Month: December 2021

Title Tracks: Slayer- Seasons In The Abyss
HIGHER CRITICISM: SLAYER (PART 7) - "SEASONS IN THE ABYSS" - NO CLEAN SINGING

Slayer’s Seasons In The Abyss is my favorite album of theirs. As much as I love Reign In Blood, there is just something more intriguing about Seasons. There’s a complexity to this album and also a different vibe than their other albums. From the moment “War Ensemble” starts all the way through to the closing title track “Seasons In The Abyss” there’s no denying that this album is beyond impactful. The title track is quite a departure. It’s a slowed down song with Tom Araya almost singing. The lyrics too are a bit different as well since Tom Araya wrote them and not Jeff Hanneman or Kerry King. This album is a classic through and through. Even though Reign gets all the rah rah acclaim, I still think Seasons is better.

Slayer- Seasons In The Abyss:

Deep Cuts: The Smashing Pumpkins- X.Y.U.
Album Mellon Collie and the Infinite Sadness (Remastered), The Smashing Pumpkins | Qobuz: download and streaming in high quality

The Smashing Pumpkins have a plethora of deep cuts that could fill one hell of a playlist. The deep cuts alone from Mellon Collie and the Infinite Sadness could make an album of their own. I love going back to MCIS and delving into particular songs even more than before. This morning I remembered a certain riff to a Pumpkins song and it took me back to when I bought this album and all the feels I got when I reached this song on the record. The song I’m referring to is “X.Y.U.” from the Twilight To Starlight portion of MCIS. I’ve loved this song from the day I heard it. This is one of the heaviest songs on the album. The song was recorded in one take, live for the record with drum and vocal overdubs added later. The title means “Ex, Why You?”, but is also a play on the spelling of Russian obscene word “хуй” (pronounced “hu:i”) that is translated as “penis”. “X.Y.U.” is a song that was developed in a similar jam fashion to “Silverfuck” as it evolved as a song over the years. I’ve had the pleasure of hearing this song live a couple of times over the years and it’s always a highlight and never disappoints. So, take about 7 minutes out of your day and delve into this superb deep cut from The Smashing Pumpkins.


The Smashing Pumpkins- X.Y.U.:

X.Y.U. (Live 1996):

Album Review: Failure- Wild Type Droid

A band like Failure doesn’t come around too often. Ever since their inception, they have been pushing the boundaries of rock music. It’s been talked about for years now how much of an influential masterpiece their third album, Fantastic Planet is. That album is truly the new Velvet Underground and Nico. Just like with The Velvet’s anyone who has picked up a copy of Fantastic Planet has inevitably started a band. But that’s not what this is all about. Instead let us focus on the fact that Failure have released their third new album since their return in 2014 and this one is without a doubt in line with the great albums they have produced. Wild Type Droid is out now and it’s absolutely stunning.

Wild Type Droid fits in its own part of Failure lore. As much as it fits within the “space rock” spectrum, this one hits differently. Firstly the music on this record is a bit more rhythmic and complex. The crisp production courtesy of Ken Andrews is superb. Every nuance that should be heard is making for one hell of a listening experience. The performances from all three members especially drummer Kellii Scott is astonishing. There’s almost this whole other level that Ken, Greg and Kellii went to with this one. Painting vivid pictures with the lyrics and melodies along with music that creates a truly whimsical feeling makes Wild Type Droid an album that stands out. The way the album starts, flows, and ends is something special on its own. It’s one of those that you feel compelled to start again as soon as it is over.

This year has already given us so many great albums and Failure’s Wild Type Droid is right there amongst those (Quicksand’s Distant Populations, Every Time I Die’s Radical, Genghis Tron’s Dream Weapon to name a few). For a band that’s technically been around for over 30 years there is no stopping Failure. If anything it’s as though the reunion only made then stronger and reinvigorated. There is no substitute for Failure. Other’s have tried to capture what they do but, if it’s not Ken, Greg and Kellii, it’s just going to sound like an imposter. Cheers to Failure for yet another triumphant album. Personally, I can’t wait to hear these songs live. It’s going to be out of this world good!

Overall Rating= A

Failure- Wild Type Droid:

Band Of The Week: So Hideous

Mixing genres to create something interesting is always a gamble. If you put the wrong combinations together the end result can put you on the wrong path. One band that I’ve recently been intrigued by that mixes genres is So Hideous. Mixing post-rock, atmospheric black metal, and a bit of an orchestral film score type vibe, So Hideous have put together a recipe for something that will hit you on impact. The bands new album, None But a Pure Heart Can Sing is a new and astonishing piece of work from this adventurous band. Still raging as hard as ever, still expressing the extremes of torment and beauty, None But a Pure Heart Can Sing sees So Hideous incorporate new sounds and rhythms into its approach. When discussing the thematic elements of the record Brandon Cruz said “The record is about rediscovering the freedom to share your passion, whether it be your art or your own voice, without any angst, anger or second thoughts. We talked a lot about the times we used to get into a room to play when we were 16 or whatever and the only barometer was if it ‘felt right and sounded good.’ When you see little kids they just extemporaneously break out into song and dance. They don’t care who’s watching. I had this idea of someone in some form of captivity, yearning to be free and sing her song.” Based on that, I couldn’t agree more. This record is pretty damn good!

So Hideous- None But A Pure Heart Can Sing:

End Of Album Songs: Failure- Daylight
Great Music Videos: Failure- Stuck On You | audioeclectica

One of my all time favorite bands is Failure. Ever since I was a kid and heard them (pretty sure it was Magnified that I heard), I was sold. Then comes 1996 and they release one of my all time favorite albums in Fantastic Planet. For over 20 years, this album has yet to leave my rotation. It’s a perfect album and one that has gone on to influence and inspire countless other bands and artists. In a way, Fantastic Planet is the new equivalent to the first album by The Velvet Underground. Anyways, I could go on and on about the awesomeness of this record. Instead let’s focus on how great of a song “Daylight” is to end the album. Clocking in at 6 minutes long, this song is epic and one of those songs that makes you want to start the album all over again. The way the music starts and builds creates this amazing tension that finally explodes at the end. “Daylight” is an absolute essential song to listen to on how to close out an album properly. Everything about this song is stunnging from the way Ken, Greg and Kellii all play off each other, the production, the lyrics and melody and to top it off the tones, oh the tones! Bottle those tones and sell them!

Failure- Daylight:

Failure- Daylight (Live at The El Rey- Reunion Show, 2014):

Beats Per Minute: Confines

The electronic music world is growing by leaps and bounds as technology keeps evolving. The amount of artists in the genre is astounding and yet there are only a select few of them that have really intrigued me. One of the artists that has peaked my interest is David Castillo’s project (If you don’t know who David is, he’s the co-owner and booker of Saint Vitus Bar) CONFINES. The sound of CONFINES is dark and vibrant with tinges of industrial, techno and some synth pop. Think Depeche Mode (Songs of Faith and Devotion era) mixed with a little Skinny Puppy, Nitzer Ebb and a dash of early Ministry. On his debut EP, Work Up the Blood, David said “My ideal for this EP was to create dance music that incorporates the rhythms and bass heaviness that get me excited to move, while juxtaposing it with a memorable mood that gives it depth.” And he did just that. Work Up The Blood is more than your run of the mill electronic music album. David’s singing voice helps to take this to a whole other level. The intensity in his screams to delicate melodies create a killer ebb and flow to accompany the controlled chaos permeating from the speakers.

Confines- Work Up The Blood: