Live Review

Live Review: Nine Inch Nails at The Joint

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There are certain bands that I will always go see no matter how many times I’ve seen them live. Nine Inch Nails is atop that list and I’ve now seen them 17 times. Each time has been it’s own experience which makes all the shows that much more unique. This past weekend I had the pleasure to see my favorite band at The Joint in Las Vegas and it was just as epic as you would think it was. Trent and company would be performing on 3 different dates and I was lucky enough to be at 2 of the 3. I have to say I’m pretty sure I was at the best shows of the weekend.

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Live Review: The Atlas Moth at The Resident

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Through all the many years I’ve been going to concerts and the countless number of bands I’ve seen, it all comes down to one thing, you either have “IT” or not. Last night at The Resident, one of my new favorite places to see a show, I got to witness the greatness that is The Atlas Moth. Since the release of their new album Coma Noir in early 2018, I’ve been waiting to see them live. It is worth noting that Coma Noir is my album of the year so far.

The Atlas Moth live is tremendous. The fury and volume each member emits while on stage is astounding. Their sound which is a mix of psychedelia, sludge metal and bits of black metal comes across live in a way that is almost hypnotic. On top of the musical trance they put you in, their visual elements with lights and lasers really helps to take you to another dimension. Their set while only 40ish minutes was enough to leave me in awe. Songs like “Galactic Brain,” “Actual Human Blood,” “Smiling Knife,” “The Streets Of Bombay” and “Coma Noir” were absolutely stellar live. The whole set was, not just those songs. Needless to say The Atlas Moth have fast become a new favorite of mine.

The Atlas Moth are one of those bands that when you first hear them your interest will definitely be peaked. Then when you see them live, it all makes sense and you are left with a sense of astonishment and desire to go home and play. At least for me, seeing The Atlas Moth made me want to go home, pick up my guitar and start jamming. I also had the chance to talk to Stavros, the singer/guitarist before the show and he couldn’t have been a more down to earth genuine dude. Thanks for the chat.

Do yourself a favor and listen to Coma Noir by The Atlas Moth. Let the music overtake you and put you in that “trance.”

 

The Atlas Moth- Coma Noir:

 

The Atlas Moth- Live At The Resident:

Live Review: Old Blood, With Our Arms To The Sun, Interstelar at The Silverlake Lounge

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When I go to a show these days there are a few things I look for in the band that’s on stage. First is the music. Do the bands have the ability to transition their music from their album to a live setting? Second is their performance. Do the bands really give it their all and let the music and their art take over to allow them to unleash that inner beast? Third is the lasting effect. When the band is done are you left in awe over what you just saw or are you left feeling meh? Now some might consider this criteria as elitist but, when you’ve been to as many shows as I have and seen the amount of bands I have, you need to be able to see through the bands that really have it and don’t. Friday night at the Silverlake Lounge was quite the eclectic mix of bands and music and all three bands I was there to see brought something different to the stage.

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Live Review: Cane Hill and Valor & Vengeance at The Viper Room

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One thing that I truly enjoy is getting to see a band in a club atmosphere. There is something really special about the intimacy of it. It doesn’t matter if it’s a big band or an up and coming band, club shows will always be some of the best shows a band will play. Last night I ventured out to the Viper Room to check out two bands that I’ve been wanting to see, Cane Hill and Valor & Vengeance and they both didn’t disappoint.

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Valor and Vengeance took the stage before Cane Hill and delivered a very mood setting performance. Their intensity and prowess on stage really draws the audience in and definitely gets the head banging. The bands frontman Adam Ryan is a beast, not only does he have that intimidating yet really nice guy factor, the guy can down right sing and scream with the best of them. The dual guitar attack of Tyler Morgan and Mike Muenzer shines when the heavy kicks in along with the more melodic nature of the songs. Bassist Paul Perry and drummer Josh Fresia are beyond locked in and deliver a pummeling rhythm live. Songs like “Devil’s Highway” and “Sinking Further” really stood out during their set. In a previous post about the band I said “I like to think of Valor and Vengeance as sounding like Avenged Sevenfold if the latter had balls and didn’t suck.” I stand by that  description but I’d like to add that they are definitely way better than Avenged. Check out Valor and Vengeance when they are playing at a town near you!

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The other reason I was out last night was to check out Cane Hill. I’ll admit I wasn’t too familiar with them until about a week ago but, when I heard their new album Too Far Gone, I knew I had to go see them. Their sound and style is reminiscent of early Slipknot (first 2 albums) with a bit of a metalcore and industrial vibe. This 4 piece from New Orleans really laid it out for all the fans in attendance. You can tell that these guys believe in their music and are in it for the love of music. The entire band are beyond tight and know how to deliver a show. Singer Elijah Witt has one hell of a set of pipes. I wasn’t sure how he’d be able to pull off certain songs live but he did and I genuinely think his voice sounded better live. Especially on songs like “It Follows,” “Erased,” “10 Cents,” and “Ugly Model Mannequin.” Guitarist James Barnett has one hell of a tone and is resonated extremely well inside the Viper Room. Bassist Ryan Henriquez and drummer Devin Clark are blistering as a rhythm section. Cane Hill is one of the best newer bands I’ve heard in a long time. Their album Too Far Gone is one of my favorites of 2018 and it’s only March. Do yourself a favor and check them out and go see them live, you won’t be disappointed.

 

Cane Hill- Too Far Gone:

 

Valor and Vengeance- Devil’s Highway:

 

Valor and Vengeance- Sinking Further:

 

 

Review and Photos (granted they are kinda crappy) by: Brian Lacy

Live Review: Less Art at The Echo

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One of the best things about being a music nut is the feeling you get when you hear an album, and while in the midsts of listening you start to imagine the band live and how much more of an impact the songs have when played live. Last night I got to witness that amazing feat as Less Art took the stage and stole the entire show. The forceful magnitude in which they played and performed left me and the rest of the audience in a state of awe.

Performing songs from their stellar debut album Strangled Light, Less Art was everything I had hoped they would be live. The intensity of each member as they played through songs like “Diana The Huntress,” “Optimism As Survival,” “Pessimism As Denial,” ” Wandering Ghost,” and my favorite track “Shapeshifter” was impeccable. Riley, Ed, Ian, Jon and Mike all proved that this band is a serious venture in the way they played and performed. I wish they were able to play longer, that’s how good they were.

Being a fan of all these guys other bands, it’s a very cool change of pace to see them get their creativity out in a band like this. Less Art is different and a very welcome kind of different. They have created an album that stands out in the post-hardcore genre. I really hope that they have the chance to make another album and tour again. If you are a fan of post-hardcore music, you MUST SEE LESS ART!!!

 

Less Art- Strangled Light (BUY THIS ALBUM!!!!!!):

 

 

Live Review: Mutoid Man, Helms Alee & Mustard Gas and Roses at The Resident

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Let me set the tone for the evening. It was a perfect Southern California evening. The weather was perfect and the mood was meant for music that would knock your socks off. It also seems that Downtown Los Angeles is fast becoming the place for rock/metal bands to play. Last night was worth the trip for sure.

Kicking off the night was the very alluring Mustard Gas & Roses. Their brand of doom metal set the standard for the evening. This Los Angeles based four piece is the perfect band to get you in the mood for a night of great music. They are cinematic and proficient in their performance. I’ve been hearing about this band for a little bit now and they were everything I thought they would be.

Next up was Helms Alee. This band left me absolutely breathless. I’ve been meaning to go see them live for some time and I finally had my chance and WOW. Their blistering set was visceral and inspiring. The magnitude of tone they delivered from their drums, bass and guitars made it seem like they were playing an arena. I’m always intrigued by melody and even with their doom approach, the melody was not lost. With all three members doing vocals, that really gives a whole different dynamic to their style of music, There were times during their set that they reminded me a bit of Siamese Dream era Smashing Pumpkins and self titled era Alice In Chains but with a bit of doom to it. Helms Alee is the type of band that releases great albums but, in order to fully grasp the greatness of this band, you NEED TO SEE THEM LIVE.

The main event of the evening was Mutoid Man. They are another band that I’ve been really wanting to see live. Their albums are stellar and the fact that drummer Ben Koller and singer/guitarist Stephen Brodsky were finally able to get together and form a band makes me extra happy, being as I’m a HUGE fan of Cave In and I really dig on Converge. The addition of bassist Nick Cageao adds a whole other layer and dimension of heavy to the band. Mutoid Man really knows how to deliver a great night of riffs, pummeling drums, jokes, and great performances. Like Helms Alee, Mutoid Man puts out great albums but, it’s really best to go see them live. Their set featured songs from both their full length albums (Bleeder and War Moans) along with songs from their debut EP. They drove the crowd into a frenzy, with a perfect mosh pit as well. My friend and I couldn’t resist joining in on the pit fun, as we moshed our way to the front of the venue.

What a great night for a show. Three great bands on one bill to make it known that heavy music is alive and well along with the take no prisoners approach. I highly recommend you all taking the time to go see them live and give a listen to these three great bands albums. You will not only thank me later but, you’ll feel compelled to go buy their albums.

 

 

Review By: Brian Lacy

Live Review: L.A. Guns at The Canyon Club

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I have a deep love of bands from the 80’s. When I was a very young kid, the 80’s were my jam. I loved (and still do) Bon Jovi, Guns N Roses, and Metallica but, I also loved Poison, Motley Crue, Def Leppard, and all the other bands in between like Ratt and L.A. Guns. Last night was a real treat as I finally got to see L.A. Guns, and boy did they rock the house. Last year singer Phil Lewis and guitarist Tracii Guns reunited for the first time in over 15 years. They rekindled their friendship and musical chemistry and are back firing on all cylinders just like it was back in the day.

On a Sunday night in the suburbs, the venue was packed, and fans were ready for rock. As the band took the stage to a thunderous roar from the crowd, you knew that this night was going to be a treat. Starting their set off with “No Mercy” was a hell of a way to get things going. The sheer magnitude of rock coming off the stage was contagious as the crowd was beyond into it. As the show went on, the band ripped through song after song in an uncompromising fashion. Other highlights of the night were “Electric Gypsy,” “Sex Action,” “Don’t Look At Me That Way,” “Kiss My Love Goodbye,” “One More Reason,” and my personal favorite “Over The Edge” complete with Tracii playing the intro with a violin bow. Even the new song they played “Speed,” was a solid song, and shows that rock music is alive and well. Closing out the night was “Never Enough,” “The Ballad Of Jayne,” and “Rip and Tear.”

There wasn’t one moment throughout L.A. Guns’ set that slowed down. They kept the fire burning through each song, making a statement that the band is back and are going to rock you to the core. Phil Lewis sounded great. His vocals are top notch and his delivery was impeccable, especially when he would go for the high notes. Tracii Guns is one of the most underrated guitar players in the last 30 some odd years. His solo’s are tasteful and astonishing. The ability and talent he has is without question. It’s really great to see Tracii and Phil back together doing what they do best. The other guys in the band really bring out the best in those two. All night long you could tell they were enjoying playing.

What a great night not just for me as a fan of the band but, for rock music as well. Seeing a band like L.A. Guns still out there and kicking ass gives me hope that rock music will never die, contrary to what Gene “I’m in it for the money” Simmons says. L.A. Guns wasn’t the biggest band in the world but, they sure do write great songs and perform the hell out of them. Do yourself a favor and go see them when they come through your town. You’re in for quite a treat.

 

My Favorite L.A. Guns song-

L.A. Guns- Over The Edge:

 

 

Review By: Brian Lacy

Photo By: Alisa Lacy

Live Review: Superjoint at The Whisky

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Last night was one hell of a night. The last time I saw Superjoint was in 2004 at the Ventura Theater. I don’t really remember much about the show but, I do remember the sheer intensity that came pouring from the stage to the audience. Fast forward 13 years and that intensity is still pouring from the stage, only this time, it was a direct punch to the face. After being on a “hiatus” (I really hate that word) for the past 10 years, Superjoint returned with a sense of urgency and truth. Their performance this evening was beyond what I thought it would be and then some. But first let’s get to the other bands on the bill.

When I arrived at the venue and stepped inside, Child Bite was just taking the stage. I purposely didn’t check them out before seeing them, because I wanted to experience something I have never heard. Wow, was Child Bite superb. They had an energy and attitude about them, the permeated through the Whisky. Those that were there early got to witness a truly enigmatic performance. Singer Shawn Knight, is one hell of a frontman. He’s got the screams, cleans, and charisma that every frontman needs. Sean Clancy (Bass), Brandon Sczomak (Guitar) and Jeff Kraus (Drums) are tremendous and tight. The band is a very interesting group, as their influences range from Mr. Bungle/Faith No More to The Jesus Lizard, with a bit of Black Flag and a dash of Pantera. Child Bite are a band to look out for when they come through your town and steal the show.

The direct support for the evening came from Detroit, Michigan’s Battlecross. I have heard them before and Battlecross sure brought the energy. Ripping through their set, the metal was delivered. Their sound is a mix of thrash metal and a bit of metalcore. These guys know how to play and rock a stage. Battlecross are on the right track of flying the metal flag. I have to give them their due for the showmanship while playing. The guitar solos and bass solo really added a layer of enjoyment to their performance.

Now Superjoint was what the crowd was waiting for all night. Philip was looking in shape and ready to get back to doing what he does best, decimating stages and audiences. Joining Phil in Superjoint are long time guitarists Jimmy Bower and Kevin Bond and two newcomers Joey “Blue” Gonzalez on drums and Stephen Taylor on bass. Both Joey and Stephen are perfect fits for the band. From the moment the set began with the instrumental “Obilvious Maximus” you knew that Superjoint meant business. Ripping through songs from their first two albums and their new one, Caught Up In The Gears Of Applications, Phil and company have never been tighter. Not only that but, they genuinely looked like they were having a good time. Other songs like “Ozena,” “Waiting For The Turning Point,” “Fuck Your Enemy,” “The Alcoholik,” “It Takes No Guts,” and “Everyone Hates Everyone,” really stood out to me. The new songs played, sounded better live than on the album. Interestingly too, the evening’s show was being filmed for a future release. Needless to say, this was a special show. Superjoint was on fire and blazing. The crowd was into every minute of it. This was a truly great show not just for the band, but those of us who were there.

I also feel the need to mention something else. The Whisky, has really stepped up their game in regards to making the bands sound great. The new system they have in there, really makes all the difference. So, thank you to the Whisky for doing what was necessary. Next thing, is getting a credit card machine at the box office!

 

By: Brian Lacy

Live Review: Oathbreaker at The Roxy

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Do you remember that feeling you get when you hear and see a band that leaves you utterly in awe? I’m still in a daze from seeing Oathbreaker last night. I’ve been looking forward to seeing them live since I first heard their masterpiece Rheia, and they were every bit of what I expected and more. Seeing Oathbreaker live is poetry in motion. The true essence of artistry and personal connection seethes through every note played and sung/screamed. The purity of how the music and words come through live is beautiful. This show and band is a perfect example of how to leave a lasting mark.

Kicking off the night was Jaye Jayle. Conceived by Evan Patterson of Young Widows, this group set the night off with a stark mood that was drenched in blues and dreary vibes all the while creating a sense of calm before the storm. I’ll admit when I checked them out before seeing them live I wasn’t sure what to expect but, as they played through their set, I became more and more engrossed in what they were doing. Mixing blues with bits of folk and southern gospel, Jaye Jayle is quite the sight to see live. As good as they sound on their album, seeing them live really makes it stand out.

Direct support came from Khemmis. Their doom metal meets 70’s rock vibe was a wise choice for the evening. Dueling guitar solos and tight rhythms bellowed through the Roxy as Khemmis played through a chunk of songs from their highly touted new album Hunted. At times during their set I kept thinking that Khemmis is what Rush would sound like if they were metal and didn’t have the synths. With that in mind, Khemmis delivered an epic set that left the audience lining up by their merch spot after they played.

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The main event of the evening though was Oathbreaker. To say that I’m totally enthralled by this band is an understatement. There is really something special about Oathbreaker. I haven’t been this excited by a new band in a long time. From the moment they started their set with “10:56/Second Son of R,” it was on. Unrelenting and beyond powerful, Caro Tanghe, Gilles Demolder, Lennart Bossu, and Wim Coppers delivered one of the most sonically menacing yet crisp sets I’ve seen in a long time. Other songs like “Being Able To Feel Nothing,” “Immortals,” “Needles In Your Skin,” “Where I Live,” and Where I Leave” each left their own mark. As I mentioned in the beginning of this review, Oathbreaker live is poetry in motion. Instead of the crowd stirring up a pit, everyone in attendance was fully engrossed in what the band was doing on stage. The translation from record to live is seamless and smooth and I’d even go as far as saying that their live sound is even more astounding than their album. Each song played seemed to really conjure up the sense of passion and belief from their band as they delivered their soul to you.

Seeing a band like Oathbreaker is a great reminder that music is art. And when you truly believe in what you are doing, the chances of making something substantial and great is even higher. My faith in music is alive and well because of Oathbreaker. I haven’t left a show in a while feeling this good and inspired. I truly hope that people recognize all the talent and art that Oathbreaker has to offer. They deserve to be held in the highest regards. Go check them out if they are in your area. You won’t be disappointed in the least.

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Review By: Brian Lacy

Photos By: Cam Smith https://camsmithphoto.com

Live Review: Peter Hook & The Light at The Wiltern

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I was 10 years old when I first heard about Joy Division. Nine Inch Nails had a song on The Crow soundtrack called “Dead Souls.” I thought what Nine Inch Nails album is this on that I don’t have. Well it turned out to be a cover, and I immediately sought out to discover who the band was, which was Joy Division. From that point I started to really get into Joy Division, and could definitely hear where Trent got some of his inspiration and influence from. So when the opportunity came up to see Peter Hook play songs from Joy Division’s catalog, it was a no brainer, I had to go.

The first part of the night was dedicated to New Order. I’ve never really been a huge New Order fan, with the exception of their first couple albums, and the song “True Faith,” so the impact of the first set of the evening didn’t get me very excited. But the great thing about live music is that it has the ability to change your mind about things. I can honestly say that after the set which was full of great songs like “Ceremony,” “Blue Monday,” “In A Lonely Place,” “Thieves Like Us,” “Confusion,” and many more. Starting the night off with New Order was a great way to bring about energy to the almost full crowd.

 

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Now the second set of the night was what I was waiting for. I’ve waited a very long time to hear these songs live. I’ve heard plenty of other bands over the years cover their songs and it always seems to get crowds really excited. Peter Hook delivered a great set of classic soothing songs, so much so that if you looked around at the audience, you could tell that you were in a place that was full of joy. The signature sound of Peter’s bass rang through the venue with bombastic pleasure. Songs like “Shadowplay,” “She’s Lost Control,” “Atmosphere,” “Dead Souls,” “Warsaw,” “No Love Lost,” and “Love Will Tear Us Apart,” were absolutely done brilliantly and left me feeling like I could successfully cross this off my list of bands/shows I need to see.

The entire evening was great, seeing all the people in attendance feel right at home. No matter the age, fans were excited to be hearing these songs. There was a lot of dancing and singing along, which was astonishing to see. On two occasions Moby came out to join the band for a couple songs. Once in the New Order set to sing “Ceremony,” and again during the Joy Division set to sing “Transmission.” Moby was extraordinary as a guest. He was really into it, and you could tell these songs meant a lot to him as well. At the end of the night, Peter Hook came out for a final bow and took of his sweat drenched shirt and threw it in the crowd, showing off his ripped physique. That was quite a punk rock moment and a fantastic way to end the night.

 

New Order Set List:

In A Lonely Place
Procession
Cries and Whispers
Ceremony (with Moby)
Everything’s Gone Green
Temptation
Blue Monday
Confusion
Thieves Like Us
The Perfect Kiss
Subculture
Shellshock
State of the Nation
Bizarre Love Triangle
True Faith
1963

 

Joy Division Set List:

No Love Lost
Shadowplay
From Safety to Where?
Komakino
These Days
Warsaw
Leaders of Men
Digital
Autosuggestion
Transmission (with Moby)
She’s Lost Control
Incubation
Dead Souls
Atmosphere
Love Will Tear Us Apart

 

Review and Photos By: Brian Lacy