If you’ve been watching the new HBO series Watchmen like I have, you are probably pretty enamored by the music as well as the show. As most of you know, David Bowie is/was a huge inspiration to Trent Reznor. Trent and Atticus’s cover of Bowie’s “Life On Mars” is quite a somber yet contemplative version. Plus with it being instrumental, it gives off a much deeper vibe. This will be available on Volume 3 of the Watchmen score which comes out December 16.
Trent Reznor & Atticus Ross- Life On Mars:
This past weekend were the “Final” Slayer shows. It was very appropriate that they close it out in Los Angeles, seeing as though they are from the great LA area. What was originally going to be one show, turned to two after the first night sold out immediately. Then they announced the lineup of the show. Slayer would be joined by one of the most diverse lineups they’ve played in years. Primus was direct support along with Ministry and Philip H. Anselmo and The Illegals performing nothing but Pantera songs.
The night began with a ferocious set by Philip H. Anselmo and The Illegals. Their short but sweet set was the highlight of the night (other than Slayer of course). For 30 minutes, they really delivered the goods as they ran through their Pantera set. Starting with “Mouth For War” was a great idea as it really got the crowd pumped. “Becoming,” “I’m Broken,” and “Strength Beyond Strength” were absolutely killer as well. During “Fucking Hostile” Anthrax’s Charlie Benante joined the band on the drums and that one just about crushed the pit. “This Love” was a great choice to play as well, with actor Jason Momoa running out on stage with his kids to sing along. Closing out their set was “A New Level” and they really knocked it out of the park with this one. Phil was absolutely on and sounded terrific. The guys in The Illegals really did a stellar job with these songs. Having Phil and The Illegals open up this show was the perfect choice.
Ministry was up next and they were pretty solid. Though they played the same exact set as the did the night before. It had been a minute since I last saw Ministry live and with an entirely different lineup. One of the best parts of seeing Ministry this go round was that on bass they have Paul D’Amor, who you might recognize as the original bassist for Tool. Watching him onstage going all out was pretty great. The band’s set was all classic songs like “Stigmata,” “Just One Fix,” “Thieves,” The Missing” and “Jesus Built My Hotrod,” so that made this pretty cool. It was just lacking something that I can’t quite put the right words to.
Primus was right before Slayer. It was definitely an interesting choice. Throughout their set, you could sense that something was a bit off. The crowd was losing interest and the energy was sort of being sucked out of the room the longer they played. I even fell asleep for a good 10-15 minutes during their set. Primus are a good band and great musicians. I can also see why they were asked to be a part of this tour due to the long history they have with the guys in Slayer but, they really really zapped the room almost out of the show.
Thankfully it wasn’t long until Slayer took the stage and the place went ape shit. A short video preceded the band coming on stage. The video featured fans thanking the band for all the years of music and blah blah blah… FUCKING SLAYER!!! Then, the lights came down and the visuals started and bang, right into “South Of Heaven.” For the next almost 2 hours, Slayer ripped through songs like “Repentless,” Postmortem,” “War Ensemble,” “Stain of Mind” Disciple,” “Seasons In The Abyss,” “Hell Awaits,” “Dead Skin Mask” and “Chemical Warfare.” Gary Holt was absolutely ripping it up on his leads and seemed to be having one hell of a great time playing. Tom Araya seemed to be very contemplative as his sang and played. Throughout the set, he couldn’t help but smile as he took it all in. Paul Bostaph was straight up killing it on the drums. And Kerry King was very locked into his playing but, even he seemed to be enjoying the moment a bit too. Ending their set with the trifecta of “Raining Blood,” “Mandatory Suicide” and “Angel Of Death” was pretty awesome
It was a very somber yet exciting night. If this is truly Slayer’s last show, they went out with quite a bang. For a band that’s been at it this hard for over 30 plus years, it’s never easy but, when you have a fan base as dedicated and die hard as Slayer fans are, it makes it all worth while. Sure I would have liked to hear a few other songs other than some of what they picked to play but, that’s ok, I got the favorites I wanted. I’ve seen Slayer many times over the years and this was one hell of a show. The Forum was a great place to see them close it out. Thank you Slayer for all the years of heavy tunes and inspiration! You will be missed
Slayer Set List:
01) South Of Heaven
02) Repentless
03) Postmortem
04) World Painted Blood
05) Hate Worldwide
06) War Ensemble
07) Stain Of Mind
08) Disciple
09) When The Stillness Comes
10) Born Of Fire
11) Payback
12) Seasons In The Abyss
13) Jesus Saves
14) Chemical Warfare
15) Hell Awaits
16) Dead Skin Mask
17) Show No Mercy
18) Raining Blood
19) Mandatory Suicide
20 ) Angel Of Death
Primus Set List:
01) Those Damned Blue Collar Tweekers
02) Too Many Puppies
03) Sgt. Baker
04) The Seven
05) Cygnus X-1
06) Southbound Pachyderm
07) Mr. Krinkle
08) Welcome To This World
09) Professor Nutbutter’s House Of Treats
10) My Name Is Mud
11) Jerry Was A Race Car Driver
Ministry Set List:
01) The Missing
02) Deity
03) Stigmata
04) Supernaut (Black Sabbath Cover)
05) Just One Fix
06) N.W.O.
07) Thieves
08) Jesus Built My Hotrod
Philip H. Anselmo and The Illegals Set List:
01) Mouth For War
02) Becoming
03) I’m Broken
04) Goddamn Electric
05) Strength Beyond Strength
06) Fucking Hostile (with Charlie Benante)
07) This Love
08) A New Level
I’m sure we all have certain songs that are forever in your head. Doesn’t matter the genre or anything, they just pop up from time to time. This morning while getting ready for work I heard a strange beat in my house and then the next thing I knew, The Verve’s “Bitter Sweet Symphony” started playing in my head and there I was singing along. Since the songs release in 1997, it’s been stuck in my head. The more you listen to the song too, you really start to realize how great of a song it is as well as the lasting impact it’s had. It’s also a very quintessential song of the 90’s and should be celebrated as such. One of the coolest things involving the publishing of this song actually happened recently too. Mick Jagger and Keith Richards of The Rolling Stones, signed over all their publishing for Bittersweet Symphony. Finally giving songwriter Richard Ashcroft the credit he deserves. Even as far back as 1999, Keith Richards was quoted as saying “I’m out of whack here, this is serious lawyer shit. If the Verve can write a better song, they can keep the money.”
No matter what though, we can all agree this is a great song and very 90’s!
The Verve- Bitter Sweet Symphony:
Clint Lowery of Sevendust is gearing up to release his debut solo album God Bless The Renegades next year (January 31st to be exact). This is the first release he’s put out under his own name. His other solo related projects all had names attached to them be it Hello Demons, Meet Skeletons (which is pretty damn awesome) as well as Call Me No One (the band he started with Morgan Rose of Sevendust). On this album though, it’s all Clint, with the exception of the drums, which were played by Wolfgang Van Halen. So far, two songs have been released from the album, “Kings” and the title track “God Bless The Renegades.” These songs share a bit of the similarities you’d find in Sevendust but, it’s a bit of a departure from that style. Instead, it’s more rock driven but, full of melody. Clint to me has always been the secret weapon in Sevendust, and on this release, he gets to spread his wings a bit more and experiment with things that normally you wouldn’t find on a Sevendust album.
Clint Lowery- Kings:
Clint Lowery- God Bless The Renegades:
When you think of Lynyrd Skynyrd, I’m sure the first thing that comes to mind is “Free Bird.” That’s the same for me too. Over the years though, I’ve really come to the realization that “Tuesday’s Gone” is a better song than “Free Bird.” That’s just my opinion, and we can talk about that later if you’d like. Anyways, the other night while looking for something mindless to watch, I noticed Happy Gilmore was about to start and so I settled in and watched. As it began I couldn’t help but remember that “Tuesday’s Gone” opens and closes the movie and its the perfect song to do both. So with that in mind, check out this great use of the song in one of the funniest movies ever!
Tuesday’s Gone in Happy Gilmore:
Opening Credits:
Ending:
The Doors are one of the first bands I ever fell in love with. Ever since my parents put them on for me as an infant, I’ve been sold on them. Over the years, I’ve moved more away from their studio versions of their song to the live versions due to the spontaneous nature of the performances. One such song that was among the first I did that with was “Light My Fire.” The studio version is fine but, live, this song takes on a whole new vibe. One of my all time favorite versions of this song is from their 1970 performance at the Isle of Wight Festival. Part of what makes this one special is the history behind it. The Isle of Wight Festival had some 600,000 attendees and the Doors hit the stage at two o’clock in the morning on August 30, 1970. Their set was particularly dark due to Jim Morrison’s not wanting bright spotlights for the film recording on the band. Much of the recording sees the group bathed in a single red spotlight. Morrison was also very subdued in his movements but, he sang his heart out as you can tell.
The Doors- Light My Fire (Live at The Isle Of Wight Festival 1970):
Part of the fun of putting your iPod on random is just letting it play. This morning while on my way to work, a song came on that I hadn’t heard in a while. That song was “Anything” by Danzig from his unsung masterpiece that is Danzig III: How The Gods Kill. That song is truly one of the best songs in Danzig’s catalog. It’s a really well written song with great melody and riffs. Vocally it’s got a Jim Morrison vibe to it, something I really love (especially being a huge fan of The Doors). This is exactly the type of deep cut that every album needs and should be played live too. “Anything” is a very poetic song that at first comes across almost like a ballad but that is quickly tossed aside by one of the best guitar solos in a Danzig song ever, courtesy of John Christ. It’s also an interesting choice to place this song as track 2 on the album but, it’s perfectly placed to balance the ripping opener that is “Godless” and the follow up song “Bodies.” So, with all that in mind, take 5 minutes out of your day and let this song soak in!
Danzig- Anything (from Danzig III: How The Gods Kill):
Back in 2002, following the demise of At The Drive In, Sparta (made up of 3 of the members of ATDI) released their debut album, Wiretap Scars, and it left a lasting impact on me. From the moment I heard the first single, “Cut Your Ribbon,” I knew that this band was on to something and it was pretty great. When the album came out, I remember blasting “Cut Your Ribbon” on repeat quite a few times before I let the album play, and then that’s when it all changed. The second song on the album “Air,” was it for me. I couldn’t get past how truly great of a song it was and from that point, it never left my mind. It’s one of those songs that makes it to every long playlist I make as well as when I used to make mixes for people. When you listen to “Air” you get all sorts of feels pumping through your blood. So, take 4 minutes out of your day and let this one take you away.
Sparta- Air:
Ever since my musical journey began at a very young age, I’ve been intrigued by bands that are very experimental and artsy. Perhaps it’s because I fell in love with The Velvet Underground at a very, very young age (I have my mom to thank for that one). So, these days when I hear something that is a bit off kilter or out there, I am drawn to it in some strange way. Which brings me to Bent Knee. This band is pretty damn cool and full of things you wouldn’t expect. Drawing inspiration from multiple places like pop music, prog rock, jazz and the more avant garde, Bent Knee have really made their place among the best bands you’ve probably never heard but should be listening to. Their new album, You Know What They Mean, is an album that could be described as being ahead of its time but, I prefer to think of it as an album that is innovative, full of great vocals, wicked arrangements, and killer songs. Bent Knee is the type of band too that provides the listener with a real sense of not playing it safe. Instead the more you listen to them, the more you start to get drawn into everything in a sort of trance that expands your mind in a very awesome psychedelic way. I personally can’t wait to see and hear what this bands continues to do for many albums to come. They are definitely a band to watch out for.
Bent Knee- You Know What They Mean:
I still remember listening to Nirvana’s Nevermind all the way through the first time and wondering why there was all this empty dead air after “Something In The Way.” Then, after about 10 minutes of silence “Endless, Nameless” begins to play and it all makes sense. The song itself is an interesting one. It’s a very Sonic Youth inspired song with all the noise but, it also has this really cool vibe that acts as a precursor of sorts (all be it probably indirectly) for what would become the raw sound attached to In Utero. It’s also worth noting that this is the only other song on Nevermind credited to all three members of Nirvana, “Smells Like Teen Spirit” being the other.
Nirvana- Endless, Nameless:
AUDIOECLECTICA 