The year was 2013, Nine Inch Nails have returned from a 5 year hiatus and a new album, Hesitation Marks. When news of this came out, needless to say I was pretty damn excited. Around the time of the release of the album, it was announced that Nine Inch Nails would be the musical guest on an upcoming episode of Jimmy Kimmel Live. This would mark the bands network TV debut. They have obviously previously performed on MTV but, never a late night network show. They would perform 5 songs this evening with “Various Methods Of Escape” leading it off on TV followed by “All Time Low,” “Sanctified (altered version),” “Came Back Haunted,” and “The Hand That Feeds.” It was quite a fun set as those of us in attendance got to hear 3 new songs live for the first time plus a couple classics. It’s crazy to think that this was almost 10 years ago now. And since today is May 17… Happy Birthday Trent!
Nine Inch Nails- Various Methods Of Escape (Live On Jimmy Kimmel 2013):
I’m sure we’ve all heard albums that have left a last impression on ones self. Sometimes these albums take us to different places be it in our minds, imaginations, etc. Then there are times when an album comes out that hits you at the right moment in all the right ways and it makes it feel like everything will be ok because of that album. A couple months back the band Iress, released the song “Ricochet” off their now released and utterly spellbinding and superb EP, Solace. The moment I heard that song, I knew there was something more to it than just a “dark/moody vibe.” What I found was a band that sonically devastates while at the same time draws you in seductively. Iress’s new EP, Solace is a piece of art and music that hypnotizes you while the words and vocals crawl under your skin and gives you the type of chills that you might find when you reach that moment of clarity. The life that these songs breathe is astounding. One of the most intriguing factors about Iress is their ability to utilize atmosphere and space to balance out the heavy nature of the songs. It’s a feeling you will notice as you listen. Through all the darkness on these songs, the hope and light found throughout is breathtaking. The depths these songs take you and the place it leaves you in the end is the light at the end of the tunnel. Fronted by Michelle Malley (aka The Adele Of Doom) her vocals and guitar take you on quite a journey of love, loss, pain, and anguish all while the band Graham Walker (guitar), Michael Maldonado (bass) and Glenn Chu (drums) create the soundtrack to all this and add the right sonic elements the leaves you breathless. Another aspect that makes this release so damn good is the production. Producer/Engineer/Mixer Alex Estrada (Touche Amore, Joyce Manor, etc) makes this all come to life by capturing the raw and emotional charged performances of each member. There is no mistaking the magnitude that Iress puts out and with this EP it’s not even close to where their potential lays. I personally can’t wait to hear what else this band does and goes musically. Solace is not just a superb release, it’s my favorite release of 2023. Congratulations to all involved in the creation and release of this masterful EP. Iress is here and they are coming for you! You can pick up your copy of the EP now via the one and only Dune Altar Records (one of the best indie labels around)!
For over 20 years and now 8 studio albums in, Unearth has never let up. Their latest album, The Wretched / The Ruinous is 11 tracks of unrelenting heaviness and some interesting twists and turns that makes this album one that really stands out in their catalog. I will be honest, it’s been a minute since I really got into an Unearth album but, the moment this one started, there was something about this one that just felt different. While the album still has it’s “core” attributes, there is more depth to these songs that on previous albums.
The title track kicks off the album and it’s a full hard charging piece of work. It’s one of those songs that not only is a great track one but, you can tell this one is gonna be in the set list for a long time to come. One of the things that I enjoyed most about this album, is that while the band stays true to their sound, they are willing to take chances and change the formula just enough to make a difference. A track like “Mother Betrayal,” showcases this element as you can hear the band move into new territory that is almost along the spectrum lines of black metal. Then you have a song like “Broken Arrow” that explores more of a “rock” vibe but, still keeps the integrity of what Unearth is all about. Another song that steps a little outside the comfort zone like “Dawn Of The Militant” is a straight up classic metalcore track that features a classic breakdown that will get a crowd going full force in the pit for sure. Another component of this album that shines is that everything is building up to something more, just like an album should. On previous Unearth albums, there has been a lack of cohesion but, on this new one, you can definitely tell this is meant to be played from start to finish.
The Wretched / The Ruinous is a solid album that hits your in the face like a ton of bricks. On this album for Unearth, there is a definite sense of urgency and reignited fire burning throughout. Sometimes bands do need to change things up whether it’s members, producers, styles, etc. Those things can help to bring out the best at times and in the case of Unearth it sure made a difference. As a fan of the band especially during The Oncoming Storm and III: In The Eyes Of Fire, I can honestly say this is their best album since that time. Now, that’s not to say they output in between hasn’t been good, The Wretched / The Ruinous is just one of those albums that just goes a bit harder and feels like a band ready to get back out there and show the world why for over 20 years, Unearth has been a mainstay and one of the more consistent bands in the genre.
There are some albums you never forget hearing for the first time. And when you think of those albums there are certain songs that always come to mind right away. When Rancid announced that their 10th studio album would be coming out soon, I did what I usually do when I get excited about a band I like, I went back through their catalog. Then I got to the band’s third album, …And Out Come The Wolves and all those memories of being 10/11 years old blasting the hell out of this album came back. Yes, we’ve all heard “Time Bomb” and “Ruby Soho” a ton of times but, the one that has always got me the most on the album is the first track, “Maxwell Murder.” This song has all the makings of a great track one. It’s got the great intro, killer riff and bass line, driving rhythm, and not to mention that the vocals are right on the money. Plus I’d like to give a shout out to the one and only Matt Freeman, as his bass solo on this song is absolutely killer. Also “Maxwell Murder” is all killer in only one minute and twenty-five seconds. The ability to make such an impact with barely a minute and a half is astounding. Rancid have been one of the most consistent bands since their debut album came out 30 years ago this year. I’m stoked on new Rancid this year and you should be too!
The ever radtastic The Ocean are roaring back with a new album, Holocene. This new album finds the band putting together a finishing chapter on their paleontology album series while adding new elements but, still keeping with their brand of epic heaviness. Already two songs have been released from this grand album, “Parabiosis” and the more Radiohead tinged “Sea Of Reeds.” Throughout the years, The Ocean has developed a sound that while heavy, it’s more than just a band being “Heavy.” There is a deeper thought provoking aspect to the music as well as the lyrics. One of the things that makes The Ocean who they are is their ability to evolve within the songs and the subtle moments they add that make things more captivating and intriguing to the listener. In a day and age when the single song is ruling, The Ocean is making a statement with this album!
Emma Ruth Rundle has long been a favorite of mine. I’ll never forget the first time I heard that voice and the chills I got from what she was singing. From her time in Red Sparrows and Marriages, the collaboration with Thou and then to her solo work, there is no stopping this talent. I do remember when it all came to make sense to me and that was around the time of her album, On Dark Horses which features one of my all time favorite Emma songs (as well as my daughter’s) “Darkhorse.” Hearing that album and song was what did it for me. Fast forward to now and Emma is readying a new live release from the Roadburn Festival where she performed songs from her latest and breathtaking new album, Engine Of Hell. The first song being shared from the release (which is out on July 7th) is the ever cutting (pun totally intended), “Razor’s Edge.” This version of the song will give you chills in the best way possible along with all the feels in the right places. Speaking of the album, Rundle says; “Roadburn has been such an important place for me and my evolution as an artist. The opportunity to perform ‘Engine of Hell’ in full there in 2022 was the end of something… and the beginning of this whole new chapter in my life and art. I really do feel free in so many ways. I wanted to commemorate and honor the experience by making my ‘Live at Roadburn’ album my first self release in 13 years. I will always treasure the Roadburn community” This release is definitely one of those that makes the songs come to life even more and it hits a bit differently as the raw factor is very prevalent throughout.
Emma Ruth Rundle- Razor’s Edge (Live At Roadburn 2022):
Today is Bandcamp Friday (when they wave their fee for 24 hours) and why not showcase some great bands and their albums/singles that are out now! Check out these bands and show them some support! If I missed your band, let me know and I’ll add it to the list!
If you haven’t heard The Pretty Reckless’s album, Death By Rock N Roll, you are missing out on one hell of a good rock album. It’s seriously one of those albums that proves rock sure as hell isn’t dead. There is one song in particular on the album that I constantly have stuck in my head and that is “Only Love Can Save Me Now.” My daughter loves this songs and the video and every chance she gets to sing this song at the top of her lungs is so great. The song itself is superb. It’s not just a well written song but, one of those that has teeth and depth. Having Soundgarden’s Matt Cameron and Kim Thayil on the song doesn’t hurt either, especially with the solo by Kim, which shows he’s still a badass with that axe. Check out this song and album!
Every year there are always a handful of albums I eager anticipate. One of the albums I am most eager to be released this year is the Solace EP from the wonderful, Iress. From the first moment I heard this band, I knew I was in for something special. When you listen to Iress, there is this vibe that overtakes you it becomes something more. Their first single off this EP “Ricochet” has been in constant rotation for me and now their newest release “Blush” is right up there as well. Both songs are astonishing and hypnotic. The way these songs hit at the right moments draws you in and never lets go. I love when I hear a band that has all the right pieces and the end result is something that is not only powerful but, it connects on a whole other level. Iress is a band that is not only great for now but, for the future, as I can tell that their evolution as a band is only going to get bigger and better from here.
Back in 2006, VH1 put together a program to honor the band Heart. The show also featured a short set from Heart’s long time friends, Alice In Chains. Joining Alice In Chains this evening with Jerry Cantrell, Sean Kinney and Mike Inez were Duff McKagan on guitar, Phil Anselmo on Vocals (singing “Would?”) and the one and only William DuVall (singing “Man In The Box” and “Rooster”). I’ve written about the Phil performance before which you can read and watch HERE. This night however would actually be a sort of reveal to showcase William as the new singer of Alice In Chains and it didn’t disappoint one bit (and still 17 years later, William is so damn good). Watching this performance and hearing William inhabit the songs and words, is astounding. Also, this was William’s first “real” performance with the band and what a way to introduce yourself. I’ve said it many times before, William was a great choice for Alice to carry on their legacy. He’s his own voice and person and the way he respects the songs and what the band did beyond thoughtful. This performance is one of those that should live on in TV history, it’s that good!
Alice In Chains w/ Heart- Rooster (Live On VH1 Decades Live- 2006):
