Live Review: Thrice at The Wiltern

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One of the best feelings in the world, at least to me, is seeing a band live that you haven’t seen in a long time and they absolutely kill. Last night at The Wiltern in Los Angeles, Thrice wrapped up their tour and they without a doubt surpassed any expectations I had and got rid of any lingering thoughts I had about the band. Touring in support of their new (and 10th) album Palms, Thrice ripped through their 100 minute set with a real sense of vigor and power that I haven’t seen from them since I saw them on The Artist and The Ambulance cycle.

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Before I get into how commanding and in the zone Thrice was, I’d like to talk about the direct support, The Bronx. For many years I was a huge fan of the band but, over the last few years I had slowly given up on them. They really lost me with all the Mariachi El Bronx stuff they did and their “punk rock” side became a bit watered down (that’s just my opinion). This night though, my mind was changed a bit. The Bronx went off last night and it reminded me of what drew me into them in the first place. Singer Matt Caughthran was a man on a mission last night. His presence alone was captivating. Their set was chock full of old gems and new songs. Certain songs like “Knifeman,” “Heart Attack American,” and “History’s Stranglers” killed. Their set this evening gave me a renewed sense of enjoying the band. Matt even got in the crowd for a few songs to get the crowd pumped and into it.  The one kicker I still have is the rest of the band besides Matt, seem very stagnate. Matt can’t be the only one that gets really into it. All in all though, The Bronx seemed to be finding their “punk rock” side again. I hope that energy carries over to their next record.
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Now the main event. Thrice took the stage a little after 9:00pm and for the next hour and forty minutes, they absolutely owned The Wiltern. Starting their set with “Only Us” was perfect and set the tone for what was to come. As their set raged on with songs like “The Artist in The Ambulance,” “Hurricane,” “Red Sky,” “Black Honey,” and “Anthology,” you could feel the bands energy radiate through the crowd. The roars of sing alongs at times almost was louder than Dustin on stage. Songs from their new album like “The Grey,” “The Dark,” “A Branch In The River,” “Hold Up A Light” and “Beyond The Pines” sounded superb and better live than they do on the record. A few other highlights of their set were  “Firebreather,” “Beggars,” “In Exile,” and “Paper Tigers,” the latter of which really go the crowd in a frenzy. Before playing the song, Dustin Kensrue told the crowd to be careful with this one. Their encore, though only a couple songs, went way back to The Illusion of Safety as they blasted through old classics “Deadbolt,” and To Awake and Avenge The Dead.” I have to give praise to each memeber of the band. Riley Breckinridge looked and sounded so damn comfortable playing his drums. It seemed like it was second nature. Bassist Ed Breckinridge was right in the pocket and totally in the zone as he thrashed around getting more and more into the set as the night went on. Teppei Teranishi has always had this calm demeanor when on stage but, this evening, even he was letting loose a bit more and leaving it all out there. And finally Dustin Kensrue, who also celebrated his birthday this evening, was unstoppable. Even with a raspy voice, which you would have had no idea until he mentioned it, was on fire. His command of the stage and crowd was astounding. I haven’t seen all four of them this good in a long time. I will even go as far as saying that this might just be the best show I’ve ever seen them do.

The four guys that make up Thrice each play a distinct role in not just creating the sound and if it were anyone else playing with them, it sure wouldn’t sound right. Every song picked for their set was perfect and impressionable. They managed to cover all their basis of picking gems from each of their albums. As a fan of the band dating back to The Illusion of Safety, it’s been really interesting to listen and watch the bands growth. They’ve always been true to themselves and what they want to create. Sure they lost me for a bit but, since they returned with To Be Everywhere Is To Be Nowhere, I’ve been back and it’s been amazing to be a fan of the band again. I can’t wait to see where the go next and their next tour.

Thrice Set List:
01) Only Us
02) Image Of The Invincible
03) The Artist in the Ambulance
04) Hurricane
05) A Branch In The River
06) Red Sky
07) Black Honey
08) Daedalus
09) The Grey
10) Anthology
11) Firebreather
12) The Dark
13) In Exile
14) Beggars
15) Hold Up A Light
16) Stare At The Sun
17) Paper Tigers
18) The Long Defeat
19) Beyond The Pines
Encore:
20) Deadbolt
21) To Awake and Avenge The Dead

Photos By: Alisa Lacy

Album Review: The Smashing Pumpkins- Shiny and Oh So Bright Vol. I

SmashingPumpkinsAlbThe Smashing Pumpkins came back in 2018 with a vengeance. Their “reunion” tour was outstanding. The 3 hour set of nothing but songs from the beginning of their career till Machina was something special. Everything about it was spectacular. William Patrick Corgan sounded marvelous and having Jimmy Chamberlain and James Iha back with him along with long time cohort, Jeff Schroeder and new comers Jack Bates and Katie Cole added to the truly great experience. When it was announced that the Pumpkins were coming back, WPC, mentioned that there would be new music, and that day is upon us. Shiny and Oh So Bright Volume I is here and it’s a delight. It’s everything you’ve ever loved about The Smashing Pumpkins and more.

Starting the album off with “Knights Of Malta” was a superb choice. The song not only sets a tone but it features a groove and melody that will have you swaying and singing along in no time. I have a feeling that this song will fast become a fan favorite and a live staple for years to come. “Silvery Sometimes (Ghosts)” is a pure classic Pumpkins song. Parts of it hark back to the Siamese Dream era but, it’s modern and current without relying so much on nostalgia. WPC sounds dreamy on this song, and Jimmy Chamberlain’s playing is subtle yet commanding. The riff and melody to this song is something that will stay in your head for years to come. “Travels” is a sweet mid tempo song with introspective lyrics. The guitar melodies on this song have a warming and calm tone which gives this song more depth. “Solara” is another classic Pumpkins song. This track is a beast and live it kicks even more ass.  “Alienation” is one of those “deep cut” songs that will have audiences wanting for it live. It’s a beautiful song through and through. “Marchin’ On” kicks the moment it comes in. It’s got an anger and urgency to it just as “Zero” did when that song was first released. This is another that is sure to be a fan favorite. “With Sympathy” has a delicate nature to it. The guitars glisten along with WPC’s vibrant vocals and words. Closing out this volume is “Seek and You Shall Destroy.” This track has a very cool mid 90’s Pumpkins vibe to it but, again isn’t retreating to the nostalgia of it all. Seek sounds like the band in today’s world without losing the roots of what the band is about.

 
All in all Shiny and Oh So Bright Volume I is a terrific collection of songs. I wouldn’t say it’s an “album” per say but, it was sequenced in a way that does flow in a way as an album. Having Jimmy and James back in the band is a welcome return. The songs sound like Pumpkins songs because of how they play and treat the songs. Over the years Jeff Schroeder has been able to tap into that “style” and on this album, he’s right there along with James and WPC to make the songs even bigger. This is a welcome return to form for WPC and company. Shiny and Oh So Bright is full of songs that as I mentioned will become fan favorites and live staples for years to come. The Smashing Pumpkins have never been a band that has needed to resort to rehashing the past and this album solidifies that. I can’t wait for the next tour they do so I can hear these songs live. If you ever gave up on The Smashing Pumpkins, Shiny and Oh So Bright Volume I, will bring you back into the fold and you’ll fall in love with the band all over again.

 
Overall Rating: 9/10

 
Knights of Malta:

 

 
Silvery Sometimes (Ghosts):

 

 
Travels:

 

 
Solara:

 

 

 

Alienation:

 

 
Marchin’ On:

 

 
With Sympathy:

 

 
Seek and You Shall Destroy:

 

Album Review: Cult Leader- A Patient Man

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Ever since I saw Cult Leader live, I’ve been impressed. The night I saw them, they were on tour with The Dillinger Escape Plan on their final US tour. The moment they took the stage, you could tell that there was more to this band than just being a heavy band. As they tore through their set that night, I was hypnotized by their magnitude of volume, precision, and pure passion for what they created. Needless to say, I was at their merch table right after their set to buy their album Lightless Walk. That album has been in constant rotation since I procured it over two years ago.

Cult Leader have returned with a new album entitled A Patient Man, and if you are a fan, you’ve been waiting patiently for the next chapter of the band. The wait for this album was immensely worth it. A Patient Man is not for the faint or weak of heart. This album is dark but there is an element of optimism to it. From the moment “I Am Healed” kicks off the album, you best buckle up because this album is going to take you on a ride. “Curse Of Satisfaction” keeps up with the pummeling nature of the album. “Isolation in the Land of Milk and Honey” is one of the most brutal and honest songs on the record. It’s a very introspective song with lyrics and parts that really strike a chord within. “To Achlys” might just be one of the most epic songs of 2018. It’s a welcome departure for the band. Though if you’ve been listening to Cult Leader for some time, you could tell that they were expanding and evolving into a differing style like this. “A World Of Joy” continues on the epic path and could quite possibly be one of if not the best song on the album. “Craft of Mourning” brings the album back to the heavy with a crushing attack. “Share My Pain” is one of those songs that shows the band incorporating a “groove” element to their repertoire. This song stands out not just because of the groove but because of the personal approach. “Aurum Reclusa” is as Cult Leader as it gets. This song harks back a bit to the Gaza days. The title track “A Patient Man” is another epic. This one, like “To Achlys” is deep and introspective only on this track there is a bit more “hope.” Closing out the album is “The Broken Right Hand of God.” This track is a great summation of what A Patient Man is. It’s brooding with heaviness, epic moments and full of heart.

Cult Leader have carved out a niche amongst their peers. They have evolved past the norm of just being a heavy band. Each member of the band has made significant contributions to make A Patient Man something special. Musically, Casey Hansen, Sam Richards and Mike Mason have created a sonic style that (as I’ve mentioned before) is hypnotic and heavy at the same time. Vocalist Anthony Lucero, really grew not only as a lyricist but as a vocalist. His sort of crooning on some of these songs really, gives off a personal touch. And Kurt Ballou’s production work is outstanding. He really helped to deliver the sound this album needed. The jump from Lightless Walk to A Patient Man is quite astounding. To be able to still maintain your roots and come away with a piece of work like this is something to really be proud of. I can just imagine the live set in a club being something I will and others in attendance will remember emphatically. Thank you Cult Leader for understanding and not being afraid to go after what moves you. Music is art and it’s a wonderful thing. When you can find the right members to balance the vision, great things like A Patient Man happen.

 

Overall Rating: 9/10
Cult Leader- A Patient Man:

B-Sides: Slipknot

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Last week Slipknot released a new song from their upcoming new album, which is due out in 2019. Naturally, I went on a kick of listening to them for a few days. While having my own personal listening party, I started to think about all the b-sides they have from their albums. Well now, here they are.

 

From Slipknot:
Get This:

 

 

Snap:

 

 

Despise:

 

 

Interloper:

 

 

Me Inside:

 

 

Purity:

 

 

From Volume 3- The Subliminal Verses:
Don’t Get Close:

 

 
Scream:

 

 
Danger Keep Away (Full Version):

 

 

From All Hope Is Gone:
Child Of Burning Time:

 

 
Til We Die:

 

 

From .5- The Gray Chapter:
Override:

 

The Burden:

 

Album Review: Architects- Holy Hell

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Losing a band member is never an easy thing. Especially when it’s the main songwriter in the group. Things at that point can either fall off the tracks or the band comes together and pushes forward. A couple years back Architects guitarist and main songwriter Tom Searle passed away from cancer. This led many to think that the band was over and or going to take a break for a while. Through all the pain and sorrow, the band pulled through and hit the road to celebrate the life of their fallen brother. It was during this time too that Architects released the song “Doomsday,” a song that was one of the final things Tom was working on but was unable to finish. When the song was released they song they mentioned that there was a future for the band and that they were looking forward to working on new music.

 

Now in 2018, a couple years later, Architects have written one hell of an album. Not only does their new record, Holy Hell, pay tribute to Tom but also explores many different themes of pain, loss, suffering and mourning. Musically all the members contributed to create a unified front and it sounds like it. Holy Hell at times sticks to what the band has done best for years but, at the same time takes on a more melodic approach. This being their 8th album, they have found their “sound” and they are running with it. The first three songs released “Hereafter,” “Royal Beggars,” and “Modern Misery” highlight the style that the band has, while other songs like “Mortal After All,” “Damnation,” “Holy Hell” and “A Wasted Hymn” show that the band isn’t done evolving and incorporating different styles and elements into the fold.

 

I will admit, it has been a while since I last really listened to Architects. When I heard “Doomsday” after it was released, I started to get really intrigued by the band again. Architects have created an album that will cement their names in heavy music. They have also brought the prog djent sound to the forefront. Holy Hell is exactly the album that the band needed to make. The only thing I can nit pick at is the polished production. At times it seems a bit too clean and compressed but, that doesn’t change how powerful the songs are. Architects have a lot to say about what they are dealing with and you know that when the time comes to start playing shows, those performances are going to set the venues on fire.

 
Overall Rating= 9/10

Architects- Hereafter:

 

 

Architects- Royal Beggars:

 

 

Architects- Modern Misery:

 

 

Architects- Doomsday:

 

Top Ten Bands A to Z: Y

The A to Z list continues to find the top ten bands/artists in the alphabet. Y is upon us and needs help to complete the list. Note, I decided to skip X due to there being only 3 or 4 bands worth mentioning.

As usual your suggestions are wanted in completing this list.

These are in no particular order as well.

 

01) Neil Young
02) Year Of The Rabbit
03) Thom Yorke
04) The Youngbloods
05) Yes
06) Y & T
07) Yaz
08) Yeah Yeah Yeah’s
09)
10)

Solo Album Spotlight: Jonathan Davis- Black Labyrinth

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For a long time now, over 20 years actually, I’ve been a fan of Korn. Their early albums were some of the albums that shaped my teenage years. The lyrics of Jonathan Davis have always stood out. The guy bares his soul for the world and people to feel like they aren’t alone. Since Korn hit the scene, Jonathan has been one of the best frontmen in rock. The delivery of the songs each and every night while on stage is almost like a purge of demons from inside. During the height of Korn, Jonathan was asked to work on the soundtrack for the film Queen Of The Damned. The movie was pretty bad but, the soundtrack was excellent. There were 5 original songs written for the film by Jonathan though, label interference got in the way of releasing the songs on the soundtrack with Jonathan singing on them. Either way, at this point, I started to wonder what a solo Jonathan Davis album might sound like.

Fast forward many years till now, 2018, and we now have the first solo album, Black Labyrinth by Jonathan Davis. This album has been in the works for over 10 year and is pretty much a departure from what Korn is. Everything from the instrumentation, production, musical styles, and some of the lyrical content is different. There are moments on the album that hark back to the new wave/ new romantic era of the 80’s, along with some interesting goth vibes. There is even a bit of an early 90’s alternative sound, more in the realm of a band like Porno For Pyros. Something else that makes Black Labryinth interesting and different are the explorations of different styles from all over the world. The use of certain flutes, percussion, and other instruments, give this album a trippy almost psychedelic sense. The exploration of genres on this record is really cool. As well as the genres I mentioned above, there is a bit of an industrial/electronic vibe going on. Different guests appeared on the album like Wes Borland, Ray Luzier, Miles Mosley and more. There are so many songs that really stand out like “Final Days, “Everyone,” “Basic Needs (which is my favorite song on the record),” Your God,” “The Secret,” “Please Tell Me,” “What You Believe,” and “What It Is.” The entire album is an experience from start to finish. Those songs mentioned are just the ones that have really hit home a bit more for me

Black Labyrinth showcases how talented Davis is as a songwriter. His knack for writing powerful songs both musically and lyrically is astounding. The fact that he’s remained relevant for over 20 years shows the power music has, as well as a loyal fanbase. Never mind the fact that most of these songs were written about 10 years ago, they still hold meaning and fit perfectly today. The last Korn record, The Serenity Of Suffering was a resurgence of creativity in the right path for the band, and by releasing this solo album, it’s allowed Jonathan the chance to really explore all the things he’s wanted to do. I’m very interested to hear both the next Korn album and Jonathan’s solo record. Give Black Labyrinth a chance and I bet you’ll be rather surprised by what you hear.

 
Jonathan Davis- Black Labyrinth:

 

 

 

Album Review: Daughters- You Won’t Get What You Want

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It’s never easy for a band to come back from a lengthy hiatus and pick up where they left off. There are a few anomalies over the years where that has happened, Failure, Alice In Chains, and Death From Above 1979 are just a couple that come to mind. You can now add Daughters to that list. Releasing their first album in over 8 years, You Won’t Get What You Want is an album that continues the legacy of what Daughters created at first but now, takes it a bit further and almost reinvents what the band once was.

You Won’t Get What You Want is not accessible or mainstream by any means. Instead you get a visceral album that stretches and pushes the boundaries of art rock, post punk, a bit of industrial and rock. From the well crafted songs to the production, the final product is every bit a Daughters album and then some. There are songs that border on the chaotic like “Long Road No Turns,” “Satan In The Wait,” and “Less Sex.” Then there are others that expand upon different elements of atmosphere and aggression like “The Flammable Man,” “The Lords Song,” “The Reason They Hate Me,” and “Ocean Song. The opening and closing songs “City Song” and “Guest House” have a way about them that not only set and end a mood but, they also hit you like a ton of bricks.

Daughters are a band that aren’t easily describable. Sure you can throw around different genres to see if they stick but, in the end, the experimental nature of the band and what they create is in itself art. You Won’t Get What You Want is an album that is much needed in this day an age. It will make you think, as well as take you places you and your mind might not have gone before. Daughters are back and have delivered an album worthy of their past as well as what the future holds for them. What an album. Every time I listen, I hear something else that makes me dig this album even more. This record is most certainly in my top 10 of the year.

Overall Rating: 9.5/10

 

Daughters- You Won’t Get What You Want:

Behind The Scenes of You Won’t Get What You Want:

 

On The Rise: Monuments

 

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There’s something in the water over in the UK. Over the past decade there has been a new explosion of bands coming out of the United Kingdom and leaving a mark on the heavy music scene. Bands like Architects, Sylosis and Bring Me The Horizon are leading the new UK scene. There is another band that deserves to be mentioned along with those above, and that band is Monuments. Formed by Fellsilent’s Josh Browne and The Tony Danza Tapdance Extravaganza’s John Travis, Monuments released their debut album Gnosis in 2012 (via Century Media Records). Their follow up album, The Amanuensis, really saw the band hit their stride in terms of songwriting and style. Their proggy djent sound along with groove driven elements, started to make Monuments more of a household name. The band would go on to tour with groups like Born of Osiris, After The Burial and Jeff Loomis. Not long after, lineup changes occurred and  new members were brought in. Now in 2018, Monuments have released their third album Phronesis. The album was recorded in various studios in different countries. Interestingly, the vocals were recorded with Ill Nino singer Christian Machado. The album itself is Monuments doing what they do best, delivering groovy djent with a bit of prog. This album sees the band exploring differnet territories and not going down the “play it safe” route. They seem to understand that evolution is necessary in order to prolong the longevity. Sure, some fans of the band might not dig on certain tracks, but the core essence of the band is still there.

 
Monuments- Phronesis:

Monuments-The Amanuensis:

 
Monuments- Gnosis: