The wait is finally over. Deftones have announced their new album, Ohms, will be released on September 25. The first single from the new record is the title track and it’s quite good. Sure there might be some bias on that since it has been a while that we’ve had new tunes from the band. Based on the sound of this track, it seems to bridge the gap between White Pony and their 2003 self titled album. Check out the song.
Deftones- Ohms:
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Yesterday evening, I was on a Deftones rabbit hole and found myself looking up a lot of Adrenaline era live videos. While on this trip, my interest in the song “Teething” peaked the most. I will always remember the song from being a part of The Crow: City Of Angels Soundtrack (great soundtrack but, terrible movie). I especially remember that they are in fact featured in the movie playing the song. “Teething” most definitely should have been included on the Adrenaline album. It’s such a cool song. So, enjoy some Deftones today!
Teething- The Crow: City Of Angels version:
Teething- 1993 Demo version:
Teething- Live 1996:
On Deftones second album (and my personal favorite) 1997’s Around The Fur, it didn’t just have one hidden track, but two. After the final song “MX” finishes, there’s about 15 minutes of silence before there’s a 20 second skit/recording called Bong Hit, which is exactly what it sounds like. Some 13 minutes after that, though, “Damone” begins and the rest is history! This song shouldn’t have been a hidden track. It’s too damn good not to be included in the original sequence of the album. No matter what though, Deftones really knocked it out of the park with this one!
Deftones- Damone:
Back in 1998, Deftones were riding high on their second album Around The Fur (my all time favorite Deftones album). By the time their second single “Be Quiet and Drive (Far Away)” dropped, Deftones were fast on their way to begin taking over. On April 20, 1998, they performed “Be Quiet and Drive” on Late Night with Conan O’Brien before heading out on the Vans Warped Tour (back when they still had great lineups). Check out this great performance!
Deftones- Be Quiet and Drive (Far Away) on Conan O’Brien 1998:
Deftones have a long history of making quite complete albums. There are a couple that are a little disjointed but, for the most part are rather perfectly sequenced. Their artistry and evolution is something that many bands from their era should have taken a cue from. They’ve managed to stay relevant by pushing themselves as songwriters and performers as well as incorporating other elements into their sound to separate themselves from their peers. On these few title track songs, Deftones, really encapsulated the sound of these albums with these songs.
Deftones- Around The Fur:
Deftones- Diamond Eyes:
Deftones- Gore:
There are many guitarists out there that have such a signature sound that, when you hear it you know just who is playing. Deftones guitarist Stephen Carpenter is one of those guitarists. His style is undeniable and it works across many different bands and their material. So, with that in mind, here are a few of the jams Stephen has lent his playing to over the years.
Will Haven- El Sol (from Muerte):
Chimaira- Rizzo (from Pass Out Of Existence):
Linkin Park- By Myslf (from Reanimation):
Non-Phixion- The CIA Is Trying To Kill Me (from The Future Is Now):
Far- Savory (Jawbox Cover…. from Soon):
Tech N9ne- If I Could (from All 6’s and 7’s):
Back in the mid 90’s, Sacramento, California had a very artistic music scene. Bands like Far and Deftones were starting to leave their mark not only in their area but everywhere. During this time though, there was another band that would take a slightly different turn from what their friends in Far and Deftones were doing. Instead of taking the melodic plunge, Will Haven opted for more of a dissidence approach with churning riffs and pummeling rhythms. Through the 20 years the band has been together, even with different line ups, one thing that can’t be mistaken is the impact Will Haven has left in heavy music.
Now in 2018, Will Haven are about to release their (final?) album Muerte (via MinusHEAD records). This album is a complete encapsulation of everything that the band has put into their music and albums. The heavy is still heavy only this time, they have added a bit more atmosphere to their sound. In 2001, Will Haven released an album called Carpe Diem that truly cemented the bands place in heavy music circles. Muerte seems like it’s the album that would have followed that one up. Beginning with the smack in the face of “Hewed With The Brand” and “Winds Of Change” you can tell that this album is not going to let up. In fact the unrelenting nature of Muerte carries through with songs like “43,” Unit K,” “The Son,” “Bootstraps,” and “Now In The Ashes.” The songs “No Escape” featuring Mike Schiedt of YOB and “El Sol” which features Deftones guitarist Stephen Carpenter, really take the album to another level from all their others.
Vocalist Grady Avenell sounds as good if not better than he did at the height of the band way back when. Jeff Irwin (guitar), Adrien Contreras (bass) and Mitch Wheeler (drums) have crafted riffs and rhythms that will draw you in and then attack with a ferocious thunder. If Muerte is Will Haven’s final album, then they really are going out with a bang. The only thing left would be for Deftones to go out on tour and bring Will Haven along (like they did way back when) and let Will Haven destroy the audience. (I’m just putting that out in the aether).
Overall Rating: 9/10
Winds Of Change:
El Sol- Featuring Stephen Carpenter:
Pre-Order HERE:
Review By: Brian Lacy
One band that I’ve always thought of as totally underrated is Will Haven. They never fully got their due when they came out. Hailing from Sacramento just like thier friends in Far and Deftones, Will Haven took a more aggressive approach to their music. I truly thought that when their landmark album Carpe Diem was released in 2001, they would have finally got their due but, sadly that didn’t happen. Though that album is widely accepted today as one of the most underrated and influential albums since the turn of the century.
Today Will Haven released the first song from their upcoming album Muerte (out March 23rd… PRE-ORDER HERE). This song entitled “El Sol” is blistering, epic and features Stephen Carpenter from Deftones.
Will Haven- El Sol (featuring Stephen Carpenter):
Will Haven- Winds Of Change:
Upcoming Will Haven Dates:
03/23 Sacramento, CA – Holy Diver (album release show)
05/04 Fullerton, CA – Programme Skate & Sound
05/05 San Diego, CA – Brick by Brick
05/06 Hollywood, CA – The Viper Room
06/23 Portland OR – Star Theater
I really thought that this feature was a lot of fun so I’m doing it again. This time I present my ultimate set list for Deftones.
Here are the rules:
Rule 1: maximum 25 songs
Rule 2: What line up of the band would it be
Rule 3: Where would you want to see the show
Lineup: Chino, Steph, Abe, Frank, Chi and Sergio
Venue: Satellite (Spaceland)- Los Angeles
Set List:
Be Quiet and Drive (Far Away)
Around The Fur
My Own Summer (Shove It)
Lotion
Deathblow
Minerva
Beware
Kim Dracula
Swerve City
Entombed
Tempest
Feiticerira
Digital Bath
RX Queen
Knife Party
Passenger
Change (In The House Of Flies)
Diamond Eyes
You’ve Seen The Butcher
Rocket Skates
Risk
Minus Blindfold
Engine No. 9
Root
Pink Maggit
I’ve been a huge Deftones fan since I first remember seeing the video for “Bored.” I thought Adrenaline was a cool album when it came out, then I heard Around The Fur and my excitement level went through the roof. Around The Fur was so powerful. There was a striking difference between this album and their debut. As The story goes, when Deftones went into the studio to make Around The Fur they really didn’t have a set idea of what they wanted to come out with. This time around the guys spent more time in the studio with producer Terry Date. If you listen closely to Abe Cunningham’s drums, you can tell there is a difference on the drum sounds especially the snare, as he began to experiment using different snares on each song. There is also something really intriguing about the quiet to loud dynamics on the album as well. When you have songs like “My Own Summer (Shove It),” “Lhabia,” Around The Fur,” “Be Quiet and Drive (Far Away)” it really shows the bands growth and ability to write songs that can be heavy yet have a sense of melody without compromising their artistic integrity.
After a break from touring Around The Fur, the band spent a few months locked away in the studio writing and recording what would become White Pony. The majority of this time was spent trying to write songs, and that the writing of a particular song “Change (In The House Of Flies)” was the turning point for the group as they began working as a “band.” There was also pressure from their label to release the album sooner, but, the band decided to take their time making the album that they wanted to make. The band essentially picked up where they left off with Around The Fur by really delving more into melancholia and melody. The album is explosive and beautiful, thus making it one of the bands most mature releases. The inclusion of songs like “Digital Bath” “RX Queen,” (which features guest vocals by Scott Weiland), and “Knife Party,” join in with the vibe that “Change” had in its spaciousness and use of experimentation. The guesting of Maynard from Tool was a great use of a guest vocalist on “Passenger.” Even with all the experimentation and evolution, Deftones still had their heavy touch on a lot of the songs like “Elite,” “Feiticeira,” and “Street Carp.”
Granted these are two very different albums but they are similar in showing a bands evolution. Personally I’ve always been more partial to Around The Fur, for it’s raw prowess, and unforgiving nature. White Pony is a close second though. To me though Around The Fur just really gets me going in such a fashion that I can’t turn it off, or even turn the volume down. Where do you fall on this issue?
Around The Fur:
White Pony:
By: Brian Lacy
AUDIOECLECTICA 