astounding. Between their albums and live shows, The Dillinger Escape Plan have cemented a legacy that will live on in infamy.

Overall Rating= A
The Dillinger Escape Plan- Dissociation:

 

Album Review: True Widow-Avvolgere

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Every once in a while I come across a band or album that has put out something that really grabs my attention. True Widow’s new album Avvolgere is something quite intriguing. The album has a feel of parts stoner/doom rock, 70’s psychedelic rock, and a bit of shoegaze, while still having a “metal” feel. Avvolgere is an “album” for sure. Each song on it from the opener “Back Shredder” to the closer “What Find’s Me,”fits in the spectrum of an album the way it should. Something else that I noticed about this album is the sense of calm that accompanies it. The production is stellar. The minimalist feel to it allows the instruments to shine in their natural state. The bright yet slightly doomy guitars glisten among the words and vocals. Each and every song on this gloomy gem is a stand out. The reverb drenched “To All That He Elong,” is a sonic triumph. “OOTPV” is one that brings the sludge in a great way.

True Widow is a band that deserves your attention. Avvolgere is an album that should be delved into. What really stands out to me is their desire to create music that has substance and rings true to their influences and inspiration.

 

 

 

https://www.facebook.com/TrueWidowOfficial

Album Review: Every Time I Die- Low Teens

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Nearly two decades into their career, Every Time I Die shows no signs of slowing down. Never a band to shy away from being unrelenting and punishing, their new album Low Teens is just that, only this time it’s more personal. Inspired by the events of a huge ordeal singer Keith Buckley and his wife went through when she was pregnant with their daughter, the lyrics on Low Teens provide a lot of insight into the push and pull of life and death. Armed with all these thoughts and perspective, vocally, this is one of Keith’s strongest performances. The accompanying music the rest of the band wrote fits perfectly with the theme of the album.

There is something else on this album that really makes this one stand out among their last couple releases and that is the dynamics. On this album, Every Time I Die has really found a great niche into exploring melody while still staying true to their heavy and hardcore roots. The guitar playing of Jordan Buckley and Andy Williams is groovy and rocking. The tones they have blend so well that it seems like a huge wall of guitars. Bassist Steve Micciche’s knack for writing thumping bass lines that don’t over power the guitars or Daniel Davidson’s pummeling drums. Speaking of the drums, new drummer Daniel Davidson (formerly of Norma Jean) fits in Every Time I Die perfectly. It’s as though he’s been in the band for years the way he plays.

From opening song “Fear and Trembling” all the way through to closer “Map Change,” there is not one bit of filler on this album. Each song fits and is meant to be here. Even the order of songs is impeccable. Other songs like “C++ (Love Will Get You Killed),” “Glitches,” “Two Summers,” “Petal,” “The Coin Has A Say,” are stellar. Even the song “It Remembers” which features Brandon Urie of Panic At The Disco is an absolute great song. The production on this album is a great fit for them as well. Their previous album From Parts Unknown just didn’t have the feel of an Every Time I Die record. I always thought that Steve Evetts and Joe Baressi were the best people to capture what Every Time I Die is, but on this album Will Putney joins those two gentlemen in that category.

In all honesty this is one hell of an album. Every Time I Die has further cemented their legacy not just as a heavy band but as great songwriters. I highly suggest buying this album and seeing them live when they come to your town. You won’t be disappointed in your decision to do either.

Overall Rating= A

Every Time I Die- Low Teens:

 

 

 

Album Review: Interstelar- Resin

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I’m quite fond of the “Stoner Metal/Rock” genre. There is enough “heavy” in the music to go around, and there is the slowed down element as well that brings it all together. Bands like Black Sabbath and Down have it down to a science and their formula has been imitated for many years now. Some bands though bring out something more than just the sludgy slowed down metal. Interstelar, a band that has been a previous band of the week, just released a new album entitled Resin, that brings something more to the table. Their blend of Sabbath and Down branded rock is mixed very well with added inspiration from The Cult and Corrosion Of Conformity. Tracks like “siLO,” “Resin,” and “Behold,” really hone in on the stoner vibe. Then there is a song like “High Horse,” that adds soothing and sweet melody, along with a vibe that puts you at ease. Lyrically the songs are on a different plane all together. They range from the social climate of today to everyday things in life, and it’s done in a way thats not intrusive or off putting, that it takes away from the mood of the music. Interstelar know how to make this genre their own and expand upon it. I “highly” recommend you take a listen to this album and hear for yourself.

 

Interstelar- Resin:

 

https://www.facebook.com/interstelarLA

 

By: Brian Lacy

 

Album Review: Aeges- Weightless

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One of the bands that are carrying the torch for rock music today is Los Angeles’s Aeges. Their new album Weightless is chock full of riffs galore, pulsating rhythms, and great melodies that will leave you tapping your feet, and singing along. The thirteen songs on the album lead by first single “Another Wasteland,” are energetic, catchy, and full of passion. In a day and age where singles are more and more popular, Aeges have released an “Album” that deserves your attention. They have managed to combine influences of straight ahead rock, a bit of prog rock, and a dash of post-hardcore, to create this album. Songs like ” Weightless,” “Save Me,” “All Of Me,” “Another Wasteland,” “What If,” “Better,” and “Drying Out” are all stellar tracks that really drive home what I mentioned above. The production on the album as well allows each member and instrument to be heard.

Aeges have been at this for a while now. Weightless is their third full length album. With each release, they keep getting better and better. If Aeges is playing in or around where you live, I strongly suggest you go check them out and pick up this album when you are there.

Overall Rating: B+

 

Aeges- Weightless:

Album Review: Night Verses- Into The Vanishing Light

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When I first heard Night Verses, I thought that this is one of the bands that is much needed in today’s stale music climate. Their debut album Lift Your Existence was an album full of epic proportions that really left a mark on me. The album is still in constant rotation in my stereo. So when I heard that Night Verses were in the studio working on their follow up album with Ross Robinson, I became even more excited about this band. The end result of their collaboration together is an album that is full of passion, inspiration, diverse music that pushes genre boundaries and vocals that are raw and powerful.

Into The Vanishing Light is an album that will take you on a journey just as a full album should. The more you listen to it all, you pick up on different things and feelings. After my first listen the flow of the album seemed to be a little disjointed, but after a couple more listens, it all began to make sense. The first track “The Future As History: I Love You Dead,” is a mood setter alright, that is set against a bit of a schizophrenic vocal delivery, but done with so much passion. The next couple songs emit pulsating music all the while a moody etherial vibe. By the time “Dialogue In Cataplexy” hits you know you are in for a ride with the way it plays out as a song with complexity and seriousness. As the rest of the album moves along the path of the journey certain songs like “Panic and Pull Your Heart Out” and “Blue Shades Of The Sun” truly leave a lasting mark. The closing song “Phoenix III” is a great encapsulation of the album and what the band has evolved into.

Night Verses have created an album that emits true artistry and vision. Singer Douglas Robinson really goes all out to ensure the words and messages come across as real and true as possible. Musically drummer Aric Improta is an absolute inspiration behind the drums. His use of time signatures and percussion adds so much more to the music. Guitarist Nick DePirro’s riffs, structures and skill is brilliant. It’s all tied together by bassist Reilly Herrera’s thunderous yet gentle playing. Working with Ross Robinson really helped to push the band to realize their potential as a band. Into The Vanishing Light is an album that separates Night Verses from their peers in the genre. I’d even go as far as to say this album could be a blueprint for the genre just as the Refused’s The Shape of Punk To Come became. Night Verses are here and deserve your undivided attention.

 

Night Verses- Into The Vanishing Light:

Album Review: Moving Structures- Awake

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A while back I made the band Moving Structures the band of the week. During that time they were in the midst of working on their debut full length. Well it’s now out and it is tremendous. When you are an instrumental band, the ability to connect with listeners and invoke feeling without vocals and lyrics is not easy, but Moving Structures are one of the few bands I’ve heard to be able to do just that and then some. There is something truly remarkable about the melodies and tones that they use to get you to feel something more than usual. The power of not having vocals makes you think and delve deeper into your senses. The twelve songs on Moving Structures’s debut Awake, take you on a journey that allows the listener to grasp their intentions all the while making it something that transcends the genre. With bits of prog, ambience, and rock, Moving Structures have released an album that can become a new blueprint for instrumental bands to learn and expand upon.

iTunes:

https://itunes.apple.com/us/album/awake/id1121348813

Spotify:

https://open.spotify.com/album/2o2DkwFqaMIay5KEq43rP8?platform=hootsuite

From The Band:

http://www.movingstructuresband.com/merch/vne40w8ilppyimcs9qdfoeq8no0o9e

By: Brian Lacy

Album Review: Filter- Crazy Eyes

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When you think of the band Filter these days, I would guess two songs come to mind, “Hey Man Nice Shot” and “Take A Picture.” One would think they have moved on from their early more industrial side of things, considering the last album didn’t really have any of those elements. Well Filter have just released a new album that harkens back to the Short Bus era and adds a bit of a modern approach. The new album Crazy Eyes is very influenced by the early days of Filter and a bit of Nine Inch Nails Broken era. Richard Patrick is back and angrier than he’s been in a long time. Armed with a band that helps realize his vision and tests the limits of electronic and industrial tones, the new album is one that stands out amongst the bands catalog. Songs like “Nothing In My Hands,” “Pride Flag,” “Take Me To Heaven,” and “Welcome To The Suck (Destiny Not Luck)” are complete standouts on this record. On a fun note Danny Lohner helped write and produce the song “City Of Blinding Riots,” which is a song that will be a great in a live setting. There is also an instrumental called “Under The Tongue” that is very Nine Inch Nailsesque in a good way.

I had the pleasure of speaking to Richard and he says “this album is a bit more reckless dangerous and quirky.” He also mentions that this incarnation is one of the most passionate version of the group since the early years.  He also goes on to say that “this album should be triumphant in its anger.” While the album is full of anger, social commentary, honesty and a DGAF attitude are very prevalent themes throughout. Filter have come back to their roots and it’s very fitting in a time when music is getting stale.

Filter- Crazy Eyes:

Album Review: Deftones- Gore

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After 20 plus years as a band and now 8 albums in, where do you go? Deftones have never been a band to play it safe. They shake things up every now and then, showing the band is constantly evolving. Their new album Gore is a prime example of a band maturing and expanding upon its influences. It’s nice to hear a band like this take chances and try new things, but the end result isn’t all that pretty. Gore has a flow to it that is makes it seem more like a collection of songs rather than an album. There are a few songs that are absolute standouts on this record. Songs like “Hearts/Wires,” “Phantom Bride,” and “Rubicon” are the best the album has to offer. “Hearts/Wires”  should have been the first single released. Chino sounds vulnerable and focused on this song. There are great harmonies as well that take it up a notch or a few. As of this writing my favorite track is “Phantom Bride.” Jerry Cantrell guests on the song, providing a guitar solo that fits ever so perfectly with the vibe of the song. The song is also one of the the most heartfelt songs on the album. Chino shines on this, as well as the rest of the band. Other songs that caught my attention are “Prayers/Triangles,” “Acid Hologram,” and “(L)MIRL.” There is something very etherial to these songs. They expand upon the Deftones more “ambient” side.

Part of the problem with the album is the production and mixing. It’s very disjointed. The drums are buried in the back and don’t have the sense or urgency that fans of the band have loved for many years. There is a “raw” element to this album and I get it, but it’s just not done well at all. I understand why they didn’t want to continue on the path that they laid with Diamond Eyes and Koi No Yokon, but they seemed to have strayed a little too far on this one. The end result is that this album will definitely be one that grows on you with time. This is not to say that you won’t enjoy Gore, but it will for sure be one of the albums in the bands catalog that songs get skipped on a lot.

Scale of 1-10: 4

Deftones- Gore: