Joe Baressi

Album Of The Week: Baroness- Stone

There comes a time in every bands evolution when a change is needed. In the case of Baroness, they have been one of the most consistent bands in the sense of evolving. Be it member changes, color schemes, and life, there is no shortage of inspiration for this band. I still remember hearing the Red Album for the first time and digging it but, it wasn’t until the Blue Album, when I really think the band found its stride. Along the way, Baroness carved out their own little corner in the heavy music world and have pursued a path that is their own. And on their new album, Stone, Baroness have reached a true triumph as a band.

Carrying on the lineup from Gold & Grey, Baroness’s new album STONE, has defined the sound of the band. There is a resounding strength and focus found throughout this album. Musically, this album is on another level than they’ve gone before. Each member of this band Sebastian on drums, Nick on bass, Gina on guitar and vocal and of course John on guitar and vocals, are playing with a sense of confidence that takes new shapes and is quite inspiring. The rhythm section of Sebastian and Nick are quite the tandem in how they play off each other and the vibe that radiates from that part is captivating. Then you have the full emergence of Gina Gleason coming through on each song. I must say too, as a long time fan of this band and having seen all the different lineups, Gina is the perfect fit for this band. Just like Seb and Nick, Gina brought a new light to the band for the better and it’s really showing on this album. John still has a knack for those sludgey riffs and those delicate pieces that get quite tingling as each listen plays on. Thematically this record is quite the trip. One of the things that I truly enjoyed most about this album was getting swept up in journey that it takes you on. As an album enthusiast (albums are not lost on me. That’s a topic to be discussed at a later time), what you get with STONE is a piece of art that is explosive, delicate, psychedelic and introspective. Having songs like “Last Word,” “Beneath The Rose,” “Choir,” all in a row is a trifecta of YES!!!! Then there’s “Anodyne” and “Shine” that open up other worlds right into another trifecta of epicness with “Magnolia,” “Under The Wheel” and the closing track “Bloom.” One quick note that has to be made is, FINALLY, the album isn’t brick-walled into the skies above!

Listening to STONE and letting it take over is a journey you should most definitely take. It’s one of those albums that you’ve always known they had in them it just took the right lineup to make it. When you take Red, Blue, Yellow, Green, Purple, Gold and Grey and put them together it forms a colorful stone and out of that you get Baroness.

Overall Rating: A

Review By: Brian Lacy

Baroness- STONE:

BARONESS ONLINE:

https://baroness.lnk.to/STONEYT

https://yourbaroness.com

https://www.instagram.com/yourbaroness

https://www.facebook.com/YourBaroness

https://twitter.com/yourbaroness

https://tiktok.com/@yourbaroness

New Release: The Bronx- White Shadow

The Bronx are back!!! Well to me they are. It’s been a little while since I’ve enjoyed anything new from The Bronx but, thankfully their new single “White Shadow” from their upcoming Joe Baressi produced album, The Bronx VI (out August 27) is one hell of a rockin song. I’ve been waiting for them to find the fire again and it sure seems like they have found it. Having Evil Joe at the helm seems to have helped some too. The production and tones on this song are fantastic. “White Shadow” feels like there’s a sense of urgency to it and it’s crushing. The 11 song album is sure to be one hell of a record. I for one am very excited by this news!!


The Bronx- White Shadow:

Album Review: Slipknot- .5 The Gray Chapter

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Sometimes it takes a death to put thing into perspective. It’s never easy to deal with, especially when it’s someone very close. When it was announced that Slipknot were in the studio recording a new album, it was met with great skepticism. Joey Jordison was booted from the band under still unknown circumstances. So what would it sound like? Early reports from the band equated it to a mix between Iowa and Volume 3. Personally I think it is more mix of the first album and Volume 3. There are plenty of tributes to the late Paul Gray on the album. “Skeptic” really shows this especially with lyrics like “the world will never see another crazy motherfucker like you/the world will never know another man as amazing as you,” this seems like touching ode to their fallen brother. Lead single “The Devil In I,” is full of melody and introspective lyrics. The entire album is full of lyrics that examine loss, selfishness, pain, and anger. There’s also the sullen ballad of “Goodbye.” “Killpop” on the other hand is a leap into uncharted territory.This song finds the band stepping outside their skin to focus a new wave/electro pop attempt. The course soon heads toward more traditional fare, thumping percussion and bristling riffs. There is the occasional classic rapid-fire vocal delivery of Corey Taylor and the sonic throwbacks featured in a track like “Custer.” This seems destined to be a live favorite due its anthemic usage of “cut me up” and “fuck me up.”

It’s not an album without faults. There are some inconsistent tracks. The band still has their predilection for melodic pursuits. But this is easily the groups most consistent album from start to finish. This is a welcome return to form for one of modern metal’s most revered (and despised) acts. One thing also that is a step in the right direction was the inclusion of Greg Fidelman to handle the production on the album and Joe Baressi to mix it, These two have brought the best of what Slipknot has to offer in 2014.

On the scale of 1-10= 8.5

By: Brian Lacy