Month: July 2014

Unsung Masterpieces: Sunny Day Real Estate- Diary

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Music will always stand the test of time. Certain albums will forever be revered as timeless. Some albums though don’t get the recognition they deserve. Which brings me to Sunny Day Real Estate’s debut album Diary. The album is considered by many to be a defining emo album. It has also been called the bridge between post hardcore and the emo genre. Listening to this album you can tell where Brand New gets a lot of their influence from. Lyrically there is a sense of realism throughout the album. Jeremy Enigk has a real knack for creating vocal melodies that compliments his softer voice and the words. Dan Hoerner’s guitar tone is heavy yet crisp and bright, which accents the soft vocals and the delicate nature in which Jeremy plays. Nate Mendel’s bass has a nice dirty tinge to it, adding just the right amount of distortion to balance with William Goldsmith’s heavy hitting drums. Songs like “Seven,” “In Circles,” “47,” “Grendel,” and “48” are all stand out tracks. Diary was different from those released by all the other Seattle bands at the time. It’s melodic but has a slightly heavy sound that has had a clear impact on future emo groups. It is the seventh best selling album released on Sub Pop Records, having sold more than 231,000 copies. In 2013, Diary took the first place in LA Weekly’s  list of the “Top 20 Emo Albums in History”

 Diary:

 

By: Brian Lacy

Live Review: And We Are Them at The Viper Room

One of the ways to really captivate an audience is through energy. Tuesday night the gents in And We Are Them did just that. Armed with songs from their recent EP Align and a slew of new songs from a yet to be titled EP, And We Are Them brought their game to The Viper Room stage. Chris Matalone sings with great passion and conviction while playing the rhythm on his guitar. Nick Bradford, plays the leads with precision all the while being highly invigorated by the songs. The combination of the drummer Brian and bassist Jeff really pack a loud punch. Stand outs from their set included “Present Tense,” “Charm Offensive,” the great instrumental “City/State,” “Socialite,” and the closing song “So It Goes.” This band is making a name for themselves with their energetic live shows and solid songs. Be sure to catch them when they are playing!

https://www.facebook.com/AndWeAreThem

 

By: Brian Lacy

Interview with Black Map

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Recently I had the pleasure of sitting down with Mark Engles and Ben Flanagan of Black Map before their show at The Wiltern as part of Chevelle’s La Gargola tour. Here’s what went down.

Thank you guys for sitting down talking and hanging out. My fiancé and I were at the Viper Room Show and even with technical difficulties, which made it punk rock, it was still a great show.

Ben:
Yeah glad it was towards the end, we had a good time, we had a good show. Last 2 songs were totally fucked, but I still left the stage thinking that was good show, even though we couldn’t play the last 2 songs.

Being that this is your first tour as Black Map, what has the crowd reaction been like and what are the ups and downs so far?

Mark:
It’s been amazing. Spoiling even. Having a headliner who’s so kind. I already had a relationship with them, from when Dredg did some touring with Chevelle. So that part is spoiling. We walk into the venue on the first show and there is no awkwardness and just start talking right away. Some tours it takes weeks to even talk to each other. On this tour we are playing great venues in front of great crowds. The crowd is very open-minded. The Chevelle crowd wants to listen to some rock n roll. And if you’re good at what you do they’re gonna accept it.

Ben:
This crowd wants to like us and the other band Highly Suspect who is great. It’s been nice getting out there. It’s warm from the get go. And it’s been our job to elevate that. Their fans are a bunch of sweethearts. It’s been great

Mark:
Nothing’s been thrown at us so that’s a great start.

The Driver EP came out earlier in the year, I bought it when it came out. My fiancé has it in her car, we both can’t stop listening to it. With everything that’s on your plate, I know you’ve been working on your full length. What is the time table on that?

Ben:
We are close to done with it and that some Tuesday in mid October we hope to release it. We have one more full song to record and some tweaks, mixing and mastering. We’re about 85% done with the whole thing.

What made you want to be in a heavier band considering that you’ve been in more of experimental/alternative melodic bands?

Mark:
We’ve been talking about it loosely for quite a while, when we’ve been out to dinner at a bar or watching a baseball game. We both know that we have the type of chops the way we play music. We know we are capable of it. I grew up listening to heavy stuff, we both did. Also, having Chris Robyn being down to do it, he’s a heavy hitter, it’s what he specializes in. So with all that, why not go back to a power trio or simple rock band. It’s just fun. When we walked in the room the first day, we said let’s just have fun. We had a 12 pack of beer and just rocked like we were 18 again.

Ben:
There is kind of a void to fill. I loved and still love the type of music the Trophy Fire is, the lighter alternative rock. I miss when I was younger, just playing the drop d brutal just kind of heavy riffs. Getting in a room and be able to do that as very cathartic, and then to still apply that sense of melody that we have in our other bands, brings out a really good feeling.

What bands really brought you together, especially in the writing?

Mark:
The obvious are our former bands. There are elements of Dredg, Far and The Trophy Fire. And other things from that era. Failure came up a couple times. Sepultura and Entomed on the guitar side of life, Helmet’s in there. I think all the stuff that influenced us in the mid nineties. Even the stuff that we looked as that was kind of underrated, like Faith No More, bands that did well, but weren’t the big pop radio hit bands.

What’s the driving factor of being a power trio? What really encapsulates your sound?

Mark:
I really like the fact that Ben is playing bass. He’s a guitar player and we really lock up on riffs and it allows us to get more intricate. I think when a trio is tight, it sounds so much tighter than that of a quartet being tight. You can really back up what you are playing. That was a fun part for us at first. Let’s write things that are very tight and intricate. It’s just simpler that way. And when you load into shows you have a lot less gear and all that other shit that goes with it too. It’s great.

While in Black Map, do you have any ideal tour mates or what’s your ideal bill?

Mark:
I think any band we enjoy that’s a loud, guitar-driven band would be great for us. Chevelle is actually one of them. Ben brought up months ago, before we were offered the tour.We’d be happy to play with any band that sounds similar or we’ve been influenced by. With my previous band, we’d over analyze things more. Like if someone offered us a tour, we’d think is this good for us. It this a good look? With this band, if the band is loud and we respect them, we’d probably say yes.

Personal Influence wise, who is the one that made you pick up the guitar and sing?

Ben:
It’s pretty simple for me and actually cliché. When I was 11, I got Nevermind. I basically wanted to be Kurt Cobain. That’s why I started playing guitar. So definitely that started it and went in a million different directions after that. I almost got a little sentimental the other day when we pulled into Seattle. We’re on this tour and it’s going great and I was kind of back to where it all started for me wanting to play guitar and be a singer.

Mark:
I gotta go with a lot of the metal from the 70’s and 80’s. I was listening to music at a young age. I had an older brother, but it wasn’t until Black Sabbath, Iron Maiden, Metallica, Randy Rhodes, that sort of thing. That whole group of bands really made me want to start playing.

That’s really cool actually. Ok If you could pick your top 5 favorite albums and I know its one of those crazy put you on the spot questions…

Mark:
How much time do you have?

Until you need to go to sound check

Mark:
It’s tough for me, because whenever this question is asked I automatically go to certain albums like Dark Side Of The Moon and OK Computer. Then I start thinking of genres and different stages of life too. For me Pink Floyd and Radiohead, bands like that came a bit later, even Portishead. But early on it was the metal stuff. Sepultura Chaos AD is in there. Though it all becomes very convoluted in my mind. Like when I was 10 this album changed my likes, then you go through a renaissance of other styles in your 20’s and makes you listen to other things.

Ben:
We’ve talked a lot about different bands with their records that influenced us like Fantastic Planet by Failure, King For A Day Fool For A Life Time by Faith No More, The Shape Of Punk To Come by Refused. Albums like that. From start to finish they are beautifully executed and tell a story.

Mark:
I know one for you and me too. California by Mr. Bungle.

Did you get a chance to go to any of the Failure reunion shows?

Mark:
Saw them twice got to see them open for Tool and their headliner.

Ben:
Them opening for Tool was cool but their headliner with the 2 sets was fucking cool.

Oh I’d throw Tool Aenima in the mix too.

You guys mentioned that you are going release the album in October. Are you going to do a fall winter tour or wait till the next year to get out there?

Mark:
It’s all up in the air. We are trying to get anything we feel would be productive. We are definitely thinking about what we could be doing and what not. There are things in the works but nothing confirmed so I really can’t say much about it…

Ok for my one cliché type question, what’s the status of Dredg and The Trophy Fire? I know you Mark went with Dredg over to Europe recently.

Mark:
Europe was great and successful. We all agreed we have another record in us but there isn’t a rush to do it at this point.

Ben:
Same with Trophy Fire. Love the guys and we all get along, I’ve just been focusing on this and there are only so many hours in the day. Cool thing about being in a band is that there is no boss looking over your shoulder telling you to clock in.

Ben and Mark:
We’ll do it when we feel the time is right to go back to those projects.

Thank you guys for sitting with me and letting me ask you some questions and taking the time.

Ben and Mark:
Oh you are welcome, it’s our pleasure.

 

 

Interview by: Brian Lacy

Live Review: Chevelle and Black Map at The Wiltern

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With the times changing and album sales decreasing, longevity isn’t one of the most promising things to relate to in the music industry today. There are a few bands that have been able to really hold their place and still pack a punch. Chevelle is one of those bands. Since the release of their album Wonder What’s Next, they have been packing venues and releasing a steady catalog of solid rock albums. Friday night at the Wiltern, was tremendous. Chevelle’s 90 minute set blazed through their hits, deep cuts from their album Wonder What’s Next, and songs from their latest release La Gargola. The light show that accompanied the band was stunning. The blasts of light matched perfectly with every beat of Sam Loeffler’s drums. Pete Loeffler’s voice live, mixed with that of brother-in-law, Dean Bernardini (bass/vocals), were in perfect unison. The crowd’s age ranged from late teens all the way to late 30’s and even early 40’s. You could definitely tell the long time fans, especially when songs like “Closure,” “Forfeit,” “Comfortable Liar,” and “Grab Thy Hand” were played.

BlackMap_1

The direct support was the exceptional Black Map from San Francisco. This power trio of Ben Flanagan (bass/vocals), Mark Engles (guitar/vocals) and Chris Robyn (drums) left the Wiltern in shambles after their set. Formed only a year ago and featuring members of Dredg, Far, and The Trophy Fire, Black Map is definitely a site to see! All the songs off their debut EP Driver and those from their upcoming full length were played and to great reaction. Ben’s voice is one of the purest and uncompromising voices in the rock genre today. The tone of the guitar of Mark still has some of the elements from Dredg, but adds more of a heavier grit. Chris still has the fury he played with in Far and some new energy, thanks to his new bandmates. Black Map has come out at the right place and right time. They are on their way to stealing the show from anyone they play with and making a name for themselves.

Opening the show was another trio called Highly Suspect from New York. While they were a decent opening band, there was something missing with them. The singer/guitarist was the most enjoyable part of the band. His voice was stellar and reminded me of the singer from Kings Of Leon (in a total good way). Though, throughout their set I couldn’t contain my excitement for seeing Black Map and Chevelle.

All in all this was a great night for rock music. Having Chevelle firing on all cylinders (no pun intended), and Black Map rocking the stage was the perfect blend of melodic heaviness.

Chevelle Set List:

1. The Clincher
2. Grab Thy Hand
3. Send The Pain Below
4. Sleep Apnea
5. Take Out The Gunman
6. An Island
7. Closure
8. Forfeit
9. Vitamin R (Leading Us Along)
10. Envy
11. Hunter Eats Hunter
12. Hats Off To The Bull
13. I Get It

Encore:

14. The Red
15. Comfortable Liar
16. Face To The Floor

Black Map Set List: (abridged names)

1. Code
2. Gold
3. Hills
4. Eyes
5. Ropes
6. Mellee
7. Chinaski
8. Gemini
9. I’m Just The Driver

By: Brian Lacy

Photos by: Alisa Diaz

Band Of The Week: Abloom

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In 2004 there was a band that broke onto the Los Angeles music scene and turned it upside down. They had all the right elements of melody, heaviness, sultry sounds, and a live performance that rivaled any big name. Abloom was formed by Jasan Radford and Levon Sultanian of One Side Zero, Mikey Doling, Roy Mayorga and Marcello Dias (Who all played together in Soulfly amongst other bands). Now in 2014 they have returned in a revitalized form to decimate audiences. The first song they released back then was “What You Came For,” a great track with tons of emotion and intricacies. The other song released ” After That Quiet” has that genuine sensual melody mixed with sultry vocals, all the while still packing quite a punch. There are some other songs of theirs floating around the interweb, and its definitely worth searching out! During their time the first go around, I saw them at least a dozen times (I’m not kidding). They are that good!!

What  You Came For:

 

After That Quiet:

 

By: Brian Lacy

Cover Thursday: Deftones (Helmet)- Sinatra

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In 1990, Helmet came on to the scene with their debut album Strap It On. It was hailed by critics at the time as innovative for its explosive, propulsive, riff style. The song “Sinatra” was talked about as moody and atmospheric. With a description like that it’s no wonder that the Deftones would go on to cover this song.

 

By: Brian Lacy

Album Debate: Pearl Jam TEN or VS

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(1993)-Vs

 

To create an album that is absolutely memorable, relatable, and sonically amazing is no easy task. However during the musical renaissance of the 90’s there was an abundance of bands that did just that. Pearl Jam came out swinging with their debut album TEN. Songs like “Once,” “Black,” “Garden,” “Alive,” hell the entire album is a gem. There is not one ounce of filler on this album. The only thing I can really pick on about the album are the mixes. The band was never completely satisfied with the final result. When TEN was re-released, longtime producer Brendan O’Brien remixed it to the way the band had envisioned it originally. You can definitely tell the difference. A couple years later in 1993, Pearl Jam released what I consider to be their finest piece of work, VS. This album had a much more together feel along with a rawer and more aggressive sound. There was also a more natural, band-oriented album, rather than each member bringing in a bunch of songs that was already arranged. It really does show. As a whole its a more cohesive put together album. This is where the bands identity lies. It also showed a broad section of the band and their ability to do ballads, faster songs, slow songs, and the more punk driven songs. Again, there is not one song on this album that is filler. From the heavier side of things like “Go,” “Animal,” “Rearviewmirror,” to the more delicate like “Daughter,” “Elderly Woman…” and “Dissident” and closing it out with the more than beautiful “Indifference,” this is such a well rounded album.

Obviously I pick VS as my favorite album of theirs. Where do you stand?

 

By: Brian Lacy

 

Great Guest Vocalists: Maynard James Keenan

Tool in Concert at the AT&T Center - May 21, 2007

We all know what Maynard is capable of vocally with all the projects he has. I’m sure most of you have heard him on some of the below songs he has guested on. There are a couple out there that are surprising though.

Rage Against The Machine: Know Your Enemy

Tori Amos- Muhammed My Friend

Deftones: Passenger

Replicants: Silly Love Songs

30 Seconds To Mars: Fallen

Jubilee: I Don’t Have An Excuse, I Just Need A Little Help

David Bowie: Bring Me The Disco King

Bands That Should Come Back: Poison The Well

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There comes a time in every bands career when the thought of evolving crosses their mind. It’s never to take away what they’ve done in the past but as a sign of the times of maturity and growth. Poison The Well did just that when they were together. Starting out as a hardcore/metalcore band when they released their album The Opposite Of December, the band eventually started experimenting with melody and different song structures on their great follow up Tear From The Red. This album gave the band the push they needed to continue to evolve their sound and not get stuck in a stagnant spot of regurgitating the same thing. For their next album You Come Before You, the band reached out to Swedish producers Pelle Henricsson and Eskil Lövström, who worked on the classic album The Shape Of Punk To Come by the Refused. You Come Before You was also their first and only record to be released by a major label, Atlantic Records. Having experienced some level of success with You Come Before You, a long and hard touring cycle left certain members of the band disenchanted. Guitarist Derek Miller quit the band and would later go on to form the alternative band Sleigh Bells (yuck). After months of working and writing material, the band set off in early 2005 to work and record with Pelle Henricsson and Eskil Lövström again in Sweden. Versions was their next step in their evolution. After the touring cycle finished for Versions, the band wasted little time in getting back to writing for what would be their final album The Tropic Rot. This album was sonically large and very focused. All their experimentation, was leading up to this. Sadly it all came apart after the end of touring for The Tropic Rot. The members of Poison The Well announced they were moving on and exploring other musical interests.

It also seems as though what Poison The Well were up to, might have been a little ahead of the times. To constantly be able to be challenged and inspired to create genuinely good pieces of work is not easy and does take a toll. I can only imagine what new material would sound like from them now. So with that in mind, Poison The Well needs to return!

 

Nerdy: The Opposite Of December

Botchla: Tear From The Red

Apathy Is A Cold Body: You Come Before You

Letter Thing: Versions

Exist Underground: The Tropic Rot

 

By: Brian Lacy