Live Review

Live Review: With Our Arms To The Sun, Socionic, MAL, Kolm @ The Viper Room

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One of my favorite things about going to shows is when the lineup fits. Each band that plays the evening fits the bill, and nothing is out of place. Especially when you have a night full of artistic and progressive bands. Last night at the Viper Room, was just that. With Our Arms To The Sun, Socionic, Mal, and Kolm all delivered. The theme of the night for me was passion, and each band had it.

First up for the evening was Kolm. Their blend of prog rock, and metal really set the tone for the night. As a three piece, playing that style is no easy task but they pull it off with passion and great musicianship.

Next up was Mal. Their sound is a mesh of prog rock and 90’s rock. The three guys playing have the ability to mix genres and make something genuinely creative and passionate, and extremely tight. Amongst the songs are heavy grooves and sensible melodies led by singer/guitarist Kris Jung and bassist PJ. Their latest album Aqua Macabre is one album you should definitely check out!

With Our Arms To The Sun was the third band of the night and they absolutely killed it. Playing a set of all new material from their upcoming album Orenda, they didn’t miss a beat and left it all on stage. Each member of this band understands the statement of “playing with passion,” and it shows in each song they play. With Our Arms To The Sun is epic by nature, thus allowing the songs to feel like a journey of emotions as you listen. Singer/guitarist Josh Breckinridge, along with guitarist Joe Leary, bassist Joe Breckinridge and drummer John McLucas, have a unity on stage that is unrivaled by many bands of today. The band live is a different animal. It’s something you should see and won’t regret. I’d even say that if you are a band that has to play after With Our Arms To The Sun, you best bring it all, because they are the real deal.

Closing out the night was Socionic. Their artsy and theatrical set was played with a great deal of passion (there’s that word again). Musically the band is tight and really work to deliver a show. The majority of their set was comprised of songs off their newest album Dividing Horizon. Socionic is one of those bands that seeing them live is the best way. Their album is great to listen to, but just like With Our Arms To The Sun, the best way to experience it is in a live setting.

All in all this was a great night for music and for Los Angeles based bands. The Viper Room is fast becoming a favorite of mine again to see shows. It’s intimacy really gives off a vibe of community, something that has been missing in Los Angeles, especially in that area, for a long amount of time. Every band was meant to be on stage this evening and did it justice. With Our Arms To The Sun and Socionic are gearing up to go on tour together for a few weeks. So when they come through your area, I strongly suggest you make it out to see them. As well as if Mal, and Kolm are playing in Los Angeles. Nights like this and bands like those that played, really give me hope for the music.

With Our Arms To The Sun and Socionic Tour Dates:

*9/07 @ Lowbrow Palace       El Paso, TX
*9/08 @ The Mix                      San Antonio, TX
*9/09 @ Scout Bar                   Houston, TX
*9/10 @ The Door                     Dallas, TX
*9/11 @ Stickyz                          Little Rock, AR
*9/13 @ Foobar                          Nashville, TN
*9/14 @ Melody Inn                 Indianapolis, IN
*9/15 @ PJ’s Lager House       Detroit, MI
*9/16 @ Ottawa Tavern           Toledo, OH
9/18 @ Riot Fest                      Chicago, IL (With Our Arms To The Sun only)
*9/20 @ Lee’s Liquor Store   Minneapolis, MN
*9/22 @ Lost Lake                    Denver, CO
*9/25 @ The Shredder             Boise, ID
9/27 @ High Dive                    Seattle, WA (With Our Arms To The Sun only)
9/29 @ Black Forest               Eugene, OR (With Our Arms To The Sun only)

 

Live Review: The Dillinger Escape Plan and Author & Punisher @ Constellation Room

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An eruption of beautiful chaos is how I saw The Dillinger Escape Plan last night. It had been almost ten years since I last saw them play live and they didn’t disappoint at all. This band has always been one of the most energetic, dangerous and violent bands I’ve seen, and last night was no different. On this run the band is playing small tiny rooms, thus making the intimacy factor very intense. I myself haven’t even been in a pit in many many years, but last night I felt compelled to go and let it all out on the floor for a couple songs. Dillinger unleashed a fury live, that most bands would be jealous of. They are unrelenting in their prowess and dedication to play like each show is their last show.

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Opening the show was Author and Punisher. This one man band is a sight to see live. Tristan Shone, a mechanical engineer by trade, custom designed and fabricated most of his “instruments.” His music is best described as industrial doom metal. The sheer intensity that Tristan emits during his shows is gripping. This was my second time seeing him live and his live shows and material keeps getting better. I’d love to see him add some visuals to add to the already intense music he plays. Author and Punisher was a great opener for what was about to come.

 

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Starting off the set with “Prancer” from One Of Us Is The Killer was one hell of a way to kick it off. Following that was their newest song “Limerent Death,” which the crowd seemed to know the words to and were really happy to hear. When Dillinger played “Panasonic Youth,” that’s when it all came out. From that point on there was no escaping the fury the band and crowd were putting out. Singer Greg Puciato and guitarist Ben Weinman were like madmen jumping and climbing around on stage without losing a beat, while the rest of the band held down the rhythm yet were destructive in their own way. Other songs that stood out from the set were “Room Full Of Eyes,” “Hero Of The Soviet Union,” “One Of Us Is The Killer,” “Happiness Is A Smile,” and “Farewell, Mona Lisa.” Closing out the night was “The Mullet Burden” and “Sunshine The Werewolf.” At the end of the “Sunshine” the band invited everyone up on stage to sing and jump around , which was quite something cool to see. Not to mention the guys in the band diving on top of those on stage to finish off the song.

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What a show this was. It was everything I wanted it to be. Sure, it would have been nice if they had played some songs off of Calculating Infinity, but I was more than satisfied with what they played. Their upcoming album Dissociation will be their last for a while so I expect much more violence and chaos at their shows as they continue on for the next year or so. Shows like this are what’s missing from a lot of rock and metal shows. The element of danger and recklessness, really bring the music to life. These guys might be older but they still play like they are in their 20’s and bring it each and every night. I for one will have to go see them at least one more time before their end comes. I highly recommend you all go too. Even if you aren’t into the music, this is something that every fan of heavy music needs to experience in their life.

 

Set List:

Prancer
Limerent Death
Milk Lizard
Panasonic Youth
Room Full Of Eyes
Hero Of The Soviet Union
Nothing’s Funny
One Of Us Is The Killer
Happiness Is A Smile
Good Neighbor
Farewell, Mona Lisa
When I Lost My Bet

Encore:

The Mullet Burden
Sunshine The Werewolf

By: Brian Lacy

Live Review: Poison The Well @ The Roxy

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Two years ago I wrote a piece about how Poison The Well should get back together. They were one of those bands that really expanded their sound and evolved in a good way. Fast forward till now and they are back and playing shows again. After playing some festivals and east coast shows last year, Poison The Well finally made their way over to the west coast. I for one couldn’t have been happier that they are back.

Their show at the Roxy featured special guests, hardcore legends Strife. The pure unrelenting attitude that permeated from each individual on stage shows why Strife has always been a force to reckon with live. Their career spanning set was full of songs about unity, peace, and anti violence. Strife was one of the first hardcore bands that I ever listened to way back when. I saw them many years ago, and they still pack one hell of a punch live.

Poison The Well come out on stage in dramatic fashion. Dark stage then lit by blue lights and right into “Ghostchant.” The crowd couldn’t have been more ecstatic and the smile on my face was very bright. Their set which was career spanning as well focused a lot on the albums You Come Before You, The Opposite Of December and Tear From The Red. You could tell that the band was really happy with the crowd and the reaction they were getting. Singer Jeff Moreira would smile a lot during the set. Guitarist Ryan Primack was feeling the good vibes and having fun dressed in his best “Dad shirt.” Drummer Chris Hornbrook hit this drums with such fury and passion. Other highlight songs of the night were “Zombies Are Good For Your Health,” “Purple Sabbath” then straight into “Slice Paper Wrists,” “Karsey Street,” “Apathy Is A Cold Body,” “Crystal Lake,” “Botchla,” and closing out the evening “For A Bandaged Iris,” and “Nerdy.”

Poison The Well delivered just what I was wanting. It was a great night to revisit those songs and see so many people enjoy that Poison The Well came back. It’s amazing how certain albums and songs can hold up so well over time, and have a different meaning now than they did way back when. I for one am very intrigued to see if Poison The Well will continue on and release some new music. Based on the excitement from the crowd at the show, I’m sure most of them would welcome it with open arms.

Poison The Well Set List:

1. Ghostchant

2. Parks And What You Meant To Me

3. Letter Thing

4. Zombies Are Good For Your Health

5. Karsey Street

6. Cinema

7. Purple Sabbath

8. Slice Paper Wrists

9. Apathy Is A Cold Body

10. Pamplemousse

11. Artist’s Rendering Of Me

12. Crystal Lake

13. You Will Not Be Welcomed

14. Botchla

15. To Mandate Heaven

16. For A Bandaged Iris

17. Nerdy

Live Show Review: The Cure at the Hollywood Bowl

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When you go to see a “big” band there are lots of expectations. You hope they will play for a long time, sound good and of course play the songs you want to hear. When it was announced last year that The Cure would be touring, I told my wife we need to go and that they are one of those bands you should see before they or you die. So naturally she agreed and we got tickets. After many months of waiting, the day arrived for us to go to the show. Armed with the criteria mentioned above, The Cure didn’t disappoint at all. We got to see the third and final night of their stay at the Hollywood Bowl and boy was it a show.

Taking the stage a couple minutes after 8pm and continuing on till a little after 11pm, The Cure played through 33 songs spanning their entire career in three hours. Lucky for us, my wife and I happen to be big fans of the albums Disintegration and Bloodflowers, and this evening they played a large chunk of songs from those albums. Songs like “Lullaby,” “Pictures Of You,” “Closedown,” and my all time favorite “Fascination Street” were played from Disintegration. And from Bloodflowers “39,” “Watching Me Fall,” “The Last Day Of Summer,” “Out Of This World,” and the title track. Those songs from those albums alone made this one hell of a spectacular night. Other highlights include “A Night Like This,” “In Between Days” “Just Like Heaven,” “Friday I’m In Love,” “Us Or Them,” “Want” “Burn (another one of my all time favorite songs by The Cure),” and not one, not two but three encores.

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Robert Smith sounded amazing and was hitting every note beautifully. I had chills up and down my arms and spine during certain moments when he would sing. Robert was even joking around with the audience and dancing around a bit, really enjoying the night. Bassist Simon Gallup was extremely into playing. His tone alone is legendary. He’s got a presence that really invokes the spirit of the band. On drums Jason Cooper played with great prowess and precision. As did guitarist Reeves Gabrels and keyboardist Roget O’Donnell.

This is the second time I’ve seen The Cure, and it was truly magical. There is something to be said for a band that is 40 years into their career and can pull off a show like this. The crowd was beyond into it. You could tell who were real fans that knew the deep cuts and rarities. And of course there were those who just knew the hits. But it all made for a night of great music and memories.

Setlist:

1. Out Of This World

2. Watching Me Fall

3. Pictures Of You

4. Closedown

5. A Night Like This

6. Push

7. In Between Days

8. Doing The Unstuck

9. Lullaby

10. Fascination Street

11. (I Don’t Know What’s Going) On

12. The Walk

13. Lovesong

14. Just Like Heaven

15. The Last Day Of Summer

16. Want

17. 39

18. Bloodflowers

Encore 1:

19. It Can Never Be The Same

20. Shake Dog Shake

21. Burn

22. A Forest

Encore 2:

23. Step Into The Light

24. Us Or Them

25. Never Enough

26. Wrong Number

Encore 3:

27. The Perfect Girl

28. Hot Hot Hot!!!

29. Friday I’m In Love

30. Freakshow

31. Close To Me

32. Why Can’t I Be You?

33. Boys Don’t Cry

By: Brian Lacy

Photos: Alisa Lacy

Live Review: Filter at the Roxy

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I’ve been going to shows for many many years. I’ve seen a lot of bands. They all vary from amazing, what the hell was that and everything in between. There are a good amount that I’ve seen many times. This past weekend I ventured out to see Filter at the Roxy, but this evening however didn’t get started quite right.

The tour that Filter was on brought along 3 other bands that certainly didn’t make sense. I arrived late for the first band Death Valley High. But after checking them out later on, I didn’t miss anything at all. I did however see and listen to the atrocity that is Vampires Everywhere. Oh my! They definitely fall under the category of what the hell was that. This band is so wrapped up in their image and use of electronics, I’m not even sure they were actually playing their instruments. They were all dolled up in makeup and back paint. The singer had this cocky creeper grin on his face all night thus overcompensating for his lack of vocal ability. This band really didn’t get me in the mood for the evening. They even played a cover of the Hozier song “Take Me To Church,” which they proceeded to absolutely ruin. I couldn’t be happier when they were finally off the stage.

Next up was Orgy. The last time I saw them was in the late 90’s or early 2000’s. I can’t remember the exact time, but it was during their run for their first album Candyass. Back then, they were quite a good live band. This evening, however, they were just awful. Of course when you only have one original member, it’s kind of hard to carry on doing what you once were able to capture. Arriving on stage late, singer Jay Gordon and company all dressed up in some weird silly goth EDM attire, tried to get the crowd going but unless you were drunk, you really didn’t care like me. I didn’t even know any of the songs they played with the exception of maybe three. They did of course play their version of New Order’s “Blue Monday,” which made the crowd happy. Jay jumped into the crowd and let people in the audience sing parts of the song, and that was about the only highlight of their set other than it being over after that point.

So now after all that nonsense my expectations and patience were really low, there wasn’t much to bring me back up. When Filter took the stage they arrived in dramatic fashion with a white sheet in front of singer Richard Patrick displaying video images representing the first few songs of the night,  which were from their new album Crazy Eyes. Finally after that part was over and the sheet was gone, they got down to business with an older song “Can’t You Trip Like I Do,” which got the crowd engaged at that point. Throughout the rest of the night new songs were played in batches with old songs like “Jurassitol,” and “You Walk Away” scattered in to keep the crowd interested in their set. Certain new songs like “Nothing In My Hands,” “Pride Flag,” and “Welcome To The Suck (Destiny Not Luck)” were stellar live. I actually thought they should have started their set with “Welcome To The Suck.” I’ve seen Filter a few times really firing on all cylinders, but this line up just didn’t have the energy, with the exception of their guitarist/keyboardist Bobby Miller, who was doing his best to carry the energy load for everyone. Richard was energized while playing certain songs, but you could tell he was about spent halfway through their set. When they inevitably played “Take A Picture” all the ladies in the audience started to really pay attention. As I looked around the room, I could see them all singing along. It was quite funny to see. Closing out the night was of course “Hey Man, Nice Shot.”

There was just something about the night that didn’t sit right with me. Perhaps it being the last night of the tour for the bands, the opening bands being terrible, or even just the sheer exhaustion of being on the road for six weeks, this show all together didn’t really do it for me. All in all this was a night to forget. Hopefully next time, Filter can tour with bands that really fit with them, and are good.

By: Brian Lacy

 

Live Review: Aeges at The Viper Room

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Rock music is very much alive and kicking. Since starting Audioeclectica, I’ve come across so many great bands. I’ve made it a point to try to go to as many shows of the bands I’ve written about, so I can see first hand how good they really are. Last night at the Viper Room, Aeges absolutely killed it. These gents really know how to put on a show. I would even dare many “bigger” bands to try to compete with the presence and energy that Aeges has when they are on stage. The dual vocals and guitar playing of Kemble Walters and Cory Clark go to another level live. They are so in tune with each other. The rhythm section of drummer Mike Land and bassist Tony Baumeister is one of the best I’ve seen in a long time. Mike plays with such tenacity and power, I was almost waiting for him to beat through his drums and Tony fits in the pocket perfectly. Their set consisted of songs from their albums The Bridge, Above and Down Below and their upcoming album Weightless. The new songs are quite good and are full of sweet melodies and riffs that will leave you playing air guitar for days. After the show was over not only did I want more, but they inspired me to go home and pick up my guitar and play around for a bit. That is what great music and bands like Aeges do. It’s bands like this that carry the torch and continue the tradition of what rock music was built upon.

Aeges are a band to look out for. Weightless is definitely an album that is very anticipated for me.  If they are in your area, go see them. You won’t be disappointed. If you like big hooks, soaring vocals, thick riffs, and thumping rhythms then Aeges is the band for you.

 

Another Wasteland:


Above and Down Below:

The Bridge:

 

 

By: Brian Lacy

Photo: Alisa Lacy

Live Review: Socionic, Here Lies The Hero, Elixir On Mute At The Viper Room

Live shows are beyond powerful. There is something really special when you can have a deep connection with an audience no matter how big or small. Friday night was an evening that belonged to the very deserving Socionic. Their new album Dividing Horizon just came out and it is spectacular. Their performance this night was outstanding. I’ve seen a lot (and I mean a lot) of bands in my life and Socionic just left a mark in my mind. Just as With Our Arms To The Sun has been able to do, Socionic grabs you from the first note all the way to the end. As they were the highlight of the night, there were a few other bands that really hit it home.

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First up was Here Lies The Hero. This 5 piece post hardcore band similar to the likes of Letlive and Norma Jean, took charge to the stage. You could tell by watching them on the Viper Room’s stage that they are a very energetic band. I was waiting for them to lash out and go nuts, but they restrained themselves and focused on delivering a solid performance of mainly new material that sounded great. They really set the tone for the night.

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Next up was the very interesting prog rock band Elixir On Mute. Guitarist Jordan Ferreira is a shredder amongst the best. His command of the guitar is captivating. Joining them for their live set was bassist Matt Denis (also of Socionic). Their set was very free flowing, allowing for the music to do the talking. Granted I wasn’t a fan of the vocals from the recordings I heard before seeing them, this band live really kills it.

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The highlight of the night was Socionic. They are the real deal. They made the small Viper Room stage seem huge as they delivered on every song with tight precision and gusto. Singer Michael Meinhart, is so passionate in his delivery. Vocally he has range and personality along with solid melodies. Musically the band is tight and full of the prowess needed to deliver the lie performance. Their set consisted of songs from their EP Identity and new album Dividing Horizon. One of the coolest things I saw during their performance was the guy standing next to me. He had to be no older than 21 and was singing along to all the songs he knew. It was one of those moments that reminded me of myself when I was younger. Socionic has the music and live show to really leave a mark amongst all their peers.

It’s nights like this that make me long for the days of going to shows and being wowed by the bands I see. The entire night was filled with one good band after another. On an interesting note as well, The Viper Room is fast becoming the it place to play in Hollywood now.

Socionic:

https://www.facebook.com/socionic/

Here Lies The Hero:

https://www.facebook.com/Hereliesthehero

Elixir On Mute:

https://www.facebook.com/ElixirOnMute

By: Brian Lacy

Live Review: Soilwork At The Whisky

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One of the coolest things about going to concerts pretty much my entire life has been to be able to see so many great bands. There are times that you don’t really dig on their newest material so you pass when they come to town. Last night, a friend of mine convinced me to go to the Whisky to see Soilwork. I haven’t seen them in about 10 years, and they crushed it. Soilwork just released a really solid new album called The Ride Majestic.  A good few songs from the new one were played along with some classics and other deep cuts from their catalog. The band themselves seemed like they were really having a great time on stage. This was also the last night of their current tour, thus allowing them to leave it all out on stage. Singer Bjorn “Speed” Strid’s vocals were crisp and tight as tight can be. Even the crowd for it being a Monday night was extremely into their set. The pit was moving and the people were singing along. Not to mention that the sound inside the Whisky even sounded good. All in all it was a great night, and Soilwork made it that much better.

Also playing was Shattered Sun from Texas. Their brand of metal is akin to the likes of Killswitch Engage meets a bit of the Swedish metal. These youngsters were going all out and put on a good show. The only draw back was the banter in between songs. Given enough time to properly develop their sound, Shattered Sun could be on the rise to bigger things. On a side note their guitarist Jesse Santos is one hell of a player. His leads on the songs and backing vocals really helped gain my attention. It makes me really intrigued to see what they do next.

Before Shattered Sun was Earthside. This 4 piece instrumental band was good, and brought out a good vibe for the evening to break up some of the heavy. Their set was decent and you could tell that these guys were having a great time on their first tour. Speed from Soilwork does guest vocals on a track on their new album, but didn’t sing with the group onstage, which was kind of a let down.

It was a fun night to be back out in my old stomping grounds from my youth. Seeing Soilwork again after many years was quite fun, nostalgic, and reenergizing. I’ve been away from the “Metal” scene for a bit, but as long as bands like Soilwork are still around and commanding the stages they play, I’ll keep coming back.

Soilwork Setlist:

The Ride Majestic
Nerve
Bastard Chain
The Crestfallen
Death In General
Alight In The Aftermath
Tongue
Follow The Hollow
Petrichor In Sulfer
Stabbing The Drama
Spectrum Of Eternity
Let This River Flow
Late For The Kill, Early For The Slaughter

Encore:

Rejection Role
Enemies In Fidelity
Rise Above The Sentiment

Live Review: Deftones and Incubus at Irvine Meadows

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There are certain bands that hold a special place for me. One of those bands is Deftones. Whenever they come to town I run to see them. Over the years I’ve seen them now 13 times. There was something rather special about this evening. Being that it was the first time in 15 years that Deftones and Incubus had shared a bill together. I remember seeing Deftones and Incubus years ago at the Universal Amphitheater, when White Pony and Make Yourself were released. What a night that was, and what a night this was.

To start the night off was a local Los Angeles band called The Eeries. These guys just weren’t good at all. They seemed like nice enough guys but their music was beyond juvenile and dated. Their 15 minute set was the longest 15 minutes of my entire week.

Death From Above 1979 was the main support for the tour and they did not disappoint at all. Their blistering high energy set was remarkable. I’ve been wanting to see that for years, and am so glad they got back together. The duo wasted no time in getting the energy of the night to where it needed to be as the sun was starting to set. Irvine Meadows might not have been the most ideal place to see them, but they rocked the hell out of the place.

Deftones were then set to take the stage and boy did they. From the opening chords of “Be Quiet and Drive (Far Away)” all the way till “Engine No. 9,” there was no mistaking that Deftones would be a hard act to follow. From their stage presence and visuals , it’s no mistaking that they came to kill it. Chino was spot on throughout the entire set, even being playful with the audience and the other guys in the band. Watching them you can tell they were really having fun up on stage, especially Abe Cunningham and Sergio Vega. Their setlist was a great blend of hits and deep cuts from all their albums with the exception of Saturday Night Wrist. They did put “When Girls Telephone Boys” in the set and all the guys really dug in on that song. The crowd was a little separate in who was there to see who, and you can definitely tell the Deftones fans from the Incubus fans. My voice was pretty horse after their set but it was well worth it, especially since they kicked off their set with my all time favorite “Be Quiet and Drive.”

Incubus headlined the evening. They sounded great and looked totally at ease. Despite their new EP being so so, they pulled out a lot of gems in their setlist. Their set kicked off with a jam of the Hans Zimmer song S.T.A.Y. from Interstellar and transitioned perfectly into “Nice To Know You.” Other gems from the set included “Sick Sad Little World (one of my top two Incubus songs of all time), “Vitamin,” “Dig,” and “A Crow Left Of The Murder.” The bands use of visualizers and cameras made for a fun night that was sort of hypnotic. I must say that it was a pleasure to see Incubus again. Brandon Boyd still has a great voice and Jose Pasillas is one hell of a drummer. I have to say though that I miss having Drik Lance aka Alex Katunich up on stage, he really had a vibe that fit the music.

All in all it was a great show, not to mention that I was with my wife and she really enjoyed it. Deftones though stole the night. They were such a hard act to follow. Had Incubus played some older stuff from Make Yourself and SCIENCE, they might have been able to steal it, but that’s not to say they didn’t put on a great show.

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Deftones Setlist:

Be Quiet and Drive (Far Away)
My Own Summer (Shove It)
Diamond Eyes
Rocket Skates
You’ve Seen The Butcher
Sextape
Feiticeria
Digital Bath
Knife Party
When Girls Telephone Boys
Tempest
Swerve City
Passenger
Change (In The House Of The Flies)
Headup
Engine No. 9

Incubus Setlist:

S.T.A.Y (Hans Zimmer song from Interstellar)
Nice To Know You
Anna Molly
Circles
Absolution Calling
Are You In?
Sick Sad Little World
Vitamin
Trust Fall
In The Company Of Wolves
Wish You Were Here
I Miss You
Love Hurts
Pardon Me
Megalomanic
Dig
Drive
A Crow Left Of The Murder

By: Brian Lacy

Photos by: Alisa Lacy

Live Review: Coal Chamber at House Of Blues

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In front of a packed house and playing in front of your home town crowd, you know that you have to deliver the goods. Coal Chamber did just that on Saturday night at the House of Blues. Their 75 minute set was blisteringly heavy and pleased everyone in attendance. This was the second time Coal Chamber has played Los Angeles since they announced their return, only this time they were tighter than they had ever been and were playing with such a passion that it seemed like they never left. Their setlist included songs from all their albums including two new ones from their new album Rivals (their first album in 13 years). The new songs “I. O. U. (Nothing)” and “Rivals” were very strong, heavy and what you would expect new Coal Chamber to sound like, not to mention they will be crowd favorites for a long time to come. Dez’s vocals are still ferocious and unrelenting. Meegs still has the knack for the down tuned riffs. Mike Cox and Nadja are tighter than they ever were live before. Some highlights from their set included opening with “Loco,” “Big Truck,” the always fun sing along “Rowboat,” “Not Living,” “I,” and closing the night was “Sway.”

Also playing the night was Filter. I’ve been a Filter fan for a long time and was really looking forward to seeing how this would play out for them in front of this audience. Well it didn’t go that great. Richard Patrick just couldn’t get the crowd going and engaged until the final song of the night. His new band was sloppy, kept having technical problems and who ever was doing their sound needs to be fired for the mix he put up. Their short set was so so. Though they did open with “You Walk Away” from their album The Amalgamut which was a nice surprise. I thought they would have opened with something like “Welcome To The Fold” instead. They did play “Jurrassitol” from The Crow: City Of Angels soundtrack. Closing their set was “Hey Man, Nice Shot” with special guest guitarist Brian Liesegang (who was in the original incarnation of the band). Filter is a good band but not the right fit for this tour.

The second band of the night was Combichrist. I’m not very familiar with them at all. And as entertaining as they were, I couldn’t get into them. Musically they have an industrial tinge to them, but it sways more to the EDM side of things. Their singer looks like the type of guy that would front a hardcore band, not a band like this, I will give him props for being really engaging with the crowd. The band did have a lot of energy and you could tell that a lot of people in attendance were big fans of the band. I’m still not sold on them.

Opening the night was American Head Charge. They were one of my favorite bands that came out of the scene in the early 2000’s and it was really great to see them back on stage. They came out strong and brought the heavy. Their very short set did include a brand new song off an album they said would be coming out in June.

This was a great night full of nostalgia in the Sunset Strip area where a lot of bands from the late 90’s and early 2000’s made their name (along with countless others dating back to the 60’s). It’s also sad to know that soon the House of Blues on Sunset will be torn down to make room for some monstrosity of an expensive hotel. The thing that stuck out to me this evening was the sheer excitement and enjoyment everyone in attendance had to see Coal Chamber back on stage killing it.

 

Coal Chamber Set List:

1. Loco
2. Big Truck
3. I.O.U. Nothing (New Song)
4. Fiend
5. Rowboat
6. Something Told Me
7. Clock
8. Drove
9. Not Living
10. Dark Days
11. I
12. Rivals (New Song)
13. No Home
14. Oddity
15. Sway

Filter Set List:

1. You Walk Away
2. Can’t You Trip Like I Do
3. We Hate It When You Get What You Want
4. What Do You Say
5. Jurrassitol
6. Dose
7. Hey Man, Nice Shot

 

By: Brian Lacy

Photo By: Jim Morris lifeisaphoto.net