Album Of The Week

Album Of The Week: Gouge Away- Deep Sage

As a giant music fan, I love when I hear albums that get me stuck on them. When that happens, I get so drawn into what is going on with everything about the album. Upon first listen of Gouge Away’s new and long awaited album, Deep Sage, I immediately started it again and I have yet to take it out of my rotation. The bands extended break and return to this material shows an immense growth in not only the bands approach to songwriting and ability to tell a story within a song, it also proved to be the right thing as these songs pack a walloping punch that is abrasive and urgent.

From the time the album starts with “Stuck In A Dream” all the way to the epic closer “Dallas,” Gouge Away have made an album that truly embodies what this band has always been capable of and more. Their first couple of releases started them on the path towards where they are now but, on Deep Sage it takes it to a whole other level. The way the album was recorded by Jack Shirley, really makes this album shine. The album was recorded live, the old fashioned way and that organic sound makes this record standout even more. The live feel of the album, the killer riffs and rhythms and the way the vocals grab you will not only make you pay attention but also shows the evolution of the band quite well.

I love this whole album so it’s hard for me to pick out certain songs to highlight. Instead of going track by track I will say this. Each song on Deep Sage is meant to be there and sequenced in such a manner that as I said above grabs your attention. The way Christina Michelle’s vocals are on this album showcase her talent not as a screamer but more as vocalist as she weaves really delicate webs and then can unleash a ferociousness that is quite intense, especially when you hear the songs “Idealized” and “Spaced Out.” The final track on the album, “Dallas” is a show stopper. I personally can’t wait to hear all these songs live but, this one in particular. There is such a wonderful dynamic shift within the song that when you hear it, let’s just say, you’ll know why this album is so damn good.

This is the type of album that gives me hope for the future of music. Not just in the genres that I enjoy most but, in general. Gouge Away made an album with Deep Sage that cements them as forces to be reckoned with but, also a record that stands out and can actually become a very influential album. Another thing about this album that I love is that it was made with a true passion and that shows through on each song. The live performance aspect really drives that home and it makes for a listening experience that feels alive. I can’t wait to see Gouge Away live and hear these songs. What a tremendous album this is. So much so that as of this writing, it’s my album of the year. I really do look forward to where the band goes next.

Overall Rating: A

Review By: Brian Lacy

Gouge Away- Deep Sage:

Album Of The Week: Ex Everything- Slow Change Will Pull Us Apart

As a rabid music fan of multiple genres and styles, I still get excited when I hear a band, album or song that really grabs my attention. There’s something to be said for the way certain bands can pull you in and you are then in for quite a ride. Recently, I finally had the time to check out a band and album that the moment I heard about it really got me interested. The band is Ex Everything and their debut album, Slow Change Will Pull Us Apart is one hell of an album. It’s aggressive, chaotic, heavy and down right pissed off which all this then makes for a cathartic release of thought provoking and compelling music.

Ex Everything is made up of members of Kowloon Walled City, Early Graves and more. While there are tinges of each of the members other bands in this, Ex Everything explores a different side of things by tapping into their inner Fugazi and other similar bands to create a visceral sound that not only grabs your attention with interesting progressions and timings but, also with vocals and lyrics that call for attention. The eight songs on their debut, Slow Change Will Pull Us Apart are armed with a ferociousness that is desperately needed. When you listen to Ex Everything the inner mosh pit in your head goes off and from there, I can’t be responsible for what you do next. I will say this though, an album like this is and at the time of its release was much needed. As I mentioned above there is a catharsis with this album not just lyrically but musically as well. The way the riffs and rhythms shift and pull you in different directions is quite powerful. Not to mention the production by Scott Evans who was able to capture the essence of a band that is quite on fire throughout this impressive debut.

Ex Everything is a band I hope to hear more from. It’s right up my alley of what I enjoy and I have a feeling they’ve only scratched the surface of what they are capable of. There is a volatility to these songs that could ignite a fire and hopefully that fire is within you to fight for what’s right.

Overall Rating: 9/10

Review By: Brian Lacy

Ex Everything- Slow Change Will Pull Us Apart:

Album Of The Week: Filth Is Eternal- Find Out


What you find out in about 30 minutes and 14 songs is that Filth Is Eternal is on a warpath! The way this album hits right out of the gate is quite the punch to the head. Filth Is Eternal is a band that pulls from a handful of genres like hardcore, grunge, punk, crust punk, and noise rock to create a style and sound that is brash and in your face while still carrying a sense of melody. Throughout Find Out, there’s all sorts of little nuances to pick up on with each listen. It’s quite fun to find all the ear candy in this album.

There’s a depth to the songs on a musical and lyrical level that most bands in their “spectrum” lack. The myriad of subjects tackled on Find Out is quite intriguing. The way the album flows weaves an intricate web of heaviness, aggression, and catchiness that is infectious. One of the thingsI love about Find Out is that when you listen it makes you want to move. The rhythms of drummer Emily Salisbury and bassist Rah Davis and riffs of Brian McClelland give you the step to get going and then when you add Lis Di Angelo’s vocals to it you get the bounce to really get in the groove. Another great aspect about Find Out is that it really feels like an “album.” What they are able to accomplish in 14 songs and 30 minutes is pure and concise and I can’t get enough of it. Each song brings it’s own charm to the table and that’s part of what makes this album standout. I will say this, The first half will grab you and then the latter half of the album is particularly a sweet spot!

Find Out was produced by Paul Fig who has worked with Jerry Cantrell, Alice In Chains, etc but, is also remembered by me most of all as being a member of Amen! Filth Is Eternal is a band that should be on your radar. Not only do they have the chops with their songs but, their live show is one hell of a beast on its own. Filth Is Eternal is not only one of my favorite new bands but, they are also super rad people. Do yourself a favor and soak in this Filth!

Overall Rating: A

By: Brian Lacy

Filth Is Eternal Online: https://linktr.ee/filthiseternal

Filth Is Eternal- Find Out:


Videos:

Cherish:

https://youtube.com/watch?v=zKpX5r7Ntgw%3Fsi%3DbFZML7iYtY27g3ed


Pressure Me:

https://youtube.com/watch?v=b-ttYV6kqNk%3Fsi%3Dbpf66tgFOORVlfFW


Crawl Space:

https://youtube.com/watch?v=rP0Q6gYCxPY%3Fsi%3D80GVum61Ryc1Kque

Album Of The Week: Baroness- Stone

There comes a time in every bands evolution when a change is needed. In the case of Baroness, they have been one of the most consistent bands in the sense of evolving. Be it member changes, color schemes, and life, there is no shortage of inspiration for this band. I still remember hearing the Red Album for the first time and digging it but, it wasn’t until the Blue Album, when I really think the band found its stride. Along the way, Baroness carved out their own little corner in the heavy music world and have pursued a path that is their own. And on their new album, Stone, Baroness have reached a true triumph as a band.

Carrying on the lineup from Gold & Grey, Baroness’s new album STONE, has defined the sound of the band. There is a resounding strength and focus found throughout this album. Musically, this album is on another level than they’ve gone before. Each member of this band Sebastian on drums, Nick on bass, Gina on guitar and vocal and of course John on guitar and vocals, are playing with a sense of confidence that takes new shapes and is quite inspiring. The rhythm section of Sebastian and Nick are quite the tandem in how they play off each other and the vibe that radiates from that part is captivating. Then you have the full emergence of Gina Gleason coming through on each song. I must say too, as a long time fan of this band and having seen all the different lineups, Gina is the perfect fit for this band. Just like Seb and Nick, Gina brought a new light to the band for the better and it’s really showing on this album. John still has a knack for those sludgey riffs and those delicate pieces that get quite tingling as each listen plays on. Thematically this record is quite the trip. One of the things that I truly enjoyed most about this album was getting swept up in journey that it takes you on. As an album enthusiast (albums are not lost on me. That’s a topic to be discussed at a later time), what you get with STONE is a piece of art that is explosive, delicate, psychedelic and introspective. Having songs like “Last Word,” “Beneath The Rose,” “Choir,” all in a row is a trifecta of YES!!!! Then there’s “Anodyne” and “Shine” that open up other worlds right into another trifecta of epicness with “Magnolia,” “Under The Wheel” and the closing track “Bloom.” One quick note that has to be made is, FINALLY, the album isn’t brick-walled into the skies above!

Listening to STONE and letting it take over is a journey you should most definitely take. It’s one of those albums that you’ve always known they had in them it just took the right lineup to make it. When you take Red, Blue, Yellow, Green, Purple, Gold and Grey and put them together it forms a colorful stone and out of that you get Baroness.

Overall Rating: A

Review By: Brian Lacy

Baroness- STONE:

BARONESS ONLINE:

https://baroness.lnk.to/STONEYT

https://yourbaroness.com

https://www.instagram.com/yourbaroness

https://www.facebook.com/YourBaroness

https://twitter.com/yourbaroness

https://tiktok.com/@yourbaroness

Album Of The Week: Will Haven- VII


The mighty Will Haven are back with a new album that is absolutely intense yet has a balance of atmosphere and experimentation that only they can deliver. VII is the band’s seventh studio album and it takes no prisoners. The record is filled with riffs and grooves while at the same time pummeling rhythms that propel the gut wrenching vocals.

From the moment the album starts with “Luna” you know that this album is just waiting to explode. The sludgy/hardcore elements found throughout the album are classic yet feel fresh. Throughout the album it’s more and more apparent that this isn’t a heavy record for the sake of being heavy, there’s a lot to uncover as each song unfolds. The most prevalent aspect found throughout the album is the use of atmosphere. As each song grabs you by the throat, there is a bit of air between the grasp that explores different grooves and textures not found on most hardcore albums. I’d even go as far as to say there’s some psychedelic vibes going on here. For example the songs “For All Future Time” and “Paloma’s Blessing” both showcase Will Haven at it’s experimental finest. Then you also have a song like “Feeding The Soil” that is eerie as it gets under your skin. And then you have my favorite track on the album (as of this writing) “No Stars To Guide Me.” This song is a true highlight on the album but also in the bands catalog. This song is exactly the song I’d point to if I were to tell someone about Will Haven. It encompasses everything and more to love about this band and album.

Will Haven have indeed left their influential mark in heavy music throughout the years. The band’s cult status has only grown over the years, and for a band this far into their career, to put out an album that has it’s own identity and signature is quite the statement. VII is one hell of an album. I urge you to listen to it loudly and on repeat, because once it stops, your hunger for it will only grow deeper! Be sure to come out to The Knitting Factory in North Hollywood on Wednesday August 30, 2023 to witness Will Haven LIVE along with Cycotic Youth, Curse, Stronger Than Machines and Arc Angles TICKETS HERE!

Overall Rating: 9/10

Will Haven- VII:

Album Review: Common Wounds- Common Wounds

A few weeks back I was introduced to the band Common Wounds and from that point I’ve been hooked. At first I had only heard their song “Phantom Limb” but, that was enough for me to know that this was a band right up my alley. Their style of post-hardcore, part noise-rock and full on crushing rock is just what the rock world needs. The five songs that make up this fantastic EP, are hard charging, heavy and fully inspired songs. This is the type of record that when it ends, you immediately want to start it over. Common Wounds are the type of post-hardcore band that really gets it. They have the ability to mix the right amount of heavy with a side of emotional hardcore. Take the right parts of Fugazi and Rites Of Spring and add a bit of Helmet (Strap It On/Meantime era) and what you have is a recipe that Common Wounds have come storming out of the gate with. Each song on this EP, has a life of its own. There is a natural aggressive tone to it but, there’s also a bit of a melodic sensibility that gives the songs the space they need to explode. The production on this release is exceptional. Being able to hear the instruments with the right tones and having a mix that encapsulates the entire sound is the perfect harmony. It’s also very refreshing to hear a band like Common Wounds. There are so many bands out there that straight up copy their influences verbatim but, when you hear Common Wounds, it sounds inspired and fresh. I look forward to what Common Wounds have coming up and seeing this live. Do yourself a favor and take this EP for a spin!

Overall Rating: A

Common Wounds- Common Wounds:

Videos:

Hit Or Miss:

Phantom Limb:

Album Of The Week: Arc Angles- Daisy

It’s the beginning of 2023 and already a hard hitting banger of a release has been unleashed upon us! Arc Angles, one of my favorite bands I’ve championed since I started Audioeclectica have a new EP out called Daisy. It’s an unrelenting, pummeling force to be reckoned with. The in your face attitude that kicks in immediately will not only draw you in but might cause you to flip your desk or table and scream in a very therapeutic way.

The five songs on this absolutely direct and immediate release will stay with you for quite some time. The lyrics are thought provoking and interesting. The topics explored come with a depth and substance that many bands today, especially in the mainstream fail to recognize. Musically, there’s so much to delve into. Whether it be the odd time signatures, odd tunings, interesting melodies or the crisp and punch to the face mix (courtesy of Jawbox’s J. Robbins), the way everything comes together on Daisy is explosive as it is complex.

Arc Angles are a band that have taken the time to craft songs that play off their vast influences and have then created a sound that shines on it’s own merit. The way the record flows takes you on path that expands your mind both lyrically and musically. I love to hear a band challenge their listener to find little nuances in what they create to make the listening experience that much more special. Ever since I first heard these guys, it’s been a pleasure to listen to them evolve and further push the boundaries of what they are capable of. If this is the way we are going to start 2023 with, then I dare the rest of the music world to keep up with this!

Overall Rating: A


Arc Angles- Daisy:


Order The Vinyl:

https://rabbitrabbitrecordspress.bigcartel.com/product/arc-angles-daisy

Album Of The Week: Faetooth- Remnants Of The Vessel

A little over a month ago I introduced you to the band Faetooth. Their first single off their debut album “Echolalia” had just been released and what a treat that was. Now here we are on release day of their album Remnants Of The Vessel and HOLY HELL… What a debut record it is. The band is self-described as “fairy-doom” and it is most definitely a best of both worlds description. One one hand you have this thunderous and hard charging sound and on the other is this more delicate and dreamy style that echoes in the shoegaze realm with lush textures and soothing melodies and the occasional roar. Remnants of the Vessel is one of those debuts you will be talking about for some time.

Throughout the albums ten songs, you quickly realize that there is more to this band than meets the eye. The way the album flows it has a bit of a Neurosis vibe meets Chelsea Wolfe. The dark shrouded elements mixed with the glistening brightness adds to the tension of theses songs. When you listen you get pulled into quite a trance as the music guides and then the vocals and lyrics hit you. Something else about the way this album grabs you is the way Faetooth sinks their teeth into you bit by bit. When “that moment” comes, not only do they go in for the kill but they leave nothing left once they are done. Songs like “Echolalia,” “La Sorciere,” “Remains,” “Discarnate” and closing track “Saturn Devouring His Son” leave you utterly breathless. The sheer brute force that drives this album is on another level all together.

The musicianship among the four members is astounding. This band can not only play, they sure know how to write a song. I’m personally quite impressed that this is their debut album. After listening you’d think they’d been around for at least a few records. Faetooth are definitely not your run of the mill doom band. There is so much more and the deeper you delve into this album, the more you crave it.

Faetooth are without a doubt a band to watch out for. It’s been a minute since I’ve heard a debut album of this quality and precision. Do yourself a favor and sit down with this album and let it take you over. You won’t be sorry at the end. In fact, you are more likely to want to start it over once you reach the end because you are hooked and want more!

Overall Rating: A

Album Of The Week: The Bobby Lees- Bellevue

One of the best things about writing and running Audioeclectica is when I get an album sent to me that really peaks my interest. When this happens, I tend to get quite excited and listen to the album countless times and to find all sorts of nuances that make it even better. Recently, I received the new album, Bellevue by a band from New York called The Bobby Lees and it’s absolutely fantastic. It’s one of those albums that the more you listen, the more you enjoy it.

The Bobby Lees are an unhinged band with roots in punk, alternative, garage rock and I’d even say a tinge of folk. The 13-song album, which was recorded live in-studio, was produced by Vance Powell (Jack White, Chris Stapleton, The Raconteurs) and it’s stunning. When you listen to this band you hear something pure and honest that isn’t found in much of the mainstream music you’d hear today. So much so that the band found a champion in the legendary Henry Rollins, who brought them to the attention of Ipecac Recordings where Mike Patton and Greg Werckman signed them. The Bobby Lees are a four-piece that hail from Woodstock, NY, two women (Sam on vocals/guitar and Kendall on Bass) and two guys (Macky on drums and Nicholas on guitar), Sam is the band’s driving force – the songwriter/lyricist and the guide on all things Bobby Lees. The album is incredibly personal, written after a mental break while staying close to Bellevue (she uses the title as both a geographical point and also a reflection of her state of mind at the time).

Now with all that in mind, this album is an absolute kick to the nuts and punch in the face in a totally great way. There is an urgency and ferociousness within these songs that are not only a therapeutic journey but, also one that breathes life back into rock n roll. The album is 13 songs of hard charging unapologetic rock. What they deliver in 32 minutes is astonishing. The moment this album starts you can tell you are in for something that’s quite a trip. I could go song by song but my descriptions of the songs won’t do it justice enough. You need to listen to this album! There is an intelligence to this album too. The lyrics aren’t just personal they are introspective and deep. Then you add in the raw elements of the production and the chills that run amok over you with each listen will grab you and throw you against a wall with a sense of excitement that goes back to the days of CBGB’s and the craziness that ensued there.

The Bobby Lees have released an album that in 2022 is vital and necessary. It also has something that is missing that I’ve been talking about for a while now and that is a feeling of danger. Rock music has needed an injection of danger to it for a while and The Bobby Lees have found the right vein to tap into and let their music speak for itself. Do yourself a favor and take this album on a few spins and let it take over you. It’s one hell of a treat!

Overall Rating: A

The Bobby Lees- Bellevue:

Bellevue (Video):

Album Of The Week: KEN Mode- Null

Heavy music knows no bounds. That’s one of the many things I love about heavy music. The fact that you don’t have to work in a set of parameters to create music that is intriguing, interesting, and that will absolutely decimate everything in its way. Throughout their years, KEN Mode has carved out their own niche among their peers. They done things their own way and it’s proved to be quite successful for them. Their new album NULL, is one hell of an album. Across the 36 minutes of pure aggression, vulnerability and ferociousness, KEN Mode has delievered the goods and then some. In their 20 years together they’ve incorporated elements from punk and hardcore to noise-rock and sludge to mold into an ever evolving sound.

NULL is the bands eighth studio album and they have taken everything they’ve done before and mixed it together to create an album that not only stands on its own merit but, also pushes the band to new directions for the future to come. NULL is an album that hits on feelings of anger, frustration and anxiety and then musically will knock your teeth out with the intensity and tension all of these elements create together. The album isn’t an all out assault. There is a real natural ebb and flow created to takes the listener on quite a ride in a short amount of time. KEN Mode is a band too that is never one to do the same thing. NULL pushes the band into almost avant-garde territory without becoming an “art project” rather it’s quite thought provoking and at times violent.

NULL is an album that isn’t afraid to take chances without being too weird for the sake of being “weird.” The methodical chaos found here is pure and KEN Mode have released an album that seems like only the beginning of what else is to come. In fact, this is only part one of a two part arc. So, when we get part two of this, I would bet that all hell will break loose. In the mean time, NULL is enough to satisfy long time listeners as well as new. KEN Mode are here, armed with a vengeance and throughout this album, you will feel it all.

Overall Rating: B+

KEN Mode- NULL:

VIDEOS:

A Love Letter:

UNRESPONSIVE:

Throw Your Phone In The River:

But They Respect My Tactics: